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J.W. Pepper
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PO Box 850, Valley Forge, PA 19482-0850
PHOTOS:
Downingtown West High School, Downingtown, PA
Doug Bennett, Band Director
Photos: Dan Soler
have a great season!
New Pop Tunes you don’t want to miss!
BORN THIS WAY arr. Jay Dawson.
This arrangement of Lady Gaga’s epic dance floor anthem combines big
beats with uplifting and distinctive melodies. Sure to be a huge hit with your
band and the audience!
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DYNAMITE arr. Victor Lopez.
This infectious dance-pop tune by Taio Cruz was one of the biggest hits of 2010.
The crowd is sure to be on their feet when they hear this hip chart! Sure to make
any event “dynamite!”
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EVACUATE THE DANCE FLOOR arr. Dave Henning.
The group “Cascada” had a huge dance club hit with this hot tune. Sitting still
is not an option when your band cranks this one up!
10274562 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
*10276709*
THE SAFETY DANCE arr. Jay Bocook & Omar Carmenates.
This campy 1983 hit from “Men Without Hats” became the famous mall dance
sequence on “Glee.” It’s sure to be a huge hit with your band whether you
recreate the dance on the football field or in the stands! Optional vocals are
included for the dance sequence.
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Call: 1-800-345-6296 / FAX: 1-800-260-1482 / Internet: jwpepper.com
© 2011 J.W. Pepper & Son, Inc. MB 10276709
marching band 2011
Your Complete Resource Catalog for Marching Band Music!
Call 1-800-345-6296 Fax 1-800-260-1482 Internet jwpepper.com E-mail satisfaction@jwpepper.com twitter.com/peppercares
Pop Tunes
21 GUNS—arr. Mike Story. From “Green Day’s” 2009
album comes the powerful 21 Guns. Featuring almost every section of
the band, this solidly scored arrangement really sparkles on the field!
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marching
band 2011
1ST CENTURY BREAKDOWN—arr. Mike
2
Story. This arrangement of the title track from “Green Day’s” 2009
In this catalog we present the newest and
best marching band music available, with
special ads to make it easy to focus on
selections for:
Pop Tunes . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Hot Combo Collections for Pep Band . . . . . 7
Guard, Marching & Playing DVDs . . . . . . . . 9
Patriotic . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
WarmUps . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Complete Shows from Gary P. Gilroy
Publications & Key Poulan Music . . . . . . 13
Classical & Concert Selections . . . . . . . . . . 14
Instructional & Performance DVDs . . . . . . 15
Complete Shows . . . . . . . . . . . . . . . . . . . . 16
Originals & Competition Charts . . . . . . . . 18
New from System Blue . . . . . . . . . . . . . . . 19
Broadway, Movie & TV . . . . . . . . . . . . . . . 20
Stands, Cheers & Pep Band . . . . . . . . . . . . 23
Rockin’ Collections . . . . . . . . . . . . . . . . . . 24
Hot Jazz & Super Standards . . . . . . . . . . . 26
Great Tools for Drum Majors . . . . . . . . . . 27
Percussion Features . . . . . . . . . . . . . . . . . . 28
Resources for Your Drumline . . . . . . . . . . . 29
Percussion Features & Cadences . . . . . . . . 30
More Complete Shows . . . . . . . . . . . . . . . . 31
album features both straight-ahead rock and a swinging rock shuffle.
Perfect for both field and stands, or as the opener to a “Green Day”
show!
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Band” brings in the funk! It’s loads of fun and there “ain’t nothin’
wrong with that!”
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AIR DUBLINESQUE—arr. Jay Dawson. Show your
students and audience the “classical” side of Billy Joel. Taken from
Billy’s album of all piano works, this production number adds gorgeous
contrast to your field show.
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25 OR 6 TO 4—arr. Mike Story. The innovative music
from the jazz/rock group “Chicago” is as fresh and exciting today as
it was when it was first released. This driving arrangement of one of
their biggest hits is sure to be a fan favorite!
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e 25 OR 6 TO 4—arr. Paul Murtha. Here’s the popular,
gritty rock anthem from the early years of “Chicago.” This arrangement
is designed for younger bands, but is still a powerhouse!
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25 OR 6 TO 4—arr. Richard Saucedo. Driving bass
lines and powerful scoring add up to a hot, gritty rock chart from the
group “Chicago!” Add this to your complete “Chicago” show, and
you’ll definitely have a winner!
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e 4 MINUTES—arr. Michael Brown. 2008 brought
Madonna back to the pop charts with this driving anthem that also
features Justin Timberlake. This hard-hitting arrangement is powerful
and true to the original hot groove!
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4 MINUTES—arr. Patrick Roszell. This catchy dance
tune from Madonna and Justin Timberlake was one of the hottest hits
of the summer of 2008! The infectious groove and cool “licks” make
this a great stands chart!
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e 867-5309/JENNY—arr. Paul Murtha. You may not
remember the name “Tommy Tutone,” but you’ll certainly recognize
this fast-paced rock hit from 1982! This chart features a relentless
energetic drive and catchy melodies that are meant to be played loud
and fast!
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e ABC—arr. Michael Sweeney. Here’s “The Jackson 5’s”
most recognized hit! A terrific choice for a production number or
closer, it includes a short percussion feature and an ending sure to
build excitement. It’s Motown magic at its best!
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famous by “Earth, Wind & Fire” lays down a nice groove and has all
the right stuff. You’ll find lush chord progressions as well as alto sax
and trumpet solos. Impressive!
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e AIN’T NO MOUNTAIN HIGH ENOUGH—arr. Jay
Bocook. Everyone is sure to recognize this huge hit duet by Marvin
Gaye and Tammi Terrell! It’s perfect for pep rallies or the stands and is
great for the dance squad or cheerleaders to perform to!
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Here’s an electrifying and powerful rocker that lives up to its name!
Your band will have big-time fun with this “Mooney Suzuki” chart!
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LL ALONG THE WATCHTOWER—arr. Tom
A
Wallace. Many artists have covered this Bob Dylan classic over
the years. This arrangement is a Latin-flavored treatment inspired by
the Jimi Hendrix version.
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N E W ! LL AMERICAN NIGHTMARE—arr. Tom
A
Wallace. From the alternative rock group “Hinder” comes their
heavy-hitting hard rocker with a stout in-your-face hook that’s perfect
for marching band!
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N E W ! ALL I DO IS WIN—arr. Jay Bocook. Pump up
the energy in your stadium with this driving arrangement of the
chart hit recorded by DJ Khaled. A great style and tempo for dancin’
or groovin’!
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ALL STAR—arr. Mike Story. “Hey now!” It’s the song
made famous in the movie “Shrek,” arranged for younger bands!
Everyone loves this one and it’s ideal for both stands and the field!
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THE SMALL THINGS—arr. Michael
Sweeney. If you need a high-energy pop chart, this one’s for
e
ALL
you! Here’s the monster hit from “Blink 182” that is sure to get the
stands rockin’!
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AMERICAN WOMAN—arr. Tom Wallace. This #1
hit from the “Guess Who” will rock the stands!
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JW Pepper...It’s where
America shops for music!
BABY—arr. Victor Lopez. Canadian teen singing sensation
Justin Bieber had a huge hit in 2010 with this catchy pop tune. The
crowd is sure to have Bieber Fever when they hear your band play this
infectious chart!
10273853 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
BACK IN BLACK—arr. Tom Wallace. The “AC/
DC” rock hit appeared in the hit movie “Men In Black 2,” and Tom
Wallace’s intense arrangement is sure get people on their feet!
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BAD MEDICINE—arr. Tom Wallace. Rock the house
with one of “Bon Jovi’s” biggest hits! It’s anything but bad!
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N E W ! BAD REPUTATION—arr. Allen Gray. This hit from
Joan Jett makes a killer stands chart that will totally rock the house!
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BAD ROMANCE—arr. Jay Dawson. Crank up this big
hit from Lady Gaga and watch the fans go crazy!
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N E W ! BANG THE DRUM ALL DAY—arr. Nick Baratta.
The theme song of drummers everywhere, this party rock favorite from
Todd Rundgren has been turned into a dynamite chart that will be a
crowd pleaser for years to come!
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BEAT IT—arr. Ralph Ford. A funky bass line, great horn
licks and driving rhythms make this Michael Jackson classic perfect
for the stands! It’s been scored for maximum sound that will have the
crowd moonwalking in no time!
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Pop Tunes
BICYCLE RACE—arr. Tom Wallace. Here is “Queen’s”
operatic glam-rock tour de force in a stupendous setting for the field!
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BILLIE JEAN—arr. Doug Adams. One of Michael
Jackson’s biggest hits is now playable by any band thanks to this
solidly scored arrangement! The rock groove will have everyone on
their feet!
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NEW!
Pyware Software!
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ANIMAL—arr. Doug Adams. The alternative rock band
ANY WAY YOU WANT IT—arr. Ralph Ford. The
classic hit from the rock band “Journey” gets a fresh treatment in this
great chart. This arrangement is big, fat, and full-sounding and can be
used on the field or in the stands!
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BLISTER IN THE SUN—arr. Tom Wallace. Who can
resist this insistent riff? This hit was made famous by both “Phish” and
“Violent Femmes.”
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BOHEMIAN
RHAPSODY—arr.
Richard
Saucedo. Practically a show within itself, this production number
based on “Queen’s” mega-hit varies in style from a sensitive ballad to
driving rock. A very dramatic statement!
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BOOM BOOM—arr. Paul Murtha. This catchy riff is
perfect for the stands! With an infectious groove, it’s hard not be
energized when you hear it!
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NY WAY YOU WANT IT—arr. Chris Crockarell
A
& Jay Dawson. Rock the house with this energetic classic by
“Journey!” Optional full band parts are included.
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ANY WAY YOU WANT IT—arr Tom Wallace. Rock
back to the ‘80s with this high-energy tune from “Journey!”
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arrangement of Lady Gaga’s epic dance floor anthem combines big
beats with uplifting and distinctive melodies. Sure to be a huge hit with
your band and the audience!
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NY WAY YOU WANT IT/LOVIN’, TOUCHIN’,
A
SQUEEZIN’ (Mash-up)—arr. Jay Bocook and
Will Rapp. Similar to the “mash-up” on “Glee,” here are two
5836143 3D Java Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349.00
10029054 3D Java Interactive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 999.00
10035096 3D Java Interactive Professional . . . . . . . . . . . . . . . . . . 1,199.00
ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm R PICK!
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BORN THIS WAY—arr. Jay Dawson. This
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“Neon Trees” had a big 2010 hit with this infectious dance-rock tune
that was all over the airwaves. This fun arrangement has an awesome
groove and is sure to be a huge hit with your students!
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BLACK DOG—arr. Roland Barrett. The innovative
music from the rock group “Led Zeppelin” is as fresh and exciting
today as it was when it was first released. This driving arrangement of
one of their biggest hits is a hard-rockin’ chart that will be a favorite
with your students and the fans!
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P e pp e r 2011 Marching Band C at alo g
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ALIVE AND AMPLIFIED—arr. Tom Wallace.
N E W ! FTER THE LOVE HAS GONE—arr. Paul Murtha
A
& Will Rapp. This change-of-pace production number made
Thank you for choosing
IN’T NOTHIN’ WRONG WITH THAT—arr. Tom
A
Wallace. This soul chart from “Robert Randolph and the Family
PE
classics from “Journey” together in a powerful and driving chart for the
field. Trombones get a chance to shine, before the entire band joins in
for an exciting finish!
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e APACHE—arr. Tim Waters. This instantly recognizable hit
by the “Sugar Hill Gang” showcased one of the earliest incarnations
of rap music. It’s sure to be a blast for the stands as the crowd joins
in with “jump on it!”
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BORN THIS WAY—arr. Michael Brown. Lady
Gaga set the charts on fire with this smash hit in 2011! Here’s a
sizzling arrangement for inexperienced bands that’s sure to get
the stands jumpin’!
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Order Toll-Free Today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
3
Pop Tunes
BORN TO BE WILD—arr. Tom Wallace. Kick out the
N E W ! jams and get wild with this quintessential classic rock masterpiece by
“Steppenwolf!”
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CRAZY IN LOVE—arr. Doug Adams. One of Beyonce’s
BREADFAN—arr. Roland Barrett. Here’s a rockin’
chart by “Metallica” with cool heavy metal riffs that sound great in the
stands or on the field! And, it works with limited brass instrumentation.
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e BRICK HOUSE—arr. Michael Brown. This one needs
no introduction! The percussion section sets up the groove then the
low brass joins in with the bass line. This chart gives you the option
of two endings; a regular “short ending” if needed in the stands or
elsewhere, and an extended “closer ending” for a big finish to a show.
“Mighty, mighty!”
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swing? This energetic chart provides a wealth of opportunities for
color guard work! It’s light-hearted fun at its best!
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Osbourne is everywhere, so he may as well be in marching band, too!
Here’s Ozzy’s biggest hit arranged for pep bands or general mania in
the stands!
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songs never seem to grow old, and this pop classic recorded by Van
Morrison in 1967 is a perfect example. You’ll find a multitude of uses
for this solid and well-paced arrangement!
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This tune is destined to join the ranks of the all-time classic stands
charts! A fun shuffle chart from the ‘60s, it’s enjoying renewed
popularity thanks to its use in the hit movie “There’s Something About
Mary.” Your crowd will absolutely love this one!
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BURNING LOVE/C.C. RIDER—arr. Jay Dawson.
CUPID SHUFFLE—arr. Tim Waters. Recorded by Cupid
The excitement Elvis created every time he walked on stage will
be generated by your band when they play this medley of two of
his classics!
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in 2007, this catchy hit spawned a popular line dance as well as
numerous remixes and versions on YouTube. Create your own dance
sensation with this hot tune!
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C’MON N’ RIDE IT (The Train)—arr. Mike Story.
e DANCING MACHINE—arr. Tim Waters. At their
peak of popularity in the early 1970s, the “Jackson 5” recorded this
hot dance groove that quickly became a classic. Sizzling brass licks
and a driving pulse help make this a natural for the field or stands!
10088734 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
This infectious dance hit from the “Quad City DJs” is a fun number
for a cheerleader or guard routine! Beginning with clever train
effects, the chart quickly moves into a funky groove. A great way to
pump up the crowd!
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DETROIT ROCK CITY—arr. Nick Baratta. ‘70’s rock
group “Kiss” is still going strong decades after exploding onto the
music scene. Here is one of their biggest hits in a driving rock-shuffle
chart that makes for a perfect stands or dance team feature!
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IRTY DEEDS DONE DIRT CHEAP—arr. Tom
D
Wallace. Hard-rock fans will love this power-driven arrangement
of “AC/DC’s” classic hit! A sure-fire way to add a blast of raw energy
to every event!
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e DISTURBIA—arr. Paul Murtha. Plenty of tutti riffs
and solid scoring characterize this hit recorded by Rihanna. This
arrangement is easy to learn and will sound great in the stands or on
the field. Sure to be a crowd favorite!
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confused with the “Beach Boys” classic, this hot chart by Katy Perry
was one of the biggest songs of the summer of 2010. Strong block
scoring and lots of unison writing make this one playable by any band.
It really rocks!
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recording artist Taio Cruz comes this compelling dance tune with
an infectious hook, tailor-made for the stands. It will be instantly
recognizable to your band and audience!
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e DON’T FEAR THE REAPER—arr. Paul Murtha.
Here’s a classic rocker from the group “Blue Oyster Cult.” With an
up-tempo rock style and effective pacing, this will work great for
drill teams!
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classic by “Chicago” in a dynamic arrangement for the field or stands!
It starts out big and bold and just keeps on coming!
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pop tune by Taio Cruz was one of the biggest hits of 2010. The crowd
is sure to be on their feet when they hear this hip chart! Sure to make
any event “dynamite!”
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arrangement of the “Metallica” heavy metal standard features a
moderate tempo and a hard-driving rock feel. Your band is sure to
turn some heads when they crank this one up!
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ENTER SANDMAN—arr. Dallas C. Burke. Rock the
house like never before with one of “Metallica’s” biggest hits! Your
band is sure to turn heads when they play this driving metal anthem!
10089268 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Thank
You for Being a
Pepper Customer!
in a high octane version for mature bands! With the mellophones and
horns on the signature guitar riff, carefully paced impact points, and a
driving percussion score, this is sure to whip the crowd into a frenzy!
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e DON’T STOP BELIEVIN’—arr. Paul Murtha. This
1981 arena anthem from the group “Journey” has enjoyed renewed
popularity in TV and film as well as the Broadway production “Rock
of Ages.” It was featured in the final episode of the HBO hit series
“The Sopranos,” and most recently in the highly acclaimed TV Series
“Glee.” Guaranteed showstopper!
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DON’T STOP BELIEVIN’—arr. Brian Scott. The
team’s successes this season with this energetic, yet playable pop
tune! You’ll find lots of uses for this one throughout the year!
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CLOCKS—arr. Michael Brown and Will Rapp.
“Coldplay” proves that today’s music groups can give us memorable
hits suitable for marching band. Here is one of their best from 2003
in a very effective and dynamic arrangement for the field or stands.
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inspirational rocker from “Journey” is popular again due to the Fox TV
show “Glee.” Horn and trumpet have optional solo opportunities in this
solidly scored arrangement for the field or stands!
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DOWN—arr. Doug Adams. The 2009 #1 hit from Jay
Sean can now be a #1 hit with your marching or pep band! Any band
can handle this solid arrangement and will sound great!
10088004 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
DR. FEELGOOD—arr. Roland Barrett. Here’s a real
kickin’ version of this classic hit from “Motley Crue!” It has lots of
rhythmic drive that will rock your stands for years to come!
10087951 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
COME OUT AND PLAY—arr. Tom Wallace. Pristine
heavy metal from the group “The Offspring.”
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COME SAIL AWAY—arr. Paul Murtha. It’s a genuine
RAZY IN LOVE—arr. Ralph Ford & Bryden
C
Atwater. Beyonce saw her solo career take off with the success of
this great dance song. The horn lines translate very easily for marching
band, making this an instant crowd favorite!
2477131 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
VACUATE THE DANCE FLOOR—arr. Dave
E
Henning. The group “Cascada” had a huge dance club hit with
this hot tune. Sitting still is not an option when your band cranks this
one up!
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EVIL WAYS—arr. Jay Dawson. This great Santana hit
will work magic in the stands or on the field! A hot Latin groove that’s
easy to play and sounds fantastic!
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N E W ! GET BACK—arr. Michael Brown. Here’s a rock solid
hit from the “Beatles” later years, made famous by their live rooftop
performance in London. A perfect opener for a field show, or just
rockin’ the stands!
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ETAWAY/SEPTEMBER—arr. Paul Murtha &
G
Will Rapp. If you have a lot of brass players, check this smokin’
chart out! Getaway features the brass and percussion sections then
jumps into mega-hit September. The beat is infectious, and the
energetic horn lines really drive this closer!
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GIMME SOME LOVIN’—arr. Paul Lavender.
Originally recorded by the “Spencer Davis Group” in the late ‘60s,
this driving rock tune has enjoyed continued popularity in films and on
the dance floors. This solid chart for smaller bands is sure to rock the
stands and get the crowd going!
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inspirational rock hit from the movie “Rocky III.” There’s plenty of
excitement in this easy arrangement!
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EYE OF THE TIGER—arr. Victor Lopez. Fire up your
team this fall with the “Survivor” hit from the “Rocky” movie series!
This solid and very playable chart is inspirational and full of energy!
10027109 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
N E W ! FAST AS YOU—arr. David Samuel. The color guard,
dance team and cheerleaders can let loose with a line dance to
this Dwight Yoakam favorite that’s been arranged as an up-tempo
blues number!
10274567 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
FINAL COUNTDOWN—arr. John Higgins. An
opening brass fanfare and driving pulse make this one hot!
2317212 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
N E W ! FIRECRACKER—arr. Ayatey Shabazz. Liven up the
night with this funk tune from the group “Mass Production!” It sizzles
and sparks from the first note to the last!
10274500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
DREAM ON—arr. Jay Bocook and Will Rapp.
Since its initial release by “Aerosmith” in 1973, this classic rock ballad
has enjoyed continual popularity through the years in film and tv, most
recently being featured on “Glee.” This powerful version for the field
or stands will bring the house down!
10274255 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm An absolutely incredible marching band book! It’s
been around for years yet it seems to get stronger
every year. Containing 26 college songs, this is a
book that is basic to every marching band library!
Titles include: On Wisconsin; Minnesota Rouser;
Wave the Flag; Notre Dame Victory March; Rambling
Wreck from Georgia Tech; Men of Pennsylvania; Go,
Northwestern, Go; Carmen Ohio; Across the Field;
We’re Loyal to You, Illinois; Iowa Corn Song; Hail,
Purdue; The Victors; Fight On; Mighty Oregon; Far
Above Cayuga’s Waters; Indiana, Our Indiana; Navy
Blue and Gold; Varsity; Down the Line; Northwestern
Push On Song; When the Irish Backs Go Marching
By; I’m a Jayhawk; Dear Old Nebraska U; Sweetheart
of Sigma Chi and White Star of Sigma Nu.
EYE OF THE TIGER—arr. Doug Adams. This is the
terrific mix of frantic energy, driving percussion and ensemble riffs,
this arrangement of the Jimi Hendrix hit will surely live up to its name
on the field! It really cooks!
10045119 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
rocked the pop world in 1989 with this distinctive and energetic hit.
Featured as a part of the “Drumline Live” stage production, this chart
epitomizes their edgy and exciting style.
10088707 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 65.00
rock anthem and both your band and the crowd will love it! It starts
quietly with trumpet soloist, then builds solidly and pulls out all the
stops to the powerful closing. A great closer!
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e FIRE—arr. Jay Bocook & Will Rapp. Combining a
e COLD-HEARTED—arr. Raymond Rolle. Paula Abdul
PE
P e pp e r 2011 Marching Band C at alo g
CELEBRATION—arr. Doug Adams. Celebrate all your
NEW!
classic has never gone out of style! First made famous by “Lipps,
Inc.,” and now part of the soundtrack from “Shrek 2”, everyone is sure
to remember this tune as soon as your band breaks it out! The crowd
will be begging to be taken to Funkytown!
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PE
ON’T STOP BELIEVIN’—arr. Jay Bocook and
D
Omar Carmenates. Here is “Journey’s” signature hit from 1981
deep bass lines, strong ensemble phrases and contrasting softer
sections to create a truly powerful statement for the field or stands!
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absolute must for the stands!
2477829 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
e FUNKYTOWN—arr. Michael Brown. This ‘80s retro
Pop Tunes
Your complete satisfaction
is our only goal.
AN’T HELP FALLING IN LOVE (Opener)—arr.
C
Jay Dawson. The King lives on! One of Elvis’ most popular hits
CELEBRATION—arr. Joe Murphy & Chris
Crockarell. This party standard by “Kool and the Gang” is an
N E W ! FREE—arr. Roland Barrett. Here is a powerful jazz/rock
DYNAMITE—arr. Victor Lopez. This infectious dance-
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love the unexpected chorale treatment before the high velocity ending!
10090160 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
ARRY ON WAYWARD SON—arr. Mike
C
Sweeney. From progressive rock group “Kansas”, this chart uses
the airwaves in late 2010, this Cee Lo Green song is reminiscent of the
legendary tunes from the 1960’s Motown era. Sure to be an instant
favorite!
10274738 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
arr. Paul Yoder. AN’T HELP FALLING IN LOVE (Closer)—arr.
C
Jay Dawson. Close out your show with this Elvis classic! You’ll
to this hip arrangement of “Rose Royce’s” legendary disco classic!
10090169 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
College Songs For
School Bands
for the field! With an absolutely marvelous boogie woogie-style section
feature for trumpets, this chart is the perfect high-energy closer you’ve
been looking for!
2477271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
CAR WASH—arr. Jay Dawson. Get down and boogie
FORGET YOU—arr. Tom Wallace. Having dominated
version recorded by “The Edgar Winter Group” to your marching field
on Friday night, this rock anthem will quickly become a crowd favorite!
It’s a dynamic chart that includes brief features for woodwinds as well
as the percussion section. Great for the stands or on the field!
10026505 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
AN’T BUY ME LOVE/MAGICAL MYSTERY
C
TOUR—John Lennon & Paul McCartney/arr.
Saucedo. This “Beatles” favorite gets some swingin’ treatment
will thrill audiences and judges alike in this effective show opener!
10090157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
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FRANKENSTEIN—arr. Paul Murtha. From the gritty
e ENTER SANDMAN—arr. Paul Murtha. This intense
NEW!
DYNAMITE—arr. Tom Wallace. From the British
JW Pepper...America’s
music supplier since 1876!
BUILD ME UP, BUTTERCUP—arr. Paul Murtha.
CALIFORNIA GURLS—arr. Doug Adams. Not to be
R PICK!
PPE
e CRAZY TRAIN—arr. Paul Murtha. It seems Ozzy
e
BROWN EYED GIRL—arr. Paul Murtha. Some
R PICK!
PPE
PE
RAZY LITTLE THING CALLED LOVE—arr.
C
Richard Saucedo. Who knew that “Queen” could really
PE
biggest hits is now in a very playable arrangement for marching band!
It has a great groove and one of the most recognizable brass licks
ever. Check it out!
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4
2096907Flute/Piccolo . . . . . . . . . . . . . . . . . . . .
2096956Oboe . . . . . . . . . . . . . . . . . . . . . . . . .
2096964Bassoon . . . . . . . . . . . . . . . . . . . . . . .
2096923 Clarinet in Eb . . . . . . . . . . . . . . . . . . .
2096980 Clarinet 1 . . . . . . . . . . . . . . . . . . . . . .
2096998 Clarinet 2 . . . . . . . . . . . . . . . . . . . . . .
2097004 Clarinet 3 . . . . . . . . . . . . . . . . . . . . . .
2096931 Alto Clarinet . . . . . . . . . . . . . . . . . . . .
2096949 Bass Clarinet . . . . . . . . . . . . . . . . . . . .
2096972 Alto Sax 1 . . . . . . . . . . . . . . . . . . . . . .
2097012 Alto Sax 2 . . . . . . . . . . . . . . . . . . . . . .
2097020 Tenor Sax . . . . . . . . . . . . . . . . . . . . . .
2097038 Baritone Sax . . . . . . . . . . . . . . . . . . . .
2097046 Trumpet 1 . . . . . . . . . . . . . . . . . . . . . .
2097053 Trumpet 2 . . . . . . . . . . . . . . . . . . . . . .
2097061 Trumpet 3 . . . . . . . . . . . . . . . . . . . . . .
2097129 F Horn 1 . . . . . . . . . . . . . . . . . . . . . . .
2097137 F Horn 2 . . . . . . . . . . . . . . . . . . . . . . .
2097145 F Horn 3 . . . . . . . . . . . . . . . . . . . . . . .
2097079 Trombone 1 . . . . . . . . . . . . . . . . . . . .
2097087 Trombone 2 . . . . . . . . . . . . . . . . . . . .
2097095 Trombone 3 . . . . . . . . . . . . . . . . . . . .
2097103 Baritone B. C. . . . . . . . . . . . . . . . . . . .
2097111 Baritone T. C. . . . . . . . . . . . . . . . . . . .
2097160Tuba . . . . . . . . . . . . . . . . . . . . . . . . . .
2097186Percussion . . . . . . . . . . . . . . . . . . . . . .
2097178Bells . . . . . . . . . . . . . . . . . . . . . . . . . . .
2097194 Conductor Score . . . . . . . . . . . . . . . .
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5
Pop Tunes
HEARTBREAKER—arr. Ralph Ford. Here is the bluesy
“Led Zeppelin” burner in a dynamic arrangement for the field or
stands! This one rocks hard from start to finish!
10087925 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
e HERE IT GOES AGAIN—arr. Ken Dye. The group
“OK Go” created a YouTube sensation with their bouncy pop tune
and accompanying treadmill video. This exciting arrangement, as
performed by the Notre Dame Marching Band, will get everyone on
their feet for a little exercise!
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PE
HEY BABY!—arr. Victor Lopez. Here is the classic song
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IVE UP THE FUNK (Tear the Roof Off the
G
Sucker)—arr. Ralph Ford. Here’s the classic ‘70’s funk
tune from “Parliament” in a solid arrangement for marching band.
This one is sure to energize the crowd and the home team into
tearin’ it up!
10273855 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
GLORY DAYS—arr. Doug Adams. Everyone will
remember this hard-driving rocker from Bruce Springsteen! You’ll
think back to your own glory days thanks to the big, bold scoring of
this exciting arrangement!
10088014 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! GO YOUR OWN WAY—arr. Doug Adams. Get
your crowd rockin’ with this legendary hit from “Fleetwood Mac.” It’s
a strong but easy arrangement that will come together quickly. Classic
rock for marching band at its best!
10273905 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! GOT MY OWN THING—arr. Ayatey Shabazz.
Lots of brass and a jammin’ beat make this arrangement from
up-and-coming R&B duo “Bella Steez” a hip chart that will get the
crowd movin’!
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that is one of the most popular tunes with sporting crowds everywhere!
This arrangement is lots of fun, and will come together quickly. A great
stands tune year after year!
10087939 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
HEY JUDE—arr. Jay Bocook. The all-time biggest hit
record of the Fab Four! This classic has been given a new look with
fresh up-tempo sections. A unique chart that’s easy to put together!
2259364 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
e
HEY JUDE/SERGEANT PEPPER’S LONELY
HEARTS CLUB BAND—arr. Jay Bocook & Omar
Carmenates. Mallets and woodwinds accompany a sensitive
baritone solo as this “Beatles” classic starts to unfold. The chart
builds to a peak just as the entire band breaks into singing the famous
refrain. The exciting rock strains of Sergeant Pepper power this chart
to a rousing finish!
10066104 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Vacancies” rocks hard from start to finish and makes a great selection
for bands that want to pump up the crowd at any sporting event!
10274561 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
EY SONG ROCK AND ROLL PART 2—
H
Lavender, P. Everybody knows the word(s) to this one! Sure to
get the crowd rowdy and loud!
2471287 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
HIT THE ROAD, JACK—arr. Chris Sharp. Send the
opposing team on their way with this standard from Ray Charles. The
easy swing makes it a great chart for any band!
10089267 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 65.00
HOT AND COLD—arr. Doug Adams. Singer Katy Perry
big hit from “Sam And Dave” is arranged in a rockin’ version that
cooks to the very last note. Super on the field or in the stands.
2278059 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
had a huge hit with this one in 2008. The strong scoring will make any
band sound great!
10066171 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
HAND THAT FEEDS, THE—arr. Tom Wallace. The
OUND DOG/LOVE ME TENDER/JAILHOUSE
H
ROCK—arr. Jay Dawson. This medley of Elvis’ most
famous tunes is a rockin’ good time for the field! The fun musical
twists make this a perfect chart for marching bands!
10090159 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
IMMIGRANT SONG—arr. Ralph Ford. Get ready
to “rock the house” with this pumped-up arrangement of “Led
Zeppelin’s” classic anthem! The crowd will love this sure-fire hit!
10066153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
I DON’T WANNA STOP—arr. Tom Wallace. Ozzy
IN THE STONE—arr. Paul Murtha & Will Rapp.
Osbourne’s big hit gets an over-the-top marching band treatment that
will get the crowd fired up!
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A consistent favorite with bands and drum corps, here is the classic
from ”Earth, Wind & Fire” in an exciting and powerful arrangement. It’s
got lots of variety and drive, making it a perfect opener!
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I GOT YOU (I FEEL GOOD)—arr. Tom Wallace.
Here is the masterpiece by the “Godfather of Soul,” James
Brown...OW!
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IRON MAN—arr. Dave Henning. Let’s face it...you
need this chart for the stands! This familiar rock tune from the
70s has a heavy metal riff that will drive your fans crazy! It has
guaranteed power!
2315786 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
e I GOTTA FEELING—arr. Paul Murtha. “The Black
Eyed Peas” rocketed to the top of the charts with their acclaimed CD
“The E.N.D.” This powerful and energetic arrangement of their #1 hit
is sure to rock the stands!
10076365 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
JOHNNY B. GOODE—arr. Tom Wallace. Chuck
Berry’s classic rock n’ roll hit in a blistering stands arrangement!
2437523 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
I JUST WANT TO CELEBRATE—arr. Tom Wallace.
Here is a joyous rendition of the timeless rocker by “Rare Earth.”
10067897 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
JUMP—arr. Brian Scott. Go back to the ‘80s with this “Van
Halen” gem! Instantly recognizable, this classic from Diamond Dave
and the boys is just what you need to pump up the crowd!
2480380 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
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I LIKE IT—arr. Tom Wallace. Pop star Enrique Iglesias
performs this hit song in a retro-disco production that includes brief
excerpts from Lionel Richie’s All Night Long. The infectious, instantly
recognizable sing-along chorus, “Baby, I Like It” is nothing short of
“standtastic!”
10274740 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
I LOVE ROCK AND ROLL—arr. Tom Wallace.
Joan Jett’s stadium anthem gets an appropriate crowd-pleasing
treatment!
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e
I WANT YOU BACK—arr. Michael Sweeney.
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JUMP—arr. Jay Bocook and Will Rapp. Recorded by
“Van Halen” in 1984 and made popular again thanks to the tv series
“Glee,” here is a rock-the-stands version of this signature anthem!
With a moderate tempo and pounding groove, this is one your players
are sure to really sink their teeth into!
10274240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Pop Tunes
This was one of the biggest hits for “The Jackson 5,” and this
makes a super opener or stands tune! The crowd will eat up this
Motown favorite!
2462679 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
JUMPIN’ JACK FLASH—arr. Doug Adams. Here is
one of “The Rolling Stones” biggest hits in a hip arrangement for any
band! This is one classic rock tune you’ll use year after year!
10088011 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
e I’LL BE THERE—arr. Paul Murtha. For a nice change of
e JUST DANCE—arr. Paul Murtha. Lady Gaga has taken
pace, try this hit ballad from the “Jackson 5!” A nice relaxed groove
develops then modulates and builds up to an effective chorus.
2462687 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
the world by storm with her catchy melodies and great dance beats.
Auxiliary groups and dance teams will have a blast with this one!
10088740 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
hot combo collections
for Pep Band!
Dave Woodley & Brad McDavid. P e pp e r 2011 Marching Band C at alo g
I DON’T CARE—arr. Tom Wallace. Check this harddriving rock shuffle treatment of the recent hit by “Fall Out Boy!”
10067890 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
HEY MAN—arr. Allen Gray. This hip tune from “The
metal punk from “The Offspring,” add winds and a drumline and you
get this smokin’ chart for marching band!
10090170 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
This instructional DVD series is an essential
resource for anyone looking to understand the
key building blocks to effective marching band
drill design as presented by two of today’s
leaders in the marching band world and
demonstrated by members of their respective
bands. Until now, there has never been a
comprehensive DVD project that clearly and
concisely presents a wide variety of techniques,
complete with video footage from multiple
angles appropriate for high school or collegiate
bands. The Marching Band Director’s Video
Toolbox is an invaluable guide for music
education students and young band directors
with limited experience in the marching band
genre. It can also be a dynamic supplement
for collegiate marching band technique
courses. Overall, it is a great tool for anyone
who is looking to broaden or refresh their
knowledge and teaching skills regarding either
contemporary or traditional drill. Topics covered
on this DVD include: Equal Steps/Halfway
Technique; Figure Reduction; Float: Arc to Arc;
Float: Linear to Curvilinear; Rotations; Sequential
File Maneuvers; and Sliding Geometrics. The
Marching Band Director’s Video Toolbox is
the first DVD to demonstrate these marching
band drill techniques from start to finish, clearly
explaining how to effectively teach, clean, and
stage them, and revealing how they look at
various camera angles and at different tempi.
I’M TOO SEXY—arr. Allen Gray. Long live the ‘90s with
this massive world-wide hit from “Right Said Fred!” Your students
might not remember it, but their parents sure will!
10274564 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
HAMMERHEAD—arr. Tom Wallace. Take crazy fast
The Marching band
director’s video
toolbox,
Volume 1
Elwood Blues! The driving buildup of “I Can’t Turn You Loose” will get
the crowd on their feet and the funky groove of “Soul Man” will get
them movin’ and groovin’! Dark shades are recommended!
2473967 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
NEW!
HOLD ON, I’M COMIN’—arr. Tom Wallace. This
A valuable resource for all directors!
NEW!
GREEN ONIONS—arr. Tom Wallace. This classic R&B
chart becomes a burning production number in Tom Wallace’s hand.
Features some searing trumpet sounds!
2373348 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
dark and intense industrial rock sound of “Nine Inch Nails” really
comes through in this driving chart! Your band will definitely have the
crowd’s attention with this one!
10028333 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
I CAN’T TURN YOU LOOSE/SOUL MAN—arr.
Paul Murtha. Here are the two signature tunes of Jake and
PE
GIRLS, GIRLS, GIRLS—arr. Doug Adams. Show off
the guard, cheerleaders or dance team with this hard rockin’ feature
from “Motley Crue!” Lots of block scoring, driving percussion, and
tasty brass licks make this a must-have chart!
10088009 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
PE
6
Combo Blasters
More Combo Blasters
Combo Blasters Take 3!
arr. John Wasson.
These hot charts are written in four interchangeable parts
plus rock rhythm section. And, the General MIDI disk will
create an incredibly realistic rhythm section if you don’t
have one! This is a super choice if you have to cover a
pep rally with a small group! Includes: Proud Mary; Louie,
Louie; Tequila; Oh Pretty Woman; Twist and Shout; Sweet
Georgia Brown; Gimme Some Lovin’; Old Time Rock ‘n’
Roll; Soul Man; Celebration; Macarena; Sing, Sing, Sing;
Smoke on the Water and Star Spangled Banner.
2362002 Part 1 in C . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362010 Part 1 in Bb . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362028 Part 2 in Eb . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362036 Part 2 in Bb . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362044 Part 3 in F . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362051 Part 3 in Bass Clef . . . . . . . . . . . . . . . . . . 3.95
2362069 Part 3 in Bb Treble . . . . . . . . . . . . . . . . . . 3.95
2362077 Part 4 in Bass Clef . . . . . . . . . . . . . . . . . . 3.95
2362085 Part 4 in Bb Treble Clef . . . . . . . . . . . . . . 3.95
2362093 Part 4 in Eb Treble Clef . . . . . . . . . . . . . . 3.95
2362101 Tuba (Doubles Elec. Bass) . . . . . . . . . . . . 3.95
2362119Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362127Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362135 Electric Bass . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362143 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2362150 Midi Disk (General MIDI) . . . . . . . . . . . 14.95
2362168 Conductor Score With CD . . . . . ME 18.95
arr. Victor Lopez.
The first “Combo Blasters” collection was received with
such enthusiasm that Warner Bros. has released this followup collection. The design is the same: charts playable
by as few as four players with rock rhythm section.
A GM MIDI disk of the rhythm section is available, and
it sounds awesome. The CD that comes with the score
can also be used in place of a live rhythm section. Titles
in this collection include: All Night Long; Eye of the Tiger;
Hot, Hot, Hot; Respect; The Horse; When the Saints Go
Marching In; Gonna Fly Now (Theme from Rocky); Your
Mama Don’t Dance; Hang On Sloopy; Rhythm Is Gonna
Get You; Peter Gunn; Bad to the Bone; La Bamba and Star
Spangled Banner.
5711825 Part 1 in C . . . . . . . . . . . . . . . . . . . . . . . . 3.95
5711734 Part 1 in Bb . . . . . . . . . . . . . . . . . . . . . . . . 3.95
5711833 Part 2 in Eb . . . . . . . . . . . . . . . . . . . . . . . . 3.95
5711742 Part 2 in Bb . . . . . . . . . . . . . . . . . . . . . . . . 3.95
5711841 Part 3 in F . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
5711759 Part 3 in Bass Clef . . . . . . . . . . . . . . . . . . 3.95
5711858 Part 3 in Bb Treble . . . . . . . . . . . . . . . . . . 3.95
5711866 Part 4 in Bass Clef . . . . . . . . . . . . . . . . . . 3.95
5711874 Part 4 in Bb Treble Clef . . . . . . . . . . . . . . 3.95
5711775 Part 4 in Eb Treble Clef . . . . . . . . . . . . . . 3.95
5711767 Tuba (Doubles Elec. Bass) . . . . . . . . . . . . 3.95
5711882Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
5711890Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
5711908 Electric Bass . . . . . . . . . . . . . . . . . . . . . . . 3.95
5711783 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
5711817 Conductor Score With CD . . . . . ME 22.95
arr. Victor Lopez.
Combo Blasters Take 3 has all the unique features and
advantages of the first two books, with 15 great new charts!
And just like the previous sets, arrangements are playable
by as few as four instruments or the whole band. The
accompanying CD can be used in place of a live rhythm
section at games, pep rallies or assemblies. This collection
includes: Chattanooga Choo Choo; Children of Sanchez;
Conga; Dragnet; Happy Birthday; Hawaii Five-O; The Hey
Song; In the Midnight Hour; James Bond Theme; Jeepers
Creepers; Jungle Boogie; Margaritaville; Smooth; The Star
Spangled Banner and Winter Wonderland.
2477155 Part 1 in C . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477156 Part 1 in Bb . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477157 Part 2 in Eb . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477158 Part 2 in Bb . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477159 Part 3 in F . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477160 Part 3 in Bass Clef . . . . . . . . . . . . . . . . . . 3.50
2477161 Part 3 in Bb Treble . . . . . . . . . . . . . . . . . . 3.50
2477162 Part 4 in Bass Clef . . . . . . . . . . . . . . . . . . 3.50
2477163 Part 4 in Bb Treble Clef . . . . . . . . . . . . . . 3.50
2477164 Part 4 in Eb Treble Clef . . . . . . . . . . . . . . 3.50
2477165Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477166Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477167Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
2477168 Electric Bass . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477169 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2477154 Conductor Score . . . . . . . . . . . . . ME 16.95
10190389 DVD . . . . . . . . . . . . . . . . . . . . . . . .24.95
ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm 7
Order Toll-Free Today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
Pop Tunes
8
JUST THE WAY YOU ARE—arr. Jay Dawson.
Here is one of Billy Joel’s most beautiful and popular ballads expertly
arranged for marching band. A brilliant recap of motifs concludes this
spectacular chart!
10067908 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
N E W !
KASHMIR—arr. Ralph Ford. One of the greatest rock
songs of all time, this classic tune from legendary group “Led
Zeppelin” contains many innovative rhythmic and harmonic effects.
All of the excitement and drive of the original have been captured in
this dynamic arrangement. Don’t miss this one!
10273814 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
KNOW YOUR ENEMY—arr. Mike Story. “Green
Day” had one of the biggest hits of 2009 with this infectious rock
anthem. With its block scoring and driving percussion this hardrocking chart is a great way to close your show!
10087986 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
KUNG FU FIGHTING—arr. Jay Dawson. Here’s
the tune that recalls every Kung Fu movie you’ve ever seen, and has
become a treasure of pop culture! Strike your best Kung Fu pose!
10028335 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
AND OF A THOUSAND DANCES—arr. Tom
L
Wallace. This energetic hit by “Cannibal And The Headhunters”
ought to create a frenzy among the natives!
2226959 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
N E W ! AND OF A THOUSAND DANCES—arr. Paul
L
Murtha. This rock classic from 1966 by Wilson Pickett has been
given a funky groove that’s perfect for dance teams and rockin’ the
stands. This is sure to have everyone singing along with the “na na
na nas!”
10274309 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! LET IT BE—arr. Michael Brown. This iconic “Beatles”
ballad was one of their last recorded hits. This impressive
arrangement features a brief trumpet solo, a powerful build-up and
modulation, and ends with a segue into Hey Jude for a truly powerful
closing production.
10274305 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
MICKEY—arr. Tom Wallace. Toni Basil’s bouncy little
treat is served up for your inner cheerleader!
10067895 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
MONSTER—arr. Joe Murphy. Here’s a heavy hitting
rocker from “Skillet” that will pump up the team and the crowd!
10090164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
MR. ROBOTO—arr. Tom Wallace. From the group
“Styx,” this techno-rock opener is loaded with contrast and intensity.
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Y LIFE/ ONLY THE GOOD DIE YOUNG—arr.
M
Jay Dawson. Two of Billy Joel’s biggest hits are given the
marching band treatment in this bold show opener! Good use of the
highly recognizable piano intros, horn licks and vocals make this a
chart the audience will love!
10067906 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
N E W ! MY PREROGATIVE—arr. Ayatey Shabazz. Bust a
move to this 1980’s hit from Bobby Brown! The bass line grooves from
beginning to end and the crowd won’t be able to keep from dancing!
10274886 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
N E W ! OLD TIME ROCK & ROLL—arr. Paul Murtha.
RAISE YOUR GLASS—arr. Tom Wallace. Here is
a full-throttle, pop-rock stomper complete with a rowdy chorus! This
hit from Pink celebrates underdogs and personal uniqueness in an
uplifting way that can’t be denied!
10274737 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
N E W ! PAPERBACK WRITER—arr. Michael Brown.
Recorded by the “Beatles” in 1966, this popular hit remains a prime
example of their unique sound and creativity. This driving arrangement
is suitable for the field or stands, and captures the energy and
excitement of the original.
10274303 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
PARALYZER—arr. Doug Adams. “Finger Eleven’s” rock
anthem is now a hot arrangement for marching band! It’s sure to be
an instant band and fan favorite!
10045875 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! LAY THAT FUNKY MUSIC—arr. Chris
P
McDonald. Remember this hit from “Wild Cherry?” You can’t get
ONE SHINING MOMENT—arr. Paul Murtha. Best
known as the closing theme for the NCAA Men’s College Basketball
Championship used every year since 1987, this hit has been notably
recorded by artists including Luther Vandross and Jennifer Hudson. A
perfect choice for any special “moment!”
10274384 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
Miley Cyrus’ 2009 megahit in a terrific arrangement for the field or
stands! This one has a great hook and will be a party tune favorite for
your marching or pep band at any event!
10087933 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
much funkier than this!
2194116 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
PLAY THAT FUNKY MUSIC—arr. Mike Story. This
hip tune from “Wild Cherry” is now playable by any band, thanks to
this easy but effective arrangement. A must-have for every band!
10066164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
POKER FACE—arr. Tom Wallace. Lady Gaga’s huge
hit is now available for marching band! Your band is sure to add
energy and excitement to the game each time they play it, and
that’s no bluff!
10090172 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
PE
section can show off their funky side with this ‘80’s hit from
David Bowie!
10274570 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
R PICK!
PPE
N E W ! POWER OF LOVE, THE—arr. Mike Story. Check out
this hot arrangement of the ‘80s rock classic made famous by “Huey
Lewis and the News” and the blockbuster movie “Back to the Future.”
It’s sure to transport you back to 1985!
10273895 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
e LET’S GET IT STARTED—arr. Paul Murtha. The
groove to this irresistible dance hit from “Earth, Wind & Fire!” Great
stuff for the stands!
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PAINT IT BLACK—arr. Mike Story. Here is one of “The
Rolling Stones’” biggest hits, which was also featured in the 2006
movie “Talladega Nights.” It’s a snap to put together and the stands
will be rockin’ when they hear this chart!
10027164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
PARTY IN THE U.S.A.—arr. Victor Lopez. Here is
LET’S DANCE—arr. Dave Henning. Your low brass
LET’S GROOVE—arr. Tom Wallace. Your crowd will
PROUD MARY—arr. Tom Wallace. Get the stands
rockin’ and rollin’ with this heavy hitting classic! Everybody will be
dancing to this one for sure!
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Recorded by Bob Seger in 1979 and featured in the movie “Risky
Business” starring Tom Cruise, you simply can’t go wrong with this
timeless hit! Works great as a dance feature!.
10274446 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
N E W ! excitement is sure to get started when your band plays this hit by
“The Black Eyed Peas”! Get the team and the crowd fired up for a win!
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OPEN ARMS—arr. Victor Lopez. The song that defines
power ballad is ready to be performed by your marching band! This
arrangement of the song made famous by “Journey” would be perfect
in a halftime show as well as during homecoming festivities. Featuring
easy low brass and trumpet solos, this will be a fan favorite for years
to come!
10087929 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
PEN ARMS—arr. Jay Bocook and Omar
O
Carmenates. A power ballad for the ages, this “Journey”
classic from 1982 remains as popular today as ever. This stirring
arrangement for the field or stands opens quietly with a trumpet solo,
then builds to a huge full band statement before closing out with a
quiet ending.
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LION SLEEPS TONIGHT, THE—arr. Doug Adams.
N E W ! e ROCK AND ROLL ALL NITE—arr. Paul Murtha.
From the dynamic rock group “Kiss,” here is their signature rock
and roll anthem in a well scored and solid arrangement for younger
bands! An optional vocal section is included for getting the crowd
really involved!
10026507 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! OCK AND ROLL HOOCHIE KOO—arr. Tim
R
Waters. Finally, a stands chart that your low brass can really
sink their teeth into! This gritty and hard-hitting arrangement of Rick
Derringer’s classic rocker is guaranteed to get the crowd going!
10274379 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
NEW!
ROCK THAT BODY—arr. Nick Baratta. With their
infectious mix of dance grooves and hip-hop, “The Black Eyed Peas”
are one of the hottest groups around. Here is their catchy hit that is
sure to rock the stands!
10161928 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
N E W ! ROUND AND ROUND—arr. Mike Story. “Selena
Gomez and The Scene” had a 2010 hit with this infectious dance-rock
tune. Solidly scored, this one is perfect for the stands, pep bands, or
drill teams. What a great groove!
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Selection
ervice
0
SSatisfaction
Pop Tunes
PRETENDER, THE—arr. Tom Wallace. Here is the
hard rockin’, edgy chart based on the hit by “The Foo Fighters!”
10067873 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
PRETTY FLY—arr. Tom Wallace. This is a recent Top 10
hit by the group “Offspring.”
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From the first few notes, everyone will instantly recognize this
legendary favorite! Players of all ages will love this stands staple!
10045901 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! ION SLEEPS TONIGHT, THE—arr. Dave
L
Henning. Wake up the audience with this classic from “The
Tokens!” With the full brass blazing and the drum line grooving,
sleeping is not an option!
10274526 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
LIVIN’ LA VIDA LOCA—arr. Mike Story. Everyone
will remember this hot Latin rock tune from Ricky Martin. This
arrangement captures all of the fire and drive of the original in a new
and exciting easy chart! It really sizzles!
10087991 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
e LIVIN’ ON A PRAYER—arr. Paul Murtha. “Bon
Jovi’s” monster hit from the ‘80s comes alive in this powerful chart
that builds with intensity from beginning to end! The final chorus and
key change really kick things into high gear to close out your show!
10045151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
N E W ! impressive arrangement of the “Coldplay” hit from 2008 features a
wealth of moods and dynamics. Written in a moderate rock tempo, it
includes feature spots for woodwinds, solo trumpet, and also places
for the entire band to really open up. Powerful!
10274454 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
LOVE DRUNK—arr. Tom Wallace. This energizing rock
anthem from “Boys Like Girls” will keep the excitement going in the
stands!
10090173 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
LOW RIDER—arr. Michael Sweeney. From the group
“War,” here is a classic rocker from the past that is guaranteed to
become an audience favorite! Creatively arranged in an easy yet
effective setting, this one will sound great with any band!
2295228 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
Advanced Flag Fundamentals
Michael Raiford. This DVD provides a complete equipment fundamentals program for the high school flag corps.
It demonstrates basic skills, moves into a variety of spins and tosses, then puts the skills into exercise
form. As a bonus, a complete stretching routine is included. This daily stretching sequence
provides valuable body warmup techniques for the high school color guard.
10025549 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95
Dynamic Marching And Movement Volume 1
Jeff Young.
Join experienced teacher, judge, and clinician Jeff Young as he and his staff guide you
through a system of teaching visual fundamentals that has earned acclaim and success
at both the state and national levels. Dynamic Marching and Movement will provide you
with a clear and proven method for teaching the basics of posture, marching and body
movement. This system is built upon innovative warm-up, stretch and dance basics that
teach the performer proper techniques in all aspects of body movement. Chapters include:
Posture; Instrument Carriage; Body and Dance Basics; Marching Fundamentals; and
Strength and Fitness.
10028835 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95
Dynamic Marching And Movement Volume 2
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P e pp e r 2011 Marching Band C at alo g
LOST!—arr. Michael Brown and Will Rapp. This
Guard,
Marching &
playing DVDs
R PICK!
PPE
MARGARITAVILLE—arr. Jerry Burns. Everyone
knows this great party tune from Jimmy Buffett. It’ll be a sure-fire hit
with Parrotheads, old and new!
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Jeff Young.
Dynamic Marching & Movement: Volume 2 will provide you with a clear and proven
method for teaching basic and advanced drills and exercises for marching band visual
fundamentals. This DVD builds upon techniques taught in Volume 1 and continues to focus
upon innovative warm-up, stretch, and dance techniques as well. Chapters include:
Full Stretch and Body Warm-up Routine; Block Drills; Across-the-Floor Drills and Advanced
Specialty Drills.
10046444 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95
Dynamic Music Volume 1
Jeff Young & Richard Saucedo.
This essential DVD will provide you with a clear and proven method for teaching the basics
of posture, breathing, sound production and ensemble listening skills. This system is built upon
years of experience helping musical ensembles to achieve wonderful, rich, sonorous sounds
and is not limited to the marching band genre. Perfect for new and experienced teachers!
10046036 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95
ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm Dynamic Music Volume 2
Richard Saucedo.
The latest volume of this series continues to focus on clear and proven teaching methods
for helping your band achieve sonorous excellence both indoors and outdoors. It focuses
on teaching the basics of phrasing, articulation studies, and rehearsal skills, while also
concentrating on the challenges of balancing the ensemble outside, volume techniques for
outdoors, hierarchy of parts, timing, and ensemble listening skills.
10066623 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95
Flag Fundamentals
Michael Raiford & Scott Chandler.
Very widely and enthusiastically accepted, this DVD demonstrates and explains
fundamentals of flag performance. It covers the basic positions and movements, including
spins. An excellent teaching tool for high school color guard auditions as well as
beginning classes.
10025550 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95
Marching Fundamentals
Greg Martin.
This DVD is perfect for the incoming freshmen in your high school marching program.
Marching basics are demonstrated and students are familiarized with all standard
commands and positions. Just think how pleasant your band camp or early rehearsals will
be when your new members have already mastered the basics!
10025553 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95
Rifle Fundamentals
Karl Lowe.
This excellent DVD explains and demonstrates basic rifle skills ranging from equipment
carriage to more advanced spins and tosses. Once introduced to your students, this DVD
will become a regular part of your color guard auditions and program.
10025551 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95
9
Order Toll-Free Today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
Pop Tunes
SMOOTH—arr. Doug Adams. This arrangement of the
PE
Carlos Santana and Rob Thomas mega-hit really sizzles! Hot Latin
grooves, big bold scoring, and a short percussion feature make this
perfect for the field or stands!
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MOOTH CRIMINAL—arr. Dave Henning & Alan
S
Keown. Michael Jackson stormed the charts with this hip
R PICK!
PPE
AFETY DANCE, THE—arr. Jay Bocook and
S
Omar Carmenates. This campy 1983 hit from “Men Without
Hats” became the famous mall dance sequence on “Glee.” It’s sure
to be a huge hit with your band whether you recreate the dance on
the football field or in the stands! Optional vocals are included for the
dance sequence.
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ATISFACTION (I CAN’T GET NO)—arr. Doug
S
Adams. “The Rolling Stones” mega-hit is presented here in an
exciting and very playable arrangement for younger players. A harddriving stands and pep band tune you’ll use for years to come!
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SEMI CHARMED LIFE—arr. Allen Gray. “Third Eye
Blind” had a big ‘90’s hit with this fun rocker! It’s great as a production
number or as a pep band chart!
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e SO WHAT—arr. Paul Murtha. With an upbeat shuffle
e THRILLER—arr. Jay Bocook & Will Rapp. Michael
groove and catchy unison riffs, this hit from recording artist Pink is
sure to become a favorite in the stands!
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NEW!
(SHE’S) SOME KIND OF WONDERFUL—arr.
Dave Henning. From “Grand Funk Railroad” to “Huey Lewis
and the News,” many groups have made this song a long-standing
favorite. This hard-driving shuffle provides a powerful setting for
marching or pep band performances!
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SOUL MAN—arr. Tom Wallace. Great horn riffs propel
this classic by “Sam & Dave.”
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Bring your show to a stunning conclusion with this awesome
arrangement of one of the greatest rock songs of all time!
Beginning with a lyrical trumpet solo, the piece builds both in
tempo and texture to a spectacular ending. The crowd will be
waving their cell phones for sure!
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N E W ! EPARATE WAYS (Worlds Apart)—arr. Doug
S
Adams. The music of “Journey” is once again popular due in part
STEP UP—arr. Ralph Ford. From new wave rock band
SEPTEMBER—arr. Mike Story. Young bands will sound
great on this “Earth, Wind & Fire” hit! The groove just never quits!
(Computerized drill available)
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SEVEN NATION ARMY—arr. Dallas C. Burke. Put
your low brass section front and center with this rockin’ arrangement
of the “White Stripes’ “ hit! The instantly recognizable bass line and the
driving pulse will make this a favorite year after year!
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SEVEN NATION ARMY—arr. Jay Dawson. This hit
from the “White Stripes” has all the ingredients for the perfect stands
tune! The raw, menacing and simplistic bass riff is a natural for your
low brass section!
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“Devo’s” 2010 album comes this infectious, driving chart. It’s solidly
scored from top to bottom and is pure energy from start to finish!
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e SUPERSTITION—arr. Paul Murtha. One of the
trademark funk tunes of the early ‘70s, this arrangement of the
Stevie Wonder hit opens with a powerful fanfare based on “Living for
the City,” then launches into the familiar strains complete with the
signature horn riffs and driving rhythm. It’s hot!
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N E W ! TREAT HER RIGHT—arr. Dallas Burke. This soul
classic from the ‘60s has a hard-driving groove that’s sure to turn any
event into a “Shindig!”
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TUSK—arr. Mike Story. Here is an exciting treatment of
the classic “Fleetwood Mac” hit. It is very playable with an infectious
beat!
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VEHICLE—arr. Brian Scott. Made famous by “The Ides of
March”, this hard driving jazz rock classic is an ideal chart to make
your percussion and brass sections shine! Sure to be a band and
audience favorite!
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favorite that never goes out of style! The alternating rock and swing
sections add flair to this hip chart!
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intense groove make this “Ides of March” classic a staple for marching
and pep bands!
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ALKIN’ ON THE SUN—arr. Chris Brooks &
W
Chris McDonald. The “Smashmouth” hit arranged as a
party started with this R&B classic from the “S.O.S. Band!” A great
chart to back up your dance team as they show off their moves!
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e TALKIN’ OUT THE SIDE OF YOUR NECK—arr.
Raymond Rolle. Originally recorded by the ‘80s funk band
“Cameo,” this tune can be heard rockin’ stadiums across the country.
This version by “Drumline Live” is a powerfully churning chart and
sizzling hot!
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PE
will love this very playable version of the ‘70’s classic rock tune
from “Foghat!”
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e SMOKE ON THE WATER—arr. Michael Sweeney.
The rock riff that everybody knows! “Deep Purple’s” signature tune
really rocks, yet will sound great with virtually any band! Hot!
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from 2010 was this “winner” by Jamie Foxx, featuring Justin
Timberlake and T.I. It was the official theme song of the 2010 NBA
playoffs, and this stellar arrangement is perfect for rockin’ the house!
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WIPE OUT—arr. Dallas C. Burke & Carl Major.
without hearing this stands favorite? Your drumline will love the
spotlight in this classic “Surfaris” tune!
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e WORD UP—arr. Keven Shepherd. Originally recorded
by “Cameo” in 1986, this churning groove as performed by “Drumline
Live” is the perfect chart for getting the stadium really revved up and
rockin’!
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than Usher, and no song was bigger than his monster hit Yeah!
Your students have been asking for it, and now they can have it for
marching band! Sure to be a definite favorite week after week!
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N E W ! AY YOU MAKE ME FEEL, THE—arr. Jerry
W
Burns. This #1 smash from Michael Jackson will be a sure-fire
outstanding rock show opener or an electrifying stands tune!
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hit with your band and your audience this fall! Makes a great dance
feature or stands chart!
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OU CAN STILL ROCK IN AMERICA—arr. Dallas
Y
Burke. Here’s a hit from ‘80’s group “Night Ranger” that makes an
e
YOU GIVE LOVE A BAD NAME—arr. Paul
Murtha. Rock group “Bon Jovi” scored a major hit with this rock
anthem in the 80s. With an opening that screams and a bass line that
churns, this chart packs plenty of impact with dynamic contrasts and
solid writing. This one rocks!
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e YOU KEEP ME HANGIN’ ON—arr. Tim Waters.
R PICK!
PPE
R PICKS!
PPE
WE ARE THE CHAMPIONS—arr. Tim Waters.
TEENAGE DREAM—arr. Roland Barrett. Singer/
songwriter Katy Perry is one of today’s hottest stars. Here is a solid
arrangement of her 2010 #1 single that’s perfect for the stands and a
real winner for pep band too!
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e THAT’S THE WAY I LIKE IT—arr. Michael Brown
& Will Rapp. More than one generation has danced to this
anthem of the ‘70s from “KC & the Sunshine Band!” With a relentless
disco groove, spicy bass riffs, and a short spot for percussion, here’s
a chart you can use for just about any occasion!
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THEM CHANGES—arr. Tom Wallace. Popularized
by the likes of Buddy Miles and Carlos Santana, this legendary R&B
horn band tune contains some of the most recognizable brass licks
in pop music!
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NEW!
THINK—arr. Doug Adams. Here is the R&B/Soul hit from
Aretha Franklin that was featured in the classic movie “The Blues
Brothers.” This will get the crowd on their feet singing, “Freedom!”
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ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm PE
P e pp e r 2011 Marching Band C at alo g
SLOW RIDE—arr. Dallas Burke. Young bands
WINNER—arr. Ralph Ford. One of the biggest singles
YOU REALLY GOT ME—arr. Mike Story. Made
SIMPLY IRRESISTIBLE—arr. Ralph Ford. This
N E W ! N E W ! Originally recorded by “The Supremes” in 1966, this Motown classic
was made popular again thanks to the TV series “Glee.” This one is
tailor-made for dance routines!
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N E W ! riff in this Stevie Wonder chart can be played by a small group
or full band. This chart works in concert, in the stands, or as a
production number.
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WHOLE LOTTA LOVE—arr. Ralph Ford. This driving
arrangement of one of “Led Zeppelin’s” biggest hits will be a perfect
addition to any rockin’ halftime show. It also works great as a stands
or pep band tune. Smokin’!
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The woodwinds are featured at the mysterious-sounding opening
of this creative production number. Powerful ensemble moments, a
brief trumpet solo and a soaring chorus are combined into one hot
arrangement of this “Bon Jovi” favorite!
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EAR THE ROOF OFF THE SUCKER (Give Up The
T
Funk)—arr. Tom Wallace. Funk a la Tom Wallace from the
known and dynamic tunes. The solid scoring in this arrangement will
show off your band’s musicality and excitement!
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SIR DUKE—arr. Jay Bocook. The signature horn
from “The Who” makes an electrifying opener that will start your show
with a bang!
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e YEAH!—arr. Paul Murtha. No one in 2004 was bigger
Get happy with this upbeat “Katrina and the Waves” chart with an
irresistible infectious groove!
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e WANTED DEAD OR ALIVE—arr. Paul Murtha.
Murtha. This early hit by Stevie Wonder is still one of his best-
of the signature hits from “Earth, Wind and Fire” in a dynamic
arrangement as performed by “Drumline Live!” A great tempo and
feel makes this one perfect for dance productions!
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WHO ARE YOU—arr. Dave Henning. This rock classic
WALKING ON SUNSHINE—arr. Tom Wallace.
Paul
e SING A SONG—arr. Raymond Rolle. Here is one
From ‘80s rock staple “Guns N’ Roses,” here is one of their gritty
signature jams. You can’t find a better tune to rock the stadium!
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Y.M.C.A.—arr. Paul Lavender. Younger bands will love
playing this hit from the ‘70s because it’s a hit all over again! And, it’s
absolutely great for cheerleaders! Guaranteed fun!
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classic rock tune from the band “Kiss” that was featured on the hit TV
show “Glee.” This stellar arrangement features driving percussion, lots
of block scoring, and even a short sax feature for that “in your face”
sound. Rock on!
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driving tune by Robert Palmer really rocks! It’s great stands material,
or use it as a feature song for your drill team or color guard!
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e WELCOME TO THE JUNGLE—arr. Paul Murtha.
percussion feature with full band. Includes a mini battle between
drum-set and battery.
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SHOUT IT OUT LOUD—arr. Mike Story. Here is a
e
SIGNED, SEALED, DELIVERED—arr.
the other team know exactly where they are when your band fires up
this “Guns N’ Roses” rocker!
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Pop Tunes
one of the hottest rock bands to grace the charts. Their huge mega-hit
is now a super arrangement for marching band!
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hit song by “Parliament.”
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N E W ! WELCOME TO THE JUNGLE—arr. Allen Gray. Let
e VIVA LA VIDA—arr. Michael Brown. “Coldplay” is
When the audience hears this Neil Diamond classic, they won’t be able
to help but sing along! A must-have for every marching band library!
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TAKE YOUR TIME—arr. Ayatey Shabazz. Get the
Brothers” hit made popular in the movie “Animal House.” This greatsounding and effective chart is sure to be fun, as well as “a little softer
now” and “a little bit louder now!”
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band “Dragonforce,” fans of “Guitar Hero III” will recognize this as the
monstrously outrageous and ultimate rock track. Including simulated
screaming guitar licks, be sure to crank this up and play it loud!
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N E W ! SWEET CAROLINE—arr. Allen Gray & Carl Major.
N E W ! e SHOUT—arr. Michael Brown. Here is the familiar “Isley
Bocook & Will Rapp. Recorded by the speed-metal rock
powerful rock chart for the field! From the tranquil opening trumpet
solo, this tune quickly builds into an energetic blow section before
establishing a hard driving groove to get the audience on their feet!
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WIPE OUT—arr. Mike Story. What’s a sporting event
TAINTED LOVE—arr. Dave Henning. Here’s an ‘80s
The marching band will sound smooth as they back up the dance team!
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e
THROUGH THE FIRE AND FLAMES—arr. Jay
ELCOME TO THE BLACK PARADE—arr. Allen
W
Gray. The biggest hit from “My Chemical Romance” provides a
VEHICLE—arr. Dave Henning. Hot horn lines and an
N E W ! HE’S A BAD MAMA JAMA—arr. Ayatey
S
Shabazz. Feel the soul of this old school jam from Carl Carlton!
signature rock hit from the ‘80s in a solid arrangement for the field or
stands, playable by even smaller bands!
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their hit song We’re Not Gonna Take It. If you can only have one chart
in your arsenal of stands tunes, this needs to be the one!
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N E W ! Visit jwpepper.com!
N E W ! e THRILLER—arr. Paul Murtha. Here is Michael Jackson’s
E’RE NOT GONNA TAKE IT—arr. Tom
W
Wallace. Direct and to the point, “Twisted Sister” tells it like it in
in 2003 by Michael Buble, this version for marching band features a
steady Latin groove throughout with short feature spots for the saxes
and a trumpet soloist. The perfect chart to add flair to any show!
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e SWAY—arr. Michael Brown & Will Rapp. Recorded
from Neil Diamond has certainly stood the test of time. Written in an
up-tempo shuffle style and with plenty of full ensemble punches, the
entire crowd is sure to sing along!
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tune in a fun chart for your band! It works great as a stands tune or
dance feature!
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Jackson’s landmark hit of the ‘80s produced the most famous music
video of all time. It’s also one of the most distinctive rock grooves of
all time. Now it can be a your band’s favorite with its suspense-filled
intro, signature bass line and full band hits!
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N e w !
Every drummer’s dream come true! It’s your drumline’s time to shine
as they play one of the most famous drum solos in rock history. The
wind parts add a flair of soul to this “Surfaris” favorite that will be a
huge hit with your band and the audience!
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e SWEET CAROLINE—arr. Tim Waters. This classic hit
SHAKE—arr. Jerry Burns. Here is the classic Sam Cooke
HNKS FR TH MMRS (Thanks for the
T
Memories)—arr. Joe Murphy. Alternative rock goes
marching band with this sophisticated hit from “Fall Out Boy!” Whether
on the field or in the stands, this one is sure to create memories!
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NEW!
to the acclaimed TV series “Glee.” Here is one of their biggest hits in
a solid, driving arrangement that will your band sounding their best!
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between the group “OK Go” and the Notre Dame Marching Band
created an amazing video that quickly became a YouTube sensation in
2010. It’s the perfect mix of pop music and marching band!
10088727 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
tune. Sounds great as a stands chart or as a dance feature for the
cheerleaders or guard!
10028364 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
STAIRWAY TO HEAVEN—arr. Ralph Ford.
N E W ! e THIS TOO SHALL PASS—arr. Ken Dye. A collaboration
Recorded by “Queen” in the late ‘70s, here’s the ultimate rock anthem
for sporting events. This powerful arrangement for the field or stands
provides the option of a loud or soft ending, as well as suggested cuts
for time-out use. Perfect for post game concerts - as long as your
team wins, of course!
10274375 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
famous by “The Kinks” and then again by “Van Halen”, this classic
tune rocks all the way! It translates really well to marching and pep
band, and is a must for your next game or pep rally!
2480370 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
OU SHOOK ME ALL NIGHT LONG—arr. Tom
Y
Wallace. ”AC/DC’s” hard-rock anthem is a natural for marching
bands and Tom Wallace’s arranging makes sure your band will
sound great!
2472065 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
E DIDN’T START THE FIRE/ PIANO MAN—
W
arr. Jay Dawson. Bring two of Billy Joel’s biggest hits to the
field with this vibrant medley! The brooding undercurrent of We Didn’t
Start the Fire quickly builds into a brilliant rendition of Piano Man,
making for a great show opener!
10067904 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
WE GOT THE BEAT—arr. Tom Wallace. Bounce to
the bodacious beat of this monstrous ‘80s hit from “The Go-Go’s!”
10090174 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
P e p p e r P i c k !
WE R WHO WE R—arr. Tom Wallace. This dance-pop
chart from Ke$ha combines a sophisticated groove beneath a tight
melody and musical effects. You can bet your kids will love this hit!
10274736 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
E’RE AN AMERICAN BAND—arr. Tom
W
Wallace. There’s a wall of sound in Tom’s arrangement of this
70’s rock hit from “Grand Funk Railroad” A cool song!
2317840 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
PE
10
R PICK!
PPE
YOUR LOVE IS MY DRUG—arr. Tom Wallace.
Ke$ha’s electro-pop dance hit, with its catchy hook, is a perfect choice
for the stands!
10274743 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
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Order Toll-Free Today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
11
patriotic
12
A
MERICA ON PARADE—arr. Ken Dye. This is a
patriotic tune great for any Memorial Day or 4th of July parade. It
contains America and Battle Hymn.
2435907 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
AMERICA THE BEAUTIFUL—arr. Nick Baratta.
ANFARE AND STAR SPANGLED BANNER (Ab
F
& Bb)—arr. Bill Moffit. This is probably the most performed
arrangement of our National Anthem ever written for marching band!
Inspiring and solidly scored.
504274 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 40.00
OD BLESS AMERICA—Irving Berlin/arr.
G
Bocook. Designed for pre-game ceremonies or presentation of
Here’s a striking arrangement that is just as strong closing a show as
it is in a parade! Bold harmonies and percussion make this a stirring
patriotic statement!
2473919 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
the colors, this playable chart is a real audience pleaser!
2056141 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
AMERICA THE BEAUTIFUL—arr. Jay Dawson.
IN DEFENSE OF LIBERTY—arr. Jay Dawson. In this
Adapted from the spine-tingling Carmen Dragon arrangement, this will
bring an audience to its feet like nothing else! A great arrangement
for spring concerts and graduations, too. (Former Gb section now in F)
4783148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
patriotic medley you’ll find Battle Cry of Freedom; Chester and The
Battle Hymn of the Republic— songs which define our determination
for justice and freedom. This arrangement of some of America’s bestloved tunes is scored for smaller bands.
2480861 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 75.00
PE
MAIN STREET AMERICA—arr. Gary Gilroy.
R PICK!
PPE
AMERICA, THE BEAUTIFUL—arr. Chris Sharp.
You will love the contemporary treatment given to one of our nation’s
most treasured anthems. This chart is the perfect selection for any
patriotic parade or as a field show closer!
10274528 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
MERICAN MARCH CLASSICS—arr. Steve
A
Barnett. Strike up the band with this medley of some of
America’s most popular marches! Titles include: Battle Cry of
Freedom; Yankee Doodle Dandy; You’re a Grand Old Flag and Stars
and Stripes Forever.
2480812 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
MERICAN PRIDE—arr. Allen Gray & Carl
A
Major. Give the crowd something to cheer about with this exciting
medley of patriotic tunes! Includes: American Patrol; You’re A Grand
Old Flag and America. It’s just the ticket for parades or field shows!
2463081 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
MERICANA (A Patriotic Salute)—arr. Jerry
A
Burns. Beginning with a brief statement of My Country ‘Tis of Thee,
the piece quickly goes into The Battle Hymn of the Republic, building to
a rousing conclusion. This chart will be a great halftime show closer,
parade tune or a welcome addition to any civic or community event!
10088018 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
N E W ! ATTLE HYMN OF THE REPUBLIC—arr. Ayatey
B
Shabazz. This time-honored American classic is an excellent
choice as part of a field show or as a parade feature. The
percussion section drives the music, which will bring out the
audience’s patriotic pride.
10274493 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Spectacular! This patriotic powerhouse is perfect for parades, patriotic
events or field shows! Based on You’re A Grand Old Flag, it includes
quotes from all of the Armed Service songs, save for the Coast Guard
(which can be had on 4111043- Semper Paratus). Works with limited
brass instrumentation.
2394542 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
ANHATTAN BEACH—John Philip Sousa/arr.
M
Story. This classic Sousa march is perfect for your young marching
band! The ranges are not out of reach for younger players in this easy
arrangement. You’ll be the hit of the parade!
2477126 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
OUR NATIONAL MARCH—arr. Jay Dawson.
Known the world over, The Stars and Stripes Forever is the pride
of every American and has the honor of being our national march!
Smaller bands now have the opportunity to perform this time-honored
Sousa classic!
2480863 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 75.00
e
PATRIOTIC PARADE SEQUENCE—arr. Paul
P e pp e r 2011 Marching Band C at alo g
easy, straightforward arrangements. You’ll use these year after year.
2295855 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 45.00
SOUSA!—John Phillip Sousa/arr. Barnett. Nothing
says marching band better than “Sousa!” This sparkling medley is just
right for parade, field, or stands use. Washington Post; Semper Fidelis;
The Thunderer and Stars And Stripes are all included, and you don’t
get much better than that!
2463164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
PIRIT OF AMERICA—arr. Allen Gray & Carl
S
Major. The perfect parade or field arrangement for the
developing band, this includes, America The Beautiful and Battle
Hymn Of The Republic. 2472136 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
N E W ! SPIRIT OF FREEDOM—arr. Shane Porter. Perfect
for any patriotic parade route, this medley contains True to the
Flag, When Johnny Comes Marching Home and America (My
Country ‘tis of Thee). A great chart to show off your group’s finesse
and musicianship!
10274532 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
STAR SPANGLED BANNER—arr. Steve Smith.
Here’s the National Anthem in a setting that’s different, reverent and
extremely beautiful.
4783098 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
PATRIOTIC SPECTACULAR—arr. Steve Barnett.
comes complete with an optional introduction. It is ideal for use by
young or small marching bands. It’s also perfect for pep bands at any
level, as it is playable with very limited or unusual instrumentation.
There are two copies of each part, so you always have plenty of
melody and good part distribution. Put your best foot forward with this
fine edition of our national anthem!
2224087 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 36.00
of three patriotic favorites (My Country, ‘Tis of Thee; America, the
Beautiful and Battle Hymn of the Republic) with easy drum cadences
in between. Perfect for putting together a parade presentation in a
hurry. Mix and match as needed to provide variety and excitement
along the way. Your band will sound great!
10028023 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
Ideal for younger bands or those with limited rehearsal time! This
patriotic medley uses limited instrumentation but offers a big sound
on America, This Is My Country and God Bless America.
2474367 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
ALUTE TO FREEDOM—arr. Roland Barrett &
S
Alan Keown. Beginning with the quiet strains of Taps, this
beautiful patriotic medley is a stunning closer! A stirring version of
Amazing Grace is also included, plus a majestic sounding America,
the Beautiful. A powerful way to honor our country!
2480839 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
SALUTE TO FREEDOM—arr. Andy Clark. A real
flag-waver! Including America The Beautiful, You’re A Grand Old Flag,
America and even a little hint of The Stars And Stripes Forever, this
solid-sounding, very easy arrangement is extremely effective for show
and parade use. Perfect for massed band shows!
2240984 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 30.00
Preview original concept shows designed with the competitive marching band in mind at jwpepper.com.
Based on a first come-first serve basis, exclusivity within your show circuit is guaranteed within a 100-mile radius
or within your region. This is high quality competitive writing by Gary P. Gilroy Publications and Key Poulan
Music at a great value!
MEDUSA
Key Poulan, Shawn Glyde & Leonard Bedoian.
10275517Winds . . . . . . . . . . . . . . . . . . . MA 1,250.00
10275519Percussion . . . . . . . . . . . . . . . . . MA 750.00
CAMELOT
MIDNIGHT IN TRANSYLVANIA
Gary P. Gilroy & Shawn Glyde.
10088336 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 595.00
Key Poulan, Shawn Glyde & Dan Bryan.
10275521Winds . . . . . . . . . . . . . . . . . . . MA 1,250.00
10275523Percussion . . . . . . . . . . . . . . . . . MA 750.00
CHAKRA
ERVICE SONGS - SET 2 (Marines/Air Force)—
S
arr. Jerry Burns. The Marine’s Hymn and The U.S. Air Force in
TAR SPANGLED BANNER, THE—arr. Andy
S
Clark. This very easy yet solid arrangement of our National Anthem
Key Poulan, Shawn Glyde & Dan Bryan.
10275487Winds . . . . . . . . . . . . . . . . . . . MA 1,250.00
10275488Percussion . . . . . . . . . . . . . . . . . MA 750.00
straightforward arrangements. Incredibly useful!
2295848 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Lavender & Will Rapp. Here is a rousing arrangement
Complete Shows from
Gary P. Gilroy Publications
& Key Poulan Music! BOO! IN THE HALL OF THE MOUNTAIN KING
ERVICE SONGS - SET 1 (Navy/Army)—arr.
S
Jerry Burns. Anchors Aweigh and The Caisson Song in easy,
TAR SPANGLED BANNER, THE—arr. Stephen
S
Paul. A very appealing new arrangement of our National Anthem.
perfect for young bands and groups with limited instrumentation or
rehearsal time. The fermatas and the ritard have been eliminated by
carefully placing extra measures in the last two phrases. Stunning!
10027169 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
warm-ups
-MINUTE WARM-UP—Chris Sharp & Chip
3
Birkner. Give your group a warm up that makes perfect sense in
under three minutes time! The woodwinds play scales and the brass
does lip slur exercises while the percussion focuses on sticking and
rudiments. There is also a section of rhythmic exercises to get the
entire band focused and articulating together as well as a balance and
tuning chordal exercise.
10046359 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
DVANCED CONTEST WARM-UPS—arr. Dallas
A
Burke. Get rehearsals off to a great start while stressing the
fundamentals! Lip slurs, articulation drills, tuning and chorale sections
help reinforce proper playing.
2463271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
CONTEST SERIES, THE—arr. Joe Murphy. Four
45-second backfield warm-ups provide the beauty and power to grab
any crowd’s attention. Each starts out with very low volume levels,
beautiful chords and simple melodies. Chorales are designed as one
long crescendo, leading to one very powerful fermata. Two of the
chorales have soft endings, and two have loud endings. It’s a great
way to prepare for your show!
2481022 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
Key Poulan & Leonard Bedoian.
10275524Winds . . . . . . . . . . . . . . . . . . . MA 1,250.00
10275526Percussion . . . . . . . . . . . . . . . . . MA 750.00
CLASSIC SCHIZOPHRENIA
SCENES FROM SIMPLE GIFTS
Key Poulan, Shawn Glyde & Dan Bryan.
10275501Winds . . . . . . . . . . . . . . . . . . . . . M 1,250.00
10275502Percussion . . . . . . . . . . . . . . . . . . M 750.00
Key Poulan & Jim Casella.
10275527Winds . . . . . . . . . . . . . . . . . . . MA 1,250.00
10275530Percussion . . . . . . . . . . . . . . . . . MA 750.00
intonation, phrasing, breath support, timing and more!
2464154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
CONNEXUS
SHADOWS AND LIGHT
N E W ! Gary P. Gilroy, Shawn Glyde & Nate Bourg.
10248417 . . . . . . . . . . . . . . . . . . . . . . . . . . MA 895.00
Steve Martin, Aaron Hines & Jon Brill.
10248421 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 895.00
.U.V. #2 (Sale Utility Vehicle)—Dallas Burke
S
and Carl Major. In about three minutes a day, you can have
FATHOMS Adam Wilke & Gilroy P. Gilroy.
10088144 . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 895.00
SKYLINES
SOUND, SHAPE AND COLOR
HEARTBEAT Key Poulan.
Steve Martin, Aaron Hines & Kyle Zive.
10248422 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 895.00
10275503Winds . . . . . . . . . . . . . . . . . . . . . M 1,250.00
10275504Percussion . . . . . . . . . . . . . . . . . . M 750.00
HEROES FALLEN, NOT FORGOTTEN Key Poulan.
10275512Winds . . . . . . . . . . . . . . . . . . . . . M 1,250.00
10275513Percussion . . . . . . . . . . . . . . . . . . M 750.00
SPIN
Gary P. Gilroy, Murray Gusseck & Nate Bourg.
10088120 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 595.00
URBAN PULSE Gary P. Gilroy.
JULIUS CAESAR
10088158 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 895.00
Key Poulan, Shawn Glyde & Dan Bryan.
10275515Winds . . . . . . . . . . . . . . . . . . . MA 1,250.00
10275516Percussion . . . . . . . . . . . . . . . . . MA 750.00
VISION QUEST Steve Martin & Aaron Hines.
10248424 . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 595.00
LOST Gary P. Gilroy.
10088116 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 595.00
X! Key Poulan, Shawn Glyde & Dan Bryan.
10275532Winds . . . . . . . . . . . . . . . . . . . . . M 1,250.00
10275533Percussion . . . . . . . . . . . . . . . . . . M 750.00
ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm TRIBUTE TO AMERICA—arr. Steve Barnett. Close
this year’s show with a stirring patriotic number! This Is My Country
and God Bless America are blended together to deliver a power-packed
chart that the crowd will love! Perfect for field shows or parades!
2463073 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
ANKEE DOODLE/CHESTER—arr. Jim Mahaffey
Y
& Alan Keown. Take a step back in time to Colonial America
with two of the most popular tunes to come out of that era. This
medley of Yankee Doodle and Chester is a standout choice for 4th of
July parades and activities.
10009210 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
OU’RE A GRAND OLD FLAG—arr. Paul
Y
Jennings. A patriotic favorite with a taste of Yankee Doodle. A
solid chart for younger groups!
2297794 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35.00
OU’RE A GRAND OLD FLAG/AMERICA THE
Y
BEAUTIFUL—arr. Mike Story. Here is a rousing medley of
two of America’s finest patriotic songs! Designed to be either a parade
tune or a closer, audiences everywhere will love it!
10045867 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
Tune in a flash!
KORG ORCHESTRAL TUNER
The Korg OT-120 chromatic Orchestral tuner features
both a needle and LCD meter with multiple temperaments
and the patented Sound Back mode that plays a
reference pitch closest to the input pitch. Include a five
octave range with built-in reference tones and an energysaving design for long battery life. A durable soft case is
included and it runs on two AAA Batteries (not included).
TAR SPANGLED BANNER, THE—arr. Mike
S
Story. Here is a very easy arrangement of our National Anthem,
10275499Winds . . . . . . . . . . . . . . . . . . . . . M 1,250.00
10275500Percussion . . . . . . . . . . . . . . . . . . M 750.00
10088112 . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 595.00
Incredibly easy, this solid arrangement guarantees your band’s first
parade experience will be a success! Features moderate brass ranges
and block rhythms.
2369585 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
playable by bands of limited size and experience.
2119881 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 30.00
CHRONOMETRY Key Poulan & Jason Hall.
FROM THE EARTH TO THE MOON Gary P. Gilroy.
THIS IS MY COUNTRY—arr. Michael Sweeney.
TAR SPANGLED BANNER, THE—arr. James
S
Swearingen. A stirring Swearingen arrangement that is very
PIRATES Gary P. Gilroy & Shawn Glyde.
10088168 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 895.00
Gary P. Gilroy, Shawn Glyde & Nate Bourg.
10088118 . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 595.00
very playable rendition of our national march! Whether you use it on
the field or in a parade, it has all of the time-tested ingredients for
success. This is sure to bring down the house!
10087999 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
The use of many substitution chords make this version like a breath of
fresh air for your audience.
2394708 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Key Poulan, Murray Gusseck & Nate Bourg.
10275489Winds . . . . . . . . . . . . . . . . . . . MA 1,250.00
10275490Percussion . . . . . . . . . . . . . . . . . MA 750.00
THE RISE AND FALL OF ROME
TARS AND STRIPES FOREVER—John Philip
S
Sousa/arr. Story. Every crowd will love this dynamic yet
10024573 OT-120 . . . . . . . . . . . . . . . . . . . . .99.99
LTIMATE MARCHING BAND WARM-UPS—
U
Gino Cipriani & Jay Bocook. Based on warm-ups used
by the “Cadets” drum and bugle corps, here is an indispensable
book of developmental and warm-up exercises for just the brass and
woodwinds. Also included is a short chorale to help develop breathing
and phrasing skills.
10008200 Woodwinds . . . . . . . . . . . . . . . . . . . . . . . . . M 4.95
10012079 Brass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 4.95
10012080 Conductor . . . . . . . . . . . . . . . . . . . . . . . . .M 16.95
10012081 Value Pak of 24 Part Books . . . . . . . . . . . . M 99.95
ULTIMATE WARM-UP, THE—Gary Gilroy. An
integrated warm-up for winds and percussion...your band will be
ready to wail in three minutes! The last section makes a great field
warm-up!
2315794 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
ARM-UPS FOR DEVELOPING BANDS—arr.
W
Dallas Burke. This is a complete set of warm-ups that
includes articulation studies, tuning exercises, scale exercises, and
a beautiful chorale.
2472148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
ARM-UP PACK (Let’s Get Ready to
W
Rumble!)—arr. Dallas Burke. Start each rehearsal or
show off right with this great set of warm ups! Work on phrasing,
articulation, slurring, rhythm and more.
2477677 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
INTONATION MOTIVATION—Roland Barrett.
A totally integrated wind and percussion warm-up that utilizes
every count to fully prepare every player for a rockin’ rehearsal or
performance! Finishes with an impressive full ensemble chorale!
2368876 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
AXIMUM STRENGTH WARM-UPS—arr. Gary
M
Gilroy. This warm-up covers all the basics - lip slurs, articulation,
your students playing major and minor scales in all the most common
band keys. Sound too good to be true? “S.U.V. #2” makes it happen
as your group quickly works through scales, chorales and etudes in F
major, D minor, Bb major, G minor, Eb major, C minor, Ab major and
F minor. The percussion section also gets a workout as they support
the band while working on rhythmic, sticking and rudiment exercises.
10274540 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 60.00
N E W ! ECTIONAL WARM-UPS (for Brass and
S
Woodwinds)—Allen Gray. This set of warm ups is tailored
to each section’s specific developmental needs. The brass section
focuses on tone and proper playing positions, pedal tones to stretch
the embouchure and lip slurs to develop range. The woodwinds focus
on scales and two octave runs in six major keys, chromatic scales,
articulation exercises and tuning exercises. The chorale/tuning section
can be played by just the woodwinds, brass alone or all wind instruments
together at the end of the warm up. In a focused five minute drill, each
section gets the most of what they need to develop quickly!
10274541 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Essential!
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13
classical & concert selections
14
A
DELINA DE MAYA—arr. Tom Wallace. Here’s an
exciting Latin-tinged composition with exciting interplay between brass
and woodwinds.
2474344 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 70.00
COPLAND FINALE—arr. Jay Dawson. Here’s a brilliant
way to finish any show! Including Copland’s film music, The Red Pony
and the awe-inspiring Fanfare For the Common Man. Powerful!
2474342 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80.00
ADIEMUS—Karl Jenkins/arr. Wallace. This is one
of Karl Jenkins’ most famous works and is well-known from the TV
commercial for Delta airlines. It’s a majestic up-tempo conclusion to
any program!
2472058 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 75.00
ANFARE FOR THE COMMON MAN—Aaron
F
Copland/arr. Dawson. The stunning, famous and familiar
fanfare by Copland expertly arranged by Jay Dawson. Use this to
open your show, or for any important ceremonial occasion. Awesome!
2437390 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
ALSO SPRACH ZARATHUSTRA—arr. Ken Dye.
FARANDOLE—George Bizet/arr. Bocook. Bizet’s
Familiar as the theme to the movie “2001: A Space Odyssey,” this
Richard Strauss’ composition can also be a strong chart for the stands
or parades!
2435758 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
A
PPALACHIAN SPRING FINALE—Aaron
Copland/arr. Dawson. A stunning closer fashioned from
the music of one of America’s greatest composers! Jay Dawson’s
fabulous arrangement is an elegant and powerful statement for the
end of any field show!
2437432 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
PPALACHIAN SPRING FIRST EPISODE—
A
Aaron Copland/arr. Dawson. Segments of Copland’s
most famous ballet music arranged as a show production number.
This is the first of two different yet equally superb productions by
arranger Jay Dawson.
2437408 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 75.00
PPALACHIAN SPRING SECOND EPISODE—
A
Aaron Copland/arr. Dawson. Combine this superb
arrangement with Appalachian Spring Episode 1 to make a wonderful
production number!
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BEETHOVEN’S FIFTH—arr. Tom Wallace. This
explosive opener is based primarily on themes from the first
movement. It’s a great way to start your classical show!
2318087 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 75.00
CALL OF THE MOUNTAIN—arr. Tom Wallace.
Joseph Curiale’s music has been called “movie music without
the movie.” His mixture of powerful rhythms with Copland-esque
harmonies is ideal for marching band! Call of the Mountain is a great
opening number.
2474343 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 70.00
ANTUS-SONG OF AEOLUS—Karl Jenkins/arr.
C
Wallace. This closer begins with a mysterious 5/4 canon, then
quickly moves into a driving sequence that features percussion on
many “world music” instruments such as djembe, chekere, congas
and African bells! Thrilling!
2472057 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 65.00
CARMINA BURANA #1—Carl Orff/arr. Ford.
The power and majesty of Orff’s “Carmina Burana” is now brought
to the field in a three-piece show! This spectacular opener contains
O Fortuna and In Taberna Quando Sumus. Stunning!
2472405 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 45.00
CARMINA BURANA #3—Carl Orff/arr. Ford.
The powerful closer to the “Carmina Burana” show, this finale uses
Fortuna Imperatrix Mundi, the most famous and intense movement, to
bring this complete work to it’s thrilling conclusion!
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simple but effective tune from “Suite L’Arlesienne” gives almost every
member a chance at the melody as it builds to its rousing finish!
2471875 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
IRE OF ETERNAL GLORY—Dmitri Shostakovich/
F
arr. Bocook & Rapp. Featuring a full complement of mallets
and a flowing melody for woodwinds, this moving hymn-like setting
gradually builds to a glorious conclusion, then tapers to a quiet and
sensitive ending. Simply beautiful!
2477284 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 80.00
JUPITER, CHORALE FROM—Gustav Holst/arr.
Murtha. An excellent change of pace for any classical show, this
marvelous chorale is a showpiece for what your band can do!
2471874 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
MARS—Gustav Holst/arr. Bocook. Everyone knows
this riveting movement from Holst’s “The Planets”, and Jay’s
arrangement is about as exciting and intense as they come! Makes a
great opener or production number!
2392983 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
NESSUN DORMA—Giacomo Puccini/arr.
Bocook & Rapp. If your show calls for a gorgeous slower work,
they just don’t get any better! Puccini’s most famous tenor aria is sure
to have your audience captivated! The scoring for the woodwinds is
very rich and is complemented wonderfully by the pit. 2473953 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Join an eClub today!
FIREBIRD FINALE—Igor Stravinsky/arr. Story.
Celebrate the 100th anniversary of the finale from Stravinsky’s
masterwork “Firebird Suite!” It opens with a beautiful solo for either
low brass or woodwinds. Many of the meter changes have been
squared off, but the character of the original is intact. A stunning
closer for any show!
2480372 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
REAT GATE OF KIEV, THE (Pictures at an
G
Exhibition - Part 3)—Modest Mussorgsky/arr.
Story. The memorable Great Gate of Kiev from “Pictures at an
NEW WORLD SYMPHONY—Anton Dvorak/arr.
Sweeney. Here’s an impressive opener coming from one of the
world’s most famous symphonies carefully arranged to maximize the
potential of younger bands! With the powerful first movement themes
contrasted with passages from the lyrical second movement, your
band will sound fantastic!
2471873 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
NIGHT ON BALD MOUNTAIN—arr. Jay Bocook.
Exhibition” starts out with a soft chordal texture, this chart quickly
builds to a stunning conclusion. Spectacular!
10066163 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
One of the most imposing and threatening themes ever written! Jay’s
powerful arrangement will make any band sound impressive, and is a
great choice to close any show!
2435576 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
OE DOWN FROM “RODEO”—Aaron Copland/
H
arr. Dawson. This marvelous western theme from Copland’s
ODE TO JOY—arr. Tom Wallace. This is a real
ballet “Rodeo” is presented as a production number that features your
percussion ensemble. Offers lots of room for exciting choreography!
2437424 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
UT ON FOWL’S LEGS, THE (BABA YAGA)
H
(Pictures at an Exhibition - Part 2)—Modest
Mussorgsky/arr. Story. Here is a driving, yet very playable
arrangement of Hut on Fowl’s Legs (Baba Yaga). Featuring a short
percussion break, this one has great visual potential!
10066162 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
IN CAELUM FERO—Karl Jenkins/arr. Wallace.
Karl Jenkins is a composer whose music topped both classical
and pop charts while being featured on TV commercials of Delta
Airlines and DeBeers Diamonds. This opener begins with a dark
chorale followed by a broad sweeping uptempo section with unusual
percussion effects. Exciting!
2472054 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 75.00
JOY—arr. Tom Wallace. This exuberant closer is bursting
with energy and makes an exciting finish to any performance!
2474346 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 75.00
J UPITER (from The Planets)—Gustav Holst/arr.
Bocook. Here is the classic 1986 Jay Bocook arrangement of the
powerful Holst masterpiece from “The Planets.” Exquisite writing for
maximum impact on the competition field!
2162790 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 75.00
challenging closer that erupts in glory!
2318129 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 75.00
OUTDOOR OVERTURE, AN—arr. Jay Dawson.
The music of Aaron Copland is joyous and powerful. Here’s a
challenging opener that is bound to capture everyone’s attention!
2474340 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80.00
ROMENADE (Pictures at an Exhibition - Part
P
1)—Modest Mussorgsky/arr. Story. Part one of a
three piece show based on Mussorgsky’s “Pictures at an Exhibition.”
The meter changes in Promenade have been “squared off” to facilitate
easy and quick learning. A stunning beginning to your show this fall!
10066161 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
PROMISE OF LIVING, THE—arr. Jay Dawson.
This beautiful chorale comes from the Copland opera, “The
Tenderland” and includes optional vocalization. This production
number is sure to show the expressive side of your band!
2474341 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80.00
TREPAK—Peter Tchaikovsky/arr. Sharp &
Major. Instantly recognizable, this tune from “The Nutcracker Suite”
can be used on the field or for holiday parades! The arrangement is
energetic and exciting and sure to be a crowd favorite!
2477659 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
VENUS—Gustav Holst/arr. Bocook. As a change of
pace to your “Planets” show, this entrancing number has been scored
with a delicate beauty that will leave the crowd breathless!
2392991 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
ZARABANDA-PALLADIO—Karl Jenkins/arr.
Wallace. Zarabanda brings the Baroque Sarabande into the new
century and features delicate ostinato patterns. Palladio is instantly
recognizable from the Diamond commercials and builds from mallet
percussion into a full band tutti finish!
2472055 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 75.00
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The Valentino Deluxe Repair Kit is an invaluable tool
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a mouthpiece puller, a mouthpiece trueing tool, and
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a complete woodwind repair kit with cork grease,
key and tenon corks, and pads for flute, clarinet and
saxophone. Don’t start rehearsal without it!
HANTASM, PART 1 (Haunted House)—J. S. Bach/
P
arr. Klarfeld & Knight. This chart features an electrifying
version of J. S. Bach’s Toccata and Fugue. From the ominous
beginning statement to the dynamic uptempo climax of this selection,
competitive bands will capture the crowd’s attention!
10066754 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
HANTASM, PART 2 (Illusions)—Dukas &
P
Mussorgsky/arr. Klarfeld & Knight. The music of
Dukas and Mussorgsky are featured in this exciting medley. The
band opens with a stirring statement from The Sorcerer’s Apprentice
and moves into a fast paced rendition of The Hut on Fowl’s Legs that
features the percussion section.
10066755 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
HANTASM, PART 3 (“Spirited” Party)—
P
Grieg & Mussorgsky/arr. Klarfeld & Knight. Bring
your band show to a fantastic close with a solemn statement from In
the Hall of the Mountain King. The intensity quickly builds as the chart
then concludes with explosive music from Night on Bald Mountain.
10066756 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
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Instructional &
Performance DVDs
Marching Band Lyres
Conn-Selmer. Marching band instrument lyres are a
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They’re indispensable for learning field
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from world champion
Drum & Bugle Corps!
2006 MACHINE
P e pp e r 2011 Marching Band C at alo g
The Cavaliers. “The Cavaliers” have been called “The Green Machine” for decades. In 2006, they proved
it! The illustrious history of “The Cavaliers” includes seven DCI titles, but the Machine show
is special in that it took nearly two years from concept to completion. With this DVD, you are
provided a behind the “cogs” picture of the 2006 championship season!
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2007 EUREKA Santa Clara Vanguard.
The 2007 “Santa Clara Vanguard” Tour DVD brings you inside the 40th anniversary season
of the 6-time World Champion “Vanguard Drum & Bugle Corps” as they perform their
show “Eureka.” The DVD also includes the 2007 “Vanguard Cadets” DCI Division II Finals
performance and the exclusive combined SCV/BD Anniversary Corps performance from the
DCI West Championship at Stanford Stadium in early August.
10089743DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25.00
2008 SAMURAI
The Cavaliers.
The Cavaliers’ 2008 program, Samurai is showcased in this DVD offering. Also included in
this DVD is the full performance of the 2008 Cavalier Anniversary Corps!
10067921DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40.00
2009 BALLET FOR MARTHA Santa Clara Vanguard.
The 2009 Santa Clara Vanguard Tour DVD brings you inside the six-time World Champion
Vanguard Drum and Bugle Corps as they perform their show “Ballet for Martha.” The DVD
also includes the 2009 Vanguard Cadets DCI Open Class Finals Performance, the 2009
SCV Winter Guard WGI Championship performance, “Behind the Star” episodes and more!
10089745DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
2010 BARTOK
Santa Clara Vanguard.
The “2010 Santa Clara Vanguard Tour DVD” brings you inside the 6-time World Champion
“Santa Clara Vanguard Drum and Bugle Corps” as they perform their show “Bartok.”
The DVD also includes the 2010 “Vanguard Cadets” final performance, the 2010 “SCV”
Winter Guard WGI Finals performance, a performance from the 2010 “Vanguard Cadets”
Winter Percussion, “Behind the Star” episodes and more!
10274768DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40.00
2010 MAD WORLD The Cavaliers.
Here is “The Cavaliers “ 2010 program, “Mad World.” This DVD features a full
performance of the show in 5.1 surround sound as well as a behind the scenes look at the
development of the production and life on tour with the group. You’ll also see how each
section of the corps prepares to take the field.
10274761DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40.00
CURRENT APPROACHES TO COLOR GUARD The Cavaliers.
Improve your color guard’s technique and performance with this instructional DVD taught
by Bruno Zuccala and “The Cavaliers” color guard. Demonstrated is a count-by-count
breakdown detailing fundamental flag, rife and saber technique, as well as a look at how
“The Cavaliers” guard rehearses each day in preparation for competitions. Your guard will
learn from the best and be inspired to give great performances every time!
10009836DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55.00
THE GREEN MACHINE:
DRUMMING FOR A NEW MILLENNIUM
The Cavaliers.
In this DVD taught by “The Cavaliers” percussion staff, your drumline will learn fundamentals,
exercises, tuning and care of equipment and so much more to help them become a top
competitive line. Also included are audio commentary tracks that provide extra instruction to
each individual part of the battery.
10009837DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55.00
SCV BATTERY AUDITIONS
Murray Gusseck & Leo Sanchez.
Get your drumline geared up for the season with this impressive DVD. Murray Gusseck
(Santa Clara Vanguard battery caption head) and Leo Sanchez (cymbal instructor)
collectively provide nearly three hours of video lessons in large, full-resolution video,
covering topics such as technique, sound production, timing, tips on auditioning, practicing,
and more! Watch and learn as Murray demonstrates the core principles of his unique
technique program at “SCV” that apply to the snare, tenor, and bass sections. These
demonstrations are done mainly on the snare drum but apply in large part to all three drum
sections of the battery. He also supplies tips on auditioning, practicing, and the gear that
“SCV” uses. Leo Sanchez demonstrates the basic crash techniques and common sounds
used by “SCV’s” world-famous cymbal line. Crashes such as the Flat crash, Port crash,
Orchestral crash, and crash chokes are outlined, as well as sounds like sizzles, zings, dings,
taps, crunches, and more. Leo also discusses cymbal line requirements.
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TRADITIONS Santa Clara Vanguard.
This DVD contains video footage of their six DCI Championship performances (‘73, ‘74,
‘78, ‘81, ‘89 and ‘99). The second half of the video contains an in-depth history of the
“Santa Clara Vanguard” organization with interviews of people close to the corps.
10089746DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35.00
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A LA LUNE—arr. Jay Dawson. This colorful chart from
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15
16
New!
GLEE SHOWSTOPPERS
JERSEY BOYS
THE SOUND OF MUSIC
arr. Jay Bocook. arr. Michael Brown & Will Rapp.
arr. Jay Dawson.
JUMP
PART 1
PRE-OPENER
The Sound of Music
Recorded by “Van Halen” in 1984 and made popular
again thanks to the tv series “Glee,” here is a rock-the-stands
version of this signature anthem! With a moderate tempo and
pounding groove, this is one your players are sure to really
sink their teeth into!
10274240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
From the popular Broadway musical showcasing the 1960’s pop
hits of “Frankie Valli and the Four Seasons,” here is an energetic
and dynamic opener based on Can’t Take My Eyes off of You
and Big Girls Don’t Cry.
10274287 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
THE SAFETY DANCE
Written with plenty of variety in scoring and dynamics plus a short
percussion break, this entertaining production number is based
on the 1960’s “Four Seasons” hits December 1963 (Oh,
What a Night) and Walk Like a Man.
10274291 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
This campy 1983 hit from “Men Without Hats” became the
famous mall dance sequence on “Glee.” It’s sure to be a huge
hit with your band whether you recreate the dance on the
football field or in the stands! Optional vocals are included for
the dance sequence.
10274243 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
DREAM ON
Since its initial release by “Aerosmith” in 1973, this classic rock
ballad has enjoyed continual popularity through the years in film
and tv, most recently being featured on “Glee.” This powerful
version for the field or stands will bring the house down!
10274255 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
IN THE HEIGHTS
arr. Michael Brown & Will Rapp.
PART 1
From the award-winning Broadway show “In the Heights,” here
is a stunning opening production number for the field. The mallets
and woodwinds start things out quietly with Sunrise, before the
full ensemble launches into the exciting salsa strains of It Won’t
Be Long Now. Rhythmically exciting with plenty of creative
opportunities for dance or staging.
10274260 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
PART 2
Based on The Club from the award-winning Broadway musical
“In the Heights,” here is a sizzling production/dance number
featuring a hot Latin style as well as space to show off the
percussion section. A brief lyric middle section sets up a final push
to the exciting finish.
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PART 3
Winner of multiple Tony Awards including “Best Musical” and
“Best Original Score,” the Broadway sensation “In the Heights”
showcases a variety of exciting Latin styles and moods. This
closing production opens with the moving ballad When You’re
Home and finishes with the rousing title song In the Heights. .
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PART 2
PART 3
The bucolic Austrian countryside is portrayed while building
towards a powerful impact of the title song, The Sound of
Music. Use this as your on-field warm-up or show opener.
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OPENER
My Favorite Things, Edelweiss, Do-Re-Mi
My Favorite Things kicks off this energetic medley. Beautiful
woodwinds and expressive musicianship are on display in
Edelweiss, and Do-Re-Me is a showcase for all sections, with a
special feature for the trumpets.
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This lush treatment of Frankie Valli’s hit ballad Can’t Take My
Eyes off of You opens with a solo or soli for horns followed by
a creative mix of modulations and dramatic effects. The ending
builds nicely to a climax with a recap of Big Girls Don’t Cry
and a powerful finish.
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THE WEDDING
Wedding Preparations, Maria
MUSIC OF THE BEATLES
THE ESCAPE
The Chase, Climb Ev’ry Mountain
arr. Michael Brown.
GET BACK
Here’s a rock solid hit from the “Beatles” later years, made
famous by their live rooftop performance in London. A perfect
opener for a field show, or just rockin’ the stands!
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PAPERBACK WRITER
Recorded by the “Beatles” in 1966, this popular hit remains a
prime example of their unique sound and creativity. This driving
arrangement is suitable for the field or stands, and captures the
energy and excitement of the original.
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LET IT BE
This iconic “Beatles” ballad was one of their last recorded hits.
This impressive arrangement features a brief trumpet solo, a
powerful build-up and modulation, and ends with a segue into
Hey Jude for a truly powerful closing production.
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Here’s a production number you can stage visually with as much
or little detail as you like. Wedding preparations give way to the
magnificent cathedral scene where the wedding processional is
overlaid with Maria.
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As the von Trapp Family flees their would-be captors, the musical
drama reaches its greatest intensity. A percussion feature leads the
way to the inspirational closing strains of Climb Ev’ry Mountain.
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THE WIZARD OF OZ
MEETS THE WIZ
arr. Victor Lopez.
PART I
The timeless music from “The Wizard of Oz” is coupled with
songs from “The Wiz” in a complete halftime show for your band.
The opener is a collage of Ding Dong the Witch Is Dead,
We’re Off to See the Wizard and The Merry Old Land of
Oz from “The Wizard of Oz.” A creative and fun arrangement
for the field!
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PART II
This marvelous production uses two tunes from “The Wiz.” So
You Wanted to See the Wizard really grooves, and some
Latin-style figures give it punch. A brief drum beak leads into
the hit song A Brand New Day, which brings the medley to a
rousing finish!
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PART III
“The Wizard of Oz Meets The Wiz” show concludes with two
beautiful ballads. The tune Home from “The Wiz” is heard before
leading into a grand arrangement of “The Wizard of Oz’s”
signature song Over the Rainbow. The grand finale will bring
the crowd to its feet!
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WORLD OF WARCRAFT
arr. Mike Story.
AMERICAN IDIOT - THE MUSICAL
arr. Brian Scott.
AMERICAN IDIOT/EXTRAORDINARY GIRL
The award-winning music of “Green Day” is now the basis of
a terrific Broadway musical! Playing to rave reviews, the show
is based on “Green Day’s” concept album of the same name.
Part one contains the driving tune American Idiot coupled with
the catchy Extraordinary Girl. In addition, the chart contains a
separate stands and pep band version of American Idiot.
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HOLIDAY
The second part of the “American Idiot - The Musical” show
contains “Green Day’s” driving punk-tinged Holiday. This is a
terrific arrangement that will come together in a hurry. It also
makes a top-notch stands tune!
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PART I
Gamers will love this stunning three-piece halftime show based
on the spectacular music from the popular interactive video game
“World of Warcraft.” Part I begins slowly and mysteriously with
Gates of the Black Temple, then builds to a driving up-tempo
The Burning Legion Main Title. The innovative, colorful
scoring and unique rhythmic drive will engage your band and
audience alike!
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PART II
The second part of the World of Warcraft show is based
on Lion’s Pride, a very rhythmic dance-like tune with an
infectious groove. Beginning with an optional flute solo or
soli, the piece builds gradually, featuring virtually every
section in the band. Stunning!
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complete shows!
WAKE ME UP WHEN SEPTEMBER ENDS/
HOMECOMING
Closing out the “American Idiot - The Musical” show is a medley
of two “Green Day” hits. Wake Me Up When September
Ends begins with a beautiful trumpet solo and gradually builds
into Homecoming, a montage of four different melodies. The
excitement keeps building throughout the chart until the final push.
This one will bring the down the house!
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PART III
Part III of the “World of Warcraft” halftime show begins with
the incredibly beautiful Mountains of Thunder, featuring an
optional trumpet solo. It gradually builds, then gives way to the
heroic Wrath of the Lich King theme. This is cutting-edge music
that will thrill your both your students and your audience!
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BEST OF JOURNEY
MUSIC OF COLDPLAY
DON’T STOP BELIEVIN’
VIVA LA VIDA
OPEN ARMS
CLOCKS
ANY WAY YOU WANT IT/LOVIN’, TOUCHIN’,
SQUEEZIN’
Mash-up
LOST!
arr. Jay Bocook.
Here is “Journey’s” signature hit from 1981 in a high octane
version for mature bands! With the mellophones and horns on the
signature guitar riff, carefully paced impact points, and a driving
percussion score, this is sure to whip the crowd into a frenzy!
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P e pp e r 2011 Marching Band C at alo g
A power ballad for the ages, this “Journey” classic from 1982
remains as popular today as ever. This stirring arrangement for
the field or stands opens quietly with a trumpet solo, then builds to
a huge full band statement before closing out with a quiet ending.
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Similar to the “mash-up” on “Glee,” here are two classics from
“Journey” together in a powerful and driving chart for the field.
Trombones get a chance to shine, before the entire band joins in
for an exciting finish!
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MUSIC OF HENRY MANCINI
arr. Paul Murtha & Will Rapp.
THE PINK PANTHER
Slinky, yet sophisticated, this jazzy theme remains one of Henry
Mancini’s best! This chart provides a nice mix of full band
passages along with dynamic contrasts and a feature spot for
woodwinds on the melody.
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MOON RIVER/MR. LUCKY
This production number combines two of Henry Mancini’s bestknown melodies. Moon River opens with a trumpet solo before
expanding to a majestic statement in 4/4. Then Mr. Lucky takes
over in a smooth bossa style, and concludes with a dramatic
big ending.
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BABY ELEPHANT WALK/PETER GUNN
In this well-paced production the woodwinds and mallet
percussion are featured on the famous melody of Baby Elephant
Walk. Following a rock-style drum break, the low brass leads into
the ultimate spy theme Peter Gunn, with the full band blazing to
an exciting finish!
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arr. Michael Brown.
“Coldplay” is one of the hottest rock bands to grace the
charts. Their huge mega-hit is now a super arrangement for
marching band!
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10066126E . . . . . . . . . . . . . . . . . . . . . . . . . . e-Print E 45.00
“Coldplay” proves that today’s music groups can give us
memorable hits suitable for marching band. Here is one of their
best from 2003 in a very effective and dynamic arrangement for
the field or stands.
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This impressive arrangement of the “Coldplay” hit from 2008
features a wealth of moods and dynamics. Written in a moderate
rock tempo, it includes feature spots for woodwinds, solo trumpet,
and also places for the entire band to really open up. Powerful!
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A TOUCH OF BUBLE
DIGITAL RECOrdErS FrOM TASCAM
IT HAD BETTER BE TONIGHT
arr. Jay Dawson.
Originally composed by Henry Mancini for the 1963 film “The
Pink Panther,” this has become standard repertoire for many
performers. The merging of Mancini’s music with the stylings of
Michael Buble renders an intense and exciting musical adventure
for the field!
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FEVER
arr. Tom Wallace.
Michael Buble’s sultry and soulful vocals have brought this classic
standard a breath of fresh air. This arrangement for the field is
complete with big band hits, jabs and stabs!
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THEME FROM SPIDERMAN
arr. Joe Murphy.
Originally composed for the “Spiderman” cartoon series in the
late ‘60s, Michael Buble released his cover of the tune in 2004,
showing his talent by performing it in a variety of styles.
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EVERYTHING
arr. Jay Dawson.
Penned by Michael Buble, this adult contemporary pop hit is a
fun and energetic field selection. Perfect as a show closer!
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Record rehearsals and more!
TASCAM DR-08 DIGITAL RECORDER
Tascam’s compact DR-08 portable digital recorder packs serious audio quality
into a handheld dynamo that fits in your pocket. It captures audiophile-quality
96kHz/24-bit WAV files, or web-friendly MP3 files, to robust MicroSD media.
The width and angle of the built-in microphones can be adjusted for the perfect
recording. The unit even features a kickstand for placing the recorder right
where you want it. A pair of AAA batteries allows you to record for hours to
the included 2GB card, and recordings can be transferred to your computer
using high-speed USB 2.0.
10277635 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199.99
TEAC VR-10 DIGITAL RECORDER
The VR10 from Teac/Tascam is an extremely compact digital stereo solid state
recorder. The device records in WAV or MP3 format up to 24-bit/48kHz to
microSD Flash memory. It comes with a built-in omnidirectional stereo microphone, a built-in speaker, a kickstand for tabletop recording, a standard
3.5mm mic/line input/output connector, a USB 2.0 port, and a small
integrated speaker for playback. The recorder runs on 2 AAA batteries.
10277632 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149.99
17
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originals & competition charts
A LA LUNE—arr. Jay Dawson. This colorful chart from
“Cirque du Soleil” has everything from parodied circus tunes to driving
rhythms. Very unique!
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ASCEND—Samuel Hazo/arr. Sweeney & Rapp.
This dynamic concert work has been transformed into an extremely
effective closer/production for the field. Designed to work especially
well with small bands, this arrangement includes a powerful
opening, a fugue middle section, percussion section feature and a
driving finish!
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ATMADJA—arr. Jay Dawson. The ethereal, mysterious
opening leads to a powerful fanfare, which is the recurring theme of
this “Cirque du Soleil” production.
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AZTEC FIRE (Easy Version)—Jay Bocook. Wow!
This is one burnin’ chart! Jay originally wrote this original Latin opener
for big, top level competitive bands, and it became an instant favorite.
And believe us, his adaptation for smaller/younger bands is no less
exciting. This is the ultimate Spanish opener!
2414415 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
BOUNTY HUNTER—arr. Ralph Ford. Here is the
dramatic and driving music of “Bounty Hunter” from “Advent Rising.”
This forceful music has been masterfully adapted for the field.
Breathtaking!
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CUBAN COFFEE—Victor Lopez. This sizzling Latin
original starts out big and bold and just keeps on coming! Featuring
solid Latin grooves and commanding harmonies, this chart will bring
some heat to the field!
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N E W ! DANNY BOY—arr. Ayatey Shabazz. This arrange-
ment of the Irish favorite is a lovely field selection, and it also is an
excellent warm-up. It’s short in length but big in harmonies that
create a fresh sound.
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NEW!
DANNY BOY—arr. Shane Porter. A beautiful and
stirring arrangement, this rendition of the Irish favorite is powerful and
moving and sure to draw goosebumps on all who hear it!
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DISTORTED—arr. Jay Dawson. The dance rhythms of
this chart combined with the catchy melody truly capture the essence
of “Cirque du Soleil!”
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N E W ! EL CONQUISTADOR—Mike Story. Great melodies, big
block scoring, and driving percussion make this Latin-style opener a
fiery way to begin your field show! Powerful!
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EL GATO—Roland Barrett. This is a hot Latin chart that
works as a field opener or a parade number and has all the power
without the difficulty! Guaranteed to make your band sound great, it
works with limited brass instrumentation, too.
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NEW!
EL GATO CALIENTE—Victor Lopez. Here is a strong
Latin-jazz original that is a powerful show opener or stands tune. Solid
grooves, commanding harmony and big, bold scoring make this a
winning chart for your band!
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EL ZORRO (The Fox)—Mike Story. Here’s a sizzling
Latin opener that doesn’t need a lot of rehearsal time to sound hot!
With its big and bold scoring, El Zorro will make any band sound twice
its size!
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ESPANA CANI—arr. Mike Story. This classic Spanish
tune, which features a short optional trumpet solo, would work
perfectly as an opener or auxiliary feature. Exciting!
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P e pp e r 2011 Marching Band C at alo g
ESTANCIA—Jay Dawson. This playable original Spanish
chart really cooks from start to finish! It’s scored to work with smaller
band instrumentations, too. A great show opener!
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ANFARE FOR THE THIRD PLANET—Richard
F
Saucedo. From his popular concert band work dedicated to our
own planet Earth, Richard Saucedo has masterfully adapted this as
a field show opener in grand style! Featured are highlights for all
sections, including brass, percussion and woodwinds. The impressive
finish concludes the piece in stellar fashion!
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ANTASMIC #1-MICKEY THE SORCERER—
F
arr. Michael Brown. Disneyland’s theatrical extravaganza
comes to marching band! The crowd will enjoy the main theme
from “Fantasmic”, which leads into the very memorable Sorcerer’s
Apprentice Theme everyone knows from “Fantasia!” It’s great for the
young at heart!
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F
ANTASMIC #2-PRINCESS MEDLEY—arr.
Michael Brown. Thrill your band and crowd alike with two
NIGHT WATCH - MOVEMENT 3—Jay Dawson.
NEW!
GRAVITAS—Dallas Burke & Carl Major. This
original opener is based on the dramatic concert band composition of
the same name. The chart makes use of limited rhythms and ranges
while managing to assert an intensity that will have your show off to
an exciting start!
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ALO THEME (from “Halo Suite”)—arr. Ralph
H
Ford. Here is the powerful music from the wildly popular video game
INCANTATION—arr. Jay Dawson. Exotic mid-Eastern
QUEST—Rob Grice & Caleb Doster. The majestic strains
of this opener or parade tune will fill the air with excitement! It’s lyrical and
energetic and is an impressive addition to any performance!
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“Halo” in a stunning arrangement for marching band! This is “cutting
edge” music that will thrill your students and your audience!
10009948 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
flavor infuses this high energy closer from “Cirque du Soleil: Quidam”
featuring a percussion solo, vocals for the wind section and a final
fanfare statement! Dynamic!
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INTO THE LIGHT—Jay Bocook & Will Rapp. Here
is a beautiful and lyrical change-of-pace number taken from the
composition for concert band. Opening with a soaring trumpet solo,
the piece builds to an emotional peak through a series of well paced
phrases and a carefully timed key change. Inspiring!
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Visit jwpepper.com!
KA: BATTLEFIELD—arr. Jay Dawson. Conflict and
struggle are personified in this bold “Cirque du Soleil” program closer.
A well-placed percussion feature offers great visual opportunities, a
fine display of drumming and a chance for the winds to “rest their
chops” before the final assault!
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KA: FLIGHT—arr. Jay Dawson. In this brief but lovely
ballad from “Cirque du Soleil,” the perfect contrast to an otherwise
intense program is provided. Richly orchestrated, this selection offers
multiple tempos for visual interpretation.
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A: OPENING PRODUCTION (Shadowplay,
K
Storm)—arr. Jay Dawson. The sensational music from
“Cirque du Soleil’s” “KA” grabs your attention immediately with
a crescendo from delicate woodwinds to full band fury during
Shadowplay. Things are then propelled forward with Storm, in a
showcase of your band’s musicianship and intensity. A final tempo
burst adds a flourish of velocity to this stunning opener.
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KA: PURSUIT—arr. Jay Dawson. Some of the most
exotic music from “Cirque du Soleil” is found in this production
number. A faint Middle Eastern flavor, highly effective musical layering
and a sensational ending are some of the highlights. Each section of
the band has its moment of excellence!
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KINGDOM HEARTS—arr. Ralph Ford. Everyone will
love this majestic music from the incredibly popular game “Kingdom
Hearts.” This spectacular closer will be a welcome addition to any
show. Rise above the rest with this unforgettable half-time offering!
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NEW!
LOS DOS BANDIDOS—Brian Scott. After a mysterious
intro that builds into a big “hit”, the “two bandits” are represented by
a short trumpet duet, which then leads into an up-tempo section filled
with great Latin jazz sounds. This chart will be great either on the field
or in the stands!
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NEW!
MACARENA—arr. Jerry Burns. The classic Spanish
tune, La Virgen de la Macarena, has been arranged in a chart that
any band can play. Full of great Latin sounds, solid scoring, and an
optional trumpet duet, this one is a winner from start to finish!
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MALAGUENA—arr. Jay Bocook. Stan Kenton made
this chart famous, and it’s been a favorite on the drum corps circuit
for years. If you’re looking for the ultimate in an exciting Latin chart,
this is it! A true tour de force off the line!
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MALAGUENA—arr. Michael Sweeney. This classic
Latin chart has been a favorite with bands for years. Mike’s easy
version makes it a real powerhouse for small or young groups.
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MALAGUENA—arr. Jay Bocook. Probably the best-
known Spanish production/concert number of all time! Let your brass
players pull out the stops on this exciting arrangement that features
impressive written out trumpet solos.
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INIMALLY SPEAKING #2 (Layers)—Richard
M
Saucedo & Michael McIntosh. This mysterious, song-
INIMALLY SPEAKING #3 (Echoes)—Richard
M
Saucedo & Michael McIntosh. A driving rhythmic
ostinato underlines this dramatic closer! Brilliant brass lines and block
chordal statements make the band sound huge! A powerful finish!
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NIGHT WATCH - MOVEMENT 1—Jay Dawson.
will have everyone wanting to meet a French girl named Lola! Lots of
energy makes this a winning selection!
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Darkly agitated, this show opener pulsates with suspense from
beginning to end!
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NIGHT WATCH - MOVEMENT 2—Jay Dawson.
This production number begins with a foreboding sound, then relaxes
into an exotic groove.
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ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm R PICKS!
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qualities, this ballad shows the softer side of “Cirque du Soleil.”
Beautiful!
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e SPANISH PARADE SEQUENCE—Paul Lavender
ORLD OF WARCRAFT - PART I—arr. Mike
W
Story. Gamers will love this stunning three-piece halftime show
& Will Rapp. Customize your own impressive-sounding
parade sequence quickly and easily with this versatile collection
of exciting Spanish themes! The short full band sections alternate
with three easy cadences that can be repeated as needed and
used in any order.
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based on the spectacular music from the popular interactive video
game “World of Warcraft.” Part I begins slowly and mysteriously with
Gates of the Black Temple, then builds to a driving up-tempo The
Burning Legion Main Title. The innovative, colorful scoring and unique
rhythmic drive will engage your band and audience alike!
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TROOPER SALUTE—arr. Bocook & Reese. Jay
Bocook pays tribute to the rich heritage of the “Troopers” drum and
bugle corps in this tapestry of Americana. Thematic material from
When Johnny Comes Marching Home, Shenandoah, The Battle Cry
of Freedom and Battle Hymn of the Republic is skillfully woven into a
breathtaking production number.
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ORLD OF WARCRAFT - PART II—arr. Mike
W
Story. The second part of the “World of Warcraft” show is based on
URBAN—arr. Jay Dawson. Combining hip-hop rhythms
ORLD OF WARCRAFT - PART III—arr. Mike
W
Story. Part III of the “World of Warcraft” halftime show begins with
Lion’s Pride, a very rhythmic dance-like tune with an infectious groove.
Beginning with an optional flute solo or soli, the piece builds gradually,
featuring virtually every section in the band. Stunning!
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with classical-style melodies from “Cirque du Soleil,” this chart is a
wildly exotic ending to your show!
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“
the incredibly beautiful Mountains of Thunder, featuring an optional
trumpet solo. It gradually builds, then gives way to the heroic Wrath
of the Lich King theme. This is cutting-edge music that will thrill your
both your students and your audience!
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Pepper always comes
through for us.”
—Kathryn Teem, Middle School Band Director,
Franklin, NC
YOU ARE THE NEW DAY—arr. Brian Scott. This
beautiful and inspirational song has been crafted into a stunning
arrangement worthy of any show. Designed as a production number
or closer, this piece would also be perfect as a chorale warmup for
both on the field and off. What a gorgeous chart!
10087965 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
originals
new from system blue!
World renowned drum corps,
The Blue Devils, brings charts, warm-ups
and exercises to your marching band!
AUTUMN
John M. Meehan.
The “Blue Devils” performed this chorale on their 2005
European tour. Now your band can prepare to take the
field when they play this soaring selection.
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Bb TUNING
Major and Minor Versions
Wayne Downey/arr. Meehan.
As made famous by the “Blue Devils” (originally as F tuning
on G bugles), this chordal warm-up exercise contains both
major and minor versions.
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BRASS FINGERING CHARTS
DIT-08
takes a four-note motif and uses it to build intensity from start to finish!
Intricate rhythms, unique harmonies, and driving percussion make this
fantastic piece a bold statement for the adventurous band!
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REVE ROUGE—arr. Jay Dawson. With its lullaby-like
INIMALLY SPEAKING #1 (Newrhythmics)—
M
Richard Saucedo & Michael McIntosh. This opener
Bocook.
FANTASMIC #3-FINALE—arr. Michael Brown.
(Hanging Out With) A FRENCH GIRL NAMED
LOLA—Ayatey Shabazz. Here’s a fun, peppy tune that
Soleil” production of the same name, the haunting introduction gives
way to a beautiful ballad!
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Joe Haworth.
Fingering charts are a quality resource for brass students of
any age and level. Each chart includes a chromatic listing
of the primary fingerings for that instrument, as well as
several alternate fingerings.
10274715 Brass Fingering Chart . . . . . . . . . . . 8.00
Holst/arr.
like work creates a shimmering effect that highlights your band’s
woodwinds. Nice mallet writing and a powerful brass build near the
end create a magical moment in your show!
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NEW!
QUIDAM—arr. Jay Dawson. Taken from the “Cirque du
Everyone
knows this riveting movement from Holst’s The Planets, and Jay’s
arrangement is about as exciting and intense as they come! Makes a
great opener or production number!
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MARS—Gustav
NINKOU LATORA—arr. Jay Dawson. Each section
of the band gets a chance to shine in this urgent and suspenseful
high-velocity production! Taken from “Cirque du Soleil: Quidam,” this
will be a definite crowd pleaser!
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songs they grew up with: Beauty and the Beast, from the movie of the
same name, and Part of Your World from “The Little Mermaid!” Your
trumpet soloist is featured in Part of Your World, and your whole band
gets to shine in Beauty and the Beast. Beautiful ballads!
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Feature your percussion section in this exciting closer that blends A
Night on Bald Mountain with the Disneyland’s “Fantasmic” theme! A
dramatic finish to an extraordinary show!
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This energetic closer dramatically portrays the beginning of a
new day.
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PE
18
Scott Johnson.
A “Blue Devils” drum line favorite! Be careful not to step in
the Odd-8 Mud Pits or Flam Scams!
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DYNAMIC CHORDS VOLUME #1
Eoin O’Keeffe & John M. Meehan.
Here is a series of five short chord progressions that can
be used in conjunction with daily wind warm-ups to help
enhance many of the techniques found in today’s marching
band shows. From harmonic understanding and sectional
listening responsibilities to phrase contouring and weighting
of attacks, Dynamic Chords adds a much needed layer to
warm-ups that will provide both excitement for the students
as well as immediate improvement to show segments.
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ETERNAL FATHER, STRONG TO SAVE/
NAVY HYMN
arr. Jim Ott & John M. Meehan.
Here is a gorgeous setting of The Navy Hymn as played
by the “Blue Devils” that is perfect as a warm-up, on and
off the field.
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LEGEND OF THE ONE-EYED SAILOR
arr. Jim Ott, John M. Meehan, Scott Johnson
& Michael Huestis.
Here’s the Blue Devils’ signature tune from the 1970s
by Chuck Mangione.
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MALFRED
Scott Johnson.
If you follow the “Blue Devils” on tour in 2011, you’ll hear
the drum line playing this in the parking lot!
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MAXIMIZING FINGER DEXTERITY
Joe Haworth.
Finger dexterity exercises are a great way to improve
finger/valve technique without simply playing chromatic,
major and minor scales.
10274724 Brass Method . . . . . . . . . . . . . . . . . 6.00
PARA-DISE
Scott Johnson.
Here’s a hip “Blue Devils” cadence based on the ever
popular Para-diddle.
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SALVATION IS CREATED
arr. Jim Ott & John M. Meehan.
This beautiful setting of Pavel Chesnokov’s work, as
played by the “Blue Devils,” makes an excellent warm-up
for your winds.
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TUNING CHORALE
Rob Stein.
Scored for full marching band winds, this short chorale is
a great way to hone the students’ ears while also building
up momentum either at the end of a daily warm-up or just
before a performance.
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Order Toll-Free Today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
19
broadway, movie & TV themes
R PICK!
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MERICAN IDIOT/EXTRAORDINARY GIRL
A
(American Idiot - The Musical, Part I)—arr.
Brian Scott. The award-winning music of “Green Day” is now the
basis of a terrific Broadway musical! Playing to rave reviews, the show
is based on “Green Day’s” concept album of the same name. Part
one contains the driving tune American Idiot coupled with the catchy
Extraordinary Girl. In addition, the chart contains a separate stands and
pep band version of American Idiot.
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e
AVATAR - PART 1—arr. Jay Bocook & Will
Rapp. The stunning movie “Avatar” has become the top box office
earner of all time! Loaded with driving percussion and dark themes,
this powerful opening production number from the soundtrack, “The
Destruction of Hometree”, portrays a mood of drama and foreboding.
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e
AVATAR - PART 2—arr. Jay Bocook & Will
Rapp. Based on the piece from the movie soundtrack, The
Bioluminescence of the Night is a hauntingly beautiful melody that is
woven throughout James Horner’s masterful score, and is the basis
for the end credit song I See You. 10088717 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
e
AVATAR - PART 3—arr. Jay Bocook & Will
JAMES BOND THEME—arr. Mike Story. One of
as the main title to the popular 60s TV series to the 2008 summer
movie version, this well-known theme has taken on a life of its own
with its campy spy spoof attitude. Definite fun for the stands!
10054900 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
the most recognizable movie themes of all time is now in a great
arrangement for younger players! It’s a dynamic production number
for any show, and a super stands tune!
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GHOSTBUSTERS—arr. Nick Baratta. This 80’s classic
JAWS/SUPERMAN—arr. Johnnie Vinson. This
creative production number starts with the ominous Jaws theme,
and then our hero arrives to save the day! Great sounding chart for
young bands!
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comes rockin’ back in ghoulish fashion! The chart has a great groove,
and is perfect for stands, auxiliary and pep band use. Who ya gonna
call? Ghostbusters!
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GONNA FLY NOW—arr. Mike Story. What could be
more inspirational than this theme from the movie “Rocky?” You won’t
have to spend lots of rehearsal time on this one, but you’ll find plenty
of energy here to pump up your team and crowd!
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ONNA FLY NOW (Theme from “Rocky”)—
G
arr. Brian Scott. If there’s one stands tune your band needs in
their folder, it’s the classic theme from “Rocky!” Your team will really
get pumped when they hear this one! With solid scoring, this chart
delivers the goods with a power-house sound!
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REASED LIGHTNIN’—arr. Michael Brown &
G
Will Rapp. Your band will be “burnin’ up the quarter mile” with
this classic tune from the hit Broadway show and movie “Grease!”
It features lots of solid full band playing, plus breaks for percussion
effects and visuals. Exceptionally scored for small bands looking for
a big sound!
10008206 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
JERSEY BOYS - PART 1—arr. Michael Brown
and Will Rapp. From the popular Broadway musical showcasing
NEW!
NEW!
ABY ELEPHANT WALK/PETER GUNN—arr.
B
Paul Murtha and Will Rapp. In this well-paced production
HAWAII FIVE-O THEME—arr. Tom Wallace. Here’s
HAWAII FIVE-O THEME—arr. Paul Murtha. Scored
for younger bands, here is a great sounding arrangement of the classic
tv theme from the 1960s, made popular again thanks to the hit series
on CBS. Your percussion section will love this one!
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JERSEY BOYS - PART 2—arr. Michael Brown
and Will Rapp. Written with plenty of variety in scoring and
dynamics plus a short percussion break, this entertaining production
number is based on the 1960’s “Four Seasons” hits December 1963
(Oh, What a Night) and Walk Like a Man.
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IGHTMARE BEFORE CHRISTMAS, THE - PART
N
2—Danny Elfman/arr. Brown & Rapp. This unique
Bring down the house with this hot arrangement of the Latin standard
from “The Pajama Game!” It’s a sizzling feature for your tubas, or your
guard can do a spicy tango. Ole!
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PE
e BELLA’S LULLABY (from the movie “Twilight”)—
e
DANNY ELFMAN CLOSER—Danny Elfman/
P e pp e r 2011 Marching Band C at alo g
arr. Brown & Rapp. Using the delicate and flowing strains
of Ice Dance from “Edward Scissorhands” a rich chorale style is
used to lead into an exciting rendition of the main theme from
“Beetlejuice.” Raucous and a bit outrageous, this chart powers
ahead to a frenzied climax!
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e DANNY ELFMAN OPENER—Danny Elfman/arr.
Brown & Rapp. This exciting arrangement opens with a
mysterious statement from “Spider-Man” followed by the driving and
intense theme “Tales from the Crypt.” A short percussion feature
leads into a new key and it pushes to a powerful finish!
10045114 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
e DEFYING GRAVITY—arr. Jay Bocook & Will
Rapp. As one of the defining moments in the hit musical “Wicked,”
this song conveys emotion mixed with excitement. This powerful
arrangement is based on the version recorded by the cast of the TV
series “Glee.” Magical!
10088733 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
ISNEY’S MAGICAL MARCHES—arr. Johnnie
D
Vinson. Perfect for parades or the stands, this medley of familiar
themes is bound to put a smile on everyone’s face! Titles include:
Mickey Mouse March; Supercalifragilisticexpialidocious and Zip-ADee-Doo-Dah.
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PE
JERSEY BOYS - PART 3—arr. Michael Brown
and Will Rapp. This lush treatment of Frankie Valli’s hit ballad
OLIDAY (American Idiot - The Musical, Part
H
II)—arr. Brian Scott. The second part of the “American
Idiot - The Musical” show contains “Green Day’s” driving punk-tinged
Holiday. This is a terrific arrangement that will come together in a
hurry. It also makes a top-notch stands tune!
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N E W ! I N THE HEIGHTS - PART 1—arr. Michael Brown
and Will Rapp. From the award-winning Broadway show “In
the Heights,” here is a stunning opening production number for the
field. The mallets and woodwinds start things out quietly with Sunrise,
before the full ensemble launches into the exciting salsa strains of
It Won’t Be Long Now. Rhythmically exciting with plenty of creative
opportunities for dance or staging.
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N E W ! I N THE HEIGHTS - PART 2—arr. Michael Brown
and Will Rapp. Based on The Club from the award-winning
Broadway musical “In the Heights,” here is a sizzling production/dance
number featuring a hot Latin style as well as space to show off the
percussion section. A brief lyric middle section sets up a final push to
the exciting finish.
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Can’t Take My Eyes off of You opens with a solo or soli for horns
followed by a creative mix of modulations and dramatic effects. The
ending builds nicely to a climax with a recap of Big Girls Don’t Cry and
a powerful finish.
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production number starts off with the devious-sounding This Is
Halloween, which includes an alto sax solo and intense full ensemble
punches. The mood shifts dramatically to the bluesy swing tune Oogie
Boogie Song, treated here in a big-band setting that really wails!
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NE HAND, ONE HEART/SOMEWHERE (West
O
Side Story Finale)—arr. Jay Dawson. Two of the
most moving selections from Bernstein’s “West Side Story” bring the
complete show to a stirring conclusion! Scored to let smaller bands
sound their best!
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OVER THE RAINBOW—arr. Mike Story. Always
a favorite for marching band performance, Over the Rainbow is a
classic choice for your closer this year. Featuring an easy trumpet
solo and some tasty scoring, this chart would also be perfect as a
homecoming tune.
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PETER GUNN—arr. Doug Adams. One of the all-time
Henry Mancini favorites is presented in a sizzling chart any band can
play! Everyone will start to groove when they hear that popular bass riff!
10008644 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
A must-have!
maRching bands
and drumlines
A Superb Resource!
Secrets of Success
from the Best of the Best
Marching Band Methods
Paul Buyer. This handbook is a must for every band director’s
bookshelf. Gary Smith has put into print what
many other band manuals have not, using
detailed graphics and instructions in areas such as
marching, conducting, verbal commands, marching
fundamentals, charting and leadership. Not only is
this a wonderful resource for directors, but it is great
for drum majors and section leaders and is extremely
useful as a college band course textbook. Even the
most experienced directors will find many new ideas
within the pages of “The System!”
This extraordinary study takes you onto the
practice field, inside the meeting room, and into
the stadium including the “Five Factors Influencing
Excellence” - valuable to any high school or
college band program. The leaders of these
outstanding organizations reveal their goals for
success including: expectations; values; leadership
styles; motivational techniques; practice habits and
recruiting strategies. A must-read for band directors,
percussion educators, students and anyone pursuing
excellence in leadership.
The System
Gary Smith. NEW!
I N THE HEIGHTS - PART 3—arr. Michael Brown
and Will Rapp. Winner of multiple Tony Awards including “Best
Musical” and “Best Original Score,” the Broadway sensation “In the
Heights” showcases a variety of exciting Latin styles and moods. This
closing production opens with the moving ballad When You’re Home
and finishes with the rousing title song In the Heights.
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OR YOUR EYES ONLY/JAMES BOND THEME—
F
arr. Mike Story. This closer has it all - a beautiful ballad that
e
JAI HO (from “Slumdog Millionaire”)—arr.
brings out your band’s lyrical side and an exciting, well-known
movie theme to get the crowd on their feet! Mike kept things in a
comfortable range for your players, so they put out their best sound!
Works well in any James Bond or movie theme show!
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R PICK!
PPE
R PICK!
PPE
ANFARE FROM ET (The Extra-Terrestrial)—
F
arr. Paul Lavender. This stunning opening fanfare on John
Williams’ irresistible theme comes with a variety of performance
options (including solo trumpet cues for the piccolo soli).
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Henry Mancini’s best-known melodies. Moon River opens with a
trumpet solo before expanding to a majestic statement in 4/4. Then
Mr. Lucky takes over in a smooth bossa style, and concludes with a
dramatic big ending.
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broadway
and your band hop in the Batmobile and take on Gotham City!
The Molossus Theme is featured in this percussive and brassy
arrangement that is perfect for the field or the stands.
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to the world! This incredible opener features a beautiful introduction
and trumpet solo followed by the spirited “Riverdance” theme.
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OON RIVER/MR. LUCKY—arr. Paul Murtha
M
and Will Rapp. This production number combines two of
Here is a marvelously paced arrangement of the familiar song from
“The Phantom of the Opera.” Opening with a trumpet solo, it builds
impressively to a climax then tapers to a quiet ending with the
distinctively dissonant “phantom” chords.
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HERNANDO’S HIDEAWAY—arr. Ralph Ford.
here is the haunting main theme in a beautiful setting for the field or
stands. Includes a trumpet solo that could be performed by alto sax or
an amplified flute. Sure to be an instant favorite!
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and innovative today as it did when it was first heard nearly 40 years
ago! This solid and dynamic arrangement works great with smaller or
inexperienced bands, and is perfect for dance features!
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N E W ! ATMOBILE CHASE (from Batman Begins)—
B
arr. Mike Story. Get ready for the ride of your life as you
C LOUD SONG/RIVERDANCE—arr. Tom
Wallace. “Riverdance” lit stages on fire and brought Celtic music
R PICK!
PPE
MUSIC OF THE NIGHT, THE—arr. Paul Lavender.
N E W ! Carter Burwell/arr. Murtha. From the hit movie “Twilight,”
Your band will sound magnificent when they play this beloved
movie theme! It’s a grand opening to any show and gives each
section the spotlight!
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ISSION: IMPOSSIBLE THEME—arr. Paul
M
Lavender. This familiar TV and movie theme sounds as fresh
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the silver screen in 1989 and brought this dynamic theme, composed
by Danny Elfman, with him. Your band can save Gotham City when
they take to the field with this powerful chart!
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LIVE AND LET DIE—arr. Mike Story. This Paul
McCartney and “Wings” classic sounds so good, it’s hard to believe
how easy it is! Whether used as part of a James Bond theme show,
or in other settings, this chart offers so many effective changes in
style it screams for cool general effects. A mellow opening trumpet
solo, powerful themes and double time sections are just part of the
excitement! Don’t miss it!
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this impressive opener features a distinctive Spanish flair and plenty of
visual possibilities. It’s a fiery way to start your show!
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BATMAN THEME, THE (from the Motion Picture
“Batman”)—arr. Mike Story. The Dark Knight flew onto
exciting arrangement from “Cirque du Soleil” features rhythmic
intensity, soaring lyric lines, a fast-paced percussion feature and
a powerful theme!
10066570 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
ASK OF ZORRO, THE—arr. Jay Bocook & Will
M
Rapp. From the dynamic and exciting soundtrack by James Horner,
Everyone will know this unforgettable theme from the ‘60s television
series about the alter-egos of Bruce Wayne and Dick Grayson.
Kerpow!
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air” woodwind effect in the opening and closing, take the audience
on a magnificent journey of melody, rich harmonies and dramatic
emotional pacing with this musical offering from “Cirque du Soleil.”
Very effective!
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Danno! This classic TV theme is set as a powerful yet easy chart for
your marching band. Incredibly powerful!
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ATMAN THEME (from the Original Television
B
Series)—arr. Mike Story. Holy marching band, Batman!
J OURNEY OF MAN: FLYING (Journey of Man Part 2)—arr. Richard Saucedo. Utilizing a “lighter than
MAGNIFICENT SEVEN, THE—arr. Mike Story.
HAWAII FIVE-O—arr. Doug Adams. Book ‘em,
an authentic-sounding, yet easy version of the iconic theme from the
1968-1980 hit television show. Long a favorite of marching and pep
bands, this theme will gain new popularity with the emergence of an
updated version of this classic cop drama. “Book ‘em Danno!”
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Man - Part 1)—arr. Richard Saucedo. From the
acclaimed 2000 movie “Cirque du Soleil: Journey of Man,” this
stunning opening production evokes musical imagery of light, color
and theatre in a creative and dynamic setting for the field!
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the 1960’s pop hits of “Frankie Valli and the Four Seasons,” here is
an energetic and dynamic opener based on Can’t Take My Eyes off of
You and Big Girls Don’t Cry.
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from the soundtrack cue War. A variety of moods, textures and effects
are displayed, all leading to an exciting conclusion!
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the woodwinds and mallet percussion are featured on the famous
melody of Baby Elephant Walk. Following a rock-style drum break, the
low brass leads into the ultimate spy theme Peter Gunn, with the full
band blazing to an exciting finish!
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R PICK!
PPE
ONNA FLY NOW—arr. Victor Lopez & Anthony
G
Falcone. In 2006, the music world mourned the passing of jazz
trumpet legend Maynard Ferguson. As a tribute, here is a solid and
playable arrangement of Gonna Fly Now. It includes an optional solo
trumpet part a la Maynard Ferguson that can be played down an
octave if desired. Stellar!
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e JOURNEY OF MAN AND YOUTH (Journey of
JOURNEY OF MAN: YOUTH (Journey of
Man - Part 3)—arr. Richard Saucedo. This
PE
Rapp. This dynamic closing production for the field uses themes
e GET SMART—arr. Michael Brown. From its beginnings
PE
PE
20
Michael Brown & Will Rapp. From the highly acclaimed
“Slumdog Millionaire” soundtrack, here is the Oscar-winning Song of
the Year arranged in a joyful and exuberant setting for marching band!
Sure to be an audience favorite with the catchy melodies and driving
percussion!
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ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm 10066625 Paperback Book . . . . . . . . . . . . . . .19.95
5986747 Paperback Book . . . . . . . . . . . . . . 28.00
Order Toll-Free Today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
21
broadway, movie & TV themes
this groundbreaking Broadway classic. The familiar opening strains
are nothing short of stunning! An impressive opener for the field!
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PINK PANTHER, THE—Henry Mancini/arr. Ford.
RAIDERS MARCH—arr. Victor Lopez. John Williams’
spectacular theme to the “Indiana Jones” saga, including the 2008
summer blockbuster hit “Indiana Jones and the Kingdom of the Crystal
Skull”, is featured in this exciting arrangement for the field or stands!
This will truly be a crowd favorite!
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Arguably Henry Mancini’s most popular melody, this cool arrangement
is a solid choice for any show! It comes complete with finger snapping
and a slinky trumpet solo.
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RAIDERS MARCH—arr. Mike Story. John Williams’
N E W ! RAWHIDE—arr. Brian Scott. This classic Western theme
INK PANTHER, THE—arr. Paul Murtha and
P
Will Rapp. Slinky, yet sophisticated, this jazzy theme remains
timeless theme from the “Indiana Jones” saga is now playable by any
band with this effective, yet easy new arrangement! Perfect for the
field or the stands, it’s sure to be a crowd favorite!
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and has been given a hip rockabilly feel. With driving percussion and
big, bold scoring, this one really shines!
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one of Henry Mancini’s best! This chart provides a nice mix of full
band passages along with dynamic contrasts and a feature spot for
woodwinds on the melody.
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SHOUT IT OUT—arr. Doug Adams. Direct from the hit
IRATES OF THE CARIBBEAN (The Curse of the
P
Black Pearl)—arr. Paul Murtha. Ahoy matey! Here is
N E W ! the ultimate in adventure music for the stands or field! Your band
will transport the audience from the bleachers to a ship on the high
seas with this medley from the blockbuster movie “The Pirates of the
Caribbean: The Curse of the Black Pearl!” 2476556 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
IRATES OF THE CARIBBEAN, PART 1—arr.
P
Michael Brown & Will Rapp. Opening with a sense of
anticipation, the lilting woodwind melody is accompanied by vibes and
frame drums. The following majestic and dramatic themes finish out
this powerful arrangement! Titles include: Fog Bound; The Medallion
Calls and The Black Pearl.
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IRATES OF THE CARIBBEAN, PART 2—arr.
P
Michael Brown & Will Rapp. This production number
begins with a beautiful chorale section before launching into some of
the most intense and exhilarating music of the entire soundtrack! The
battery percussion, brass and woodwind sections are all used to their
full potential in this impressive sounding segment! Titles include: Blood
Ritual and To the Pirates Cave.
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IRATES OF THE CARIBBEAN, PART 3—arr.
P
Michael Brown & Will Rapp. The tender One Last Shot
provides the emotionally charged musical climax to the movie and
is beautifully orchestrated in this fantastic closer. The chart is then
brought to a rousing finish with the energetic He’s a Pirate. Fitting for
any swashbuckler!
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NEW!
POWERHOUSE—arr. Paul Murtha. The zany music of
the “Raymond Scott Quintette,” originally recorded in the late 1930s,
was a popular resource for the early Warner Bros. cartoons scored by
Carl Stalling. Filled with surprise and humor, any fan of Bugs Bunny
will recognize these unforgettable themes!
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movie “Drumline”, this hip tune with the well-known riffs and drum
solos is sure to be a crowd-pleaser!
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SOUL BOSSA NOVA—arr. Paul Murtha. Famously
used as the “Austin Powers” theme, this Quincy Jones hit from 1962
is more popular now than ever before! Sure to be recognized by all,
you’ll have fun performing this game after game. Yeah, baby, yeah!
10274448 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
N E W ! OUND OF MUSIC, THE - OPENER (My
S
Favorite Things, Edelweiss, Do-Re-Mi)—arr.
Jay Dawson. My Favorite Things kicks off this energetic medley.
Beautiful woodwinds and expressive musicianship are on display in
Edelweiss, and Do-Re-Me is a showcase for all sections, with a special
feature for the trumpets.
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NEW!
OUND OF MUSIC, THE - PRE-OPENER (The
S
Sound of Music)—arr. Jay Dawson. The bucolic
Austrian countryside is portrayed while building towards a powerful
impact of the title song, The Sound of Music. Use this as your on-field
warm-up or show opener.
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NEW!
OUND OF MUSIC, THE - THE ESCAPE (The
S
Chase, Climb Ev’ry Mountain)—arr. Jay Dawson.
As the von Trapp Family flees their would-be captors, the musical drama
reaches its greatest intensity. A percussion feature leads the way to the
inspirational closing strains of Climb Ev’ry Mountain. 10274760 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
NEW!
OUND OF MUSIC, THE - THE WEDDING
S
(Wedding Preparations, Maria)—arr. Jay
Dawson. Here’s a production number you can stage visually with
as much or little detail as you like. Wedding preparations give way to
the magnificent cathedral scene where the wedding processional is
overlaid with Maria. 10274759 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
SUPERMAN OPENER—arr. Mike Story. The Man of
Steel made a triumphant comeback to the silver screen in 2006 with
“Superman Returns.” This arrangement of one of John Williams’ most
beloved scores begins mysteriously with the Planet Krypton theme,
building to a huge push before the powerful Superman Theme. A
super opening to your field show!
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SUPERMAN THEME—arr. Mike Story. Everyone will
instantly recognize this majestic march from the summer blockbuster
“Superman Returns!” It contains all of the Main Title themes in a very
playable arrangement!
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NEW!
T. J. HOOKER (Main Theme)—arr. Ralph Ford.
Classic tv themes make great stands and pep band charts, and this
one is no exception. This driving arrangement from the ‘80s police
drama featuring William Shatner is an excellent addition to your stands
tune library!
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e
THEME FROM “THE A TEAM”—arr. Paul
Murtha. Mr. T and company ruled the TV airwaves in the ‘80s,
along with their equally famous and well-known theme song. A great
way to pump up the crowd and fire up your own “A” team!
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TIME WARP—arr. Tom Wallace. A wild and wacky
dance tune from “The Rocky Horror Picture Show.”
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N E W ! TIME WARP, THE—arr. Shane Porter. “The Rocky
Horror Picture Show” has found a new generation of fans, thanks in
part to the immensely popular TV show “Glee.” The biggest song from
the show is now a creative arrangement for the field. Full of excitement
and drive, this chart will be a crowd favorite year after year!
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e TITAN SPIRIT (Theme from “Remember the
Titans”)—arr. Jay Bocook & Will Rapp. From the
PE
HANTOM OF THE OPERA, THE—arr. Paul
P
Lavender. The recent hit movie has stirred renewed interest in
22
R PICK!
PPE
WAKE ME UP WHEN SEPTEMBER ENDS/
HOMECOMING (American Idiot - The Musical,
Part III)—arr. Brian Scott. Closing out the “American
Idiot - The Musical” show is a medley of two “Green Day” hits. Wake
Me Up When September Ends begins with a beautiful trumpet solo
and gradually builds into Homecoming, a montage of four different
melodies. The excitement keeps building throughout the chart until
the final push. This one will bring the down the house!
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WICKED - PART 1—arr. Richard Saucedo. An
engaging story of everyone’s two favorite witches from the Land of Oz,
“Wicked” is one of the hottest musicals on Broadway! This powerful
opener for the field features the dramatic opening strains from the
show and the wickedly intense No One Mourns the Wicked.
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WICKED - PART 2—arr. Richard Saucedo. From
the hit Broadway musical, this production number includes a light rock
treatment of Dancing Through Life and a creative setting of Defying
Gravity. This arrangement has been skillfully constructed to include
musical contrasts and visual impact points for the field.
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WICKED - PART 3—arr. Richard Saucedo. This
dynamic closer from the hit Broadway musical “Wicked,” featuring the
tender and moving For Good and the intense No Good Deed and No
One Mourns the Wicked, will leave your audience breathless!
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N E W ! IZARD OF OZ MEETS THE WIZ, THE - PART
W
I—arr. Victor Lopez. The timeless music from “The Wizard
powerful soundtrack of the 2000 movie “Remember the Titans,” this
inspirational and uplifting theme is sure to be familiar to all audiences.
Here is an exciting production for the marching field!
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of Oz” is coupled with songs from “The Wiz” in a complete halftime
show for your band. The opener is a collage of Ding Dong the Witch
Is Dead, We’re Off to See the Wizard and The Merry Old Land of Oz
from “The Wizard of Oz.” A creative and fun arrangement for the field!
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TONIGHT—Leonard Bernstein/arr. Wallace. An
N E W ! absolutely beautiful closer from “West Side Story.” You’ll create
emotion in the stands like you’ve never seen before with Tom
Wallace’s great arrangement!
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T
ONIGHT/AMERICA (West Side Story
Opener)—Leonard Bernstein/Dawson. This exciting
opener from “West Side Story” is scored with the smaller band in
mind. With reduced instrumentation possibilities, all bands can sound
great on this American classic!
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Pepper Meets the Needs of
All Bands...Large or Small.
IZARD OF OZ MEETS THE WIZ, THE - PART
W
II—arr. Victor Lopez. This marvelous production uses two tunes
from “The Wiz.” So You Wanted to See the Wizard really grooves, and
some Latin-style figures give it punch. A brief drum beak leads into the
hit song A Brand New Day, which brings the medley to a rousing finish!
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N E W ! IZARD OF OZ MEETS THE WIZ, THE - PART
W
III—arr. Victor Lopez. “The Wizard of Oz Meets The Wiz”
show concludes with two beautiful ballads. The tune Home from “The
Wiz” is heard before leading into a grand arrangement of “The Wizard
of Oz’s” signature song Over the Rainbow. The grand finale will bring
the crowd to its feet!
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stands, cheers & pep Band
NEW!
LEACHER FEACHERS—Chris Crockarell & Chris
B
Brooks. Four pep band features like you’ve never heard before!
Hot drum parts, funky band chants and hip backup band licks combine
for some of the coolest pep band cheers around!
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N E W ! CARTOON CAPERS—arr. Mike Story. Here is an
awesome collection of some of the best cartoon themes of all time
in four short, individual, timeout-length arrangements that are perfect
for the stands or pep band. Included are: Merrily We Roll Along; The
Pink Panther; (Meet) The Flintstones and Scooby Doo, Where Are You?
10273897 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
ROWD TEASERS 2001—arr. Lewis Norfleet/
C
Harkins. Five burning time-out length tunes guaranteed to
P e pp e r 2011 Marching Band C at alo g
work the crowd into a frenzy! Includes: Back In Black; Also Sprach
Zarathustra; Play That Funky Music; Mars and Latin Burner.
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N E W !
CROWD TEASERS 2011—arr. David Samuel.
These four short tunes are just right to fire up the crowd during any
timeout! This pack includes a funky blues riff, a fiery Latin groove,
a brilliant fanfare and an intense rock number. All of these are the
perfect length to fit between plays to keep the crowd cheering!
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FOX SPORTS THEMES—arr. Tod Edmondson.
The highlight of this collection is the famous NFL On Fox fanfare,
known by anyone who’s ever watched pro football on TV! A guaranteed
fan energizer, you also get a lot of mileage out of the NHL On Fox
and Baseball On Fox fanfares. As an added bonus, the famous 20th
Century Fox Fanfare is included... a must for every band!
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ET INTO THE GAME! CHEER PACK—arr. Allen
G
Gray. Your band will sound like they’re in the Big 10 with this pack
of time-out tunes! At just a few measures in length, these short charts
pack a collegiate punch!
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RUV JAMZ—arr. Michael Sweeney & Will
G
Rapp. Here’s a great collection of short funky jams perfect for timeouts or just getting rowdy! Includes: Uh-Oh from the movie “Drumline”;
The Groove Line; Get Ready and Soul Limbo.
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ALFTIME (Stand Up and Get Crunk)—arr.
H
Jonathan Nelson. The strong brass line of this “Ying Yang
Twins” hit makes this a natural for marching band! The crowd is sure
to “stand up and get crunk!”
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N E W !
N E W ! HIP HOP STADIUM BLASTERS—Dallas Burke.
MONSTER JAMS—arr. Paul Murtha, Michael
Sweeney & Paul Lavender. Monster rock tunes to strike
LAMMIN’ JAMMIN’ CHEER PACK II: THE
S
SEQUEL—Dallas Burke. Part 2 of this cheer pack includes
These three short hip hop tunes will have your band and the crowd
swaying in the stands with their hands in the air, waving like they just
don’t care! Everyone will love the grooves on these timeouts!
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HIP-HOP HOOKS—arr. Jeff Simmons. This cheer
pack includes just the “hooks” from some of the all-time biggestselling hip-hop and pop artists, such as Lady Gaga, Flo Rida, Pitbull
and the “Beastie Boys.” Instantly recognizable and loads of fun for
the stands! Titles include: Bad Romance; I Know You Want Me (Calle
Ocho); Fight for Your Right (to Party) and Right Round.
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HIP-HOP TIMEOUTS—arr. Ralph Ford. Get the crowd
going this year with this set of three timeout-length arrangements of
some of the most popular hip-hop tunes around! Featuring Let’s Go
by Trick Daddy and T. I.’s Whatever You Like and Live Your Life, these
charts will come together quickly and easily!
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the fear in the hearts of your opponents! Turn the volume up with this
hard-hitting collection, which includes: Frankenstein; Godzilla; Iron
Man and Super Freak.
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e
NFL ON FOX—arr. Michael Brown. Anyone who
watches football on television has heard this high-powered and
explosive theme song! Perfect for the stands or pep rallies, indoors
or on the field, this great sounding chart that’ll get the adrenaline
pumpin’!
10019109 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
e POP JAMS VOL. 1—arr. Paul Murtha. Liven up any
sports rally or game with these well-known hits! Includes: Poker Face
(Lady GaGa); She Wolf (Shakira); Funhouse (Pink) and Single Ladies
(Beyonce). 10088745 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
QUICKSTAND PACK—arr. Victor Lopez. This set of
N E W ! HORSE, THE—arr. Paul Murtha. Originally a pop hit for
Cliff Nobles in 1968, here is a high energy updated version designed
to sound great with small bands. Featuring a very danceable groove
and bass line, as well as hot brass riffs and a short percussion break,
this is sure to be a hit with today’s bands!
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twelve extremely short arrangements was designed to be performed in
between plays, or just about any time! Included are: Celebration; Eye
of the Tiger; Gonna Fly Now; Rock Around the Clock; Dragnet; Sweet
Georgia Brown; Macarena; Tomahawk Chop; The Merry-Go-Round
Broke Down; Hallelujah; Gonna Make You Sweat and Conga.
10045813 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
OCK & ROLL - PART II (The Hey Song)—arr.
R
Paul Lavender. Everybody knows the word(s) to this one! Sure
to get the crowd rowdy and loud!
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N E W ! HORSE, THE—arr. Jerry Burns. One of the most popular
tunes with football and basketball crowds everywhere is now in the
easiest arrangement ever! Solidly scored and big on sound, this is sure
to win, place and show!
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IN THE RED ZONE” CHEER PACK—arr. Allen
“
Gray. This pack of stands tunes has everything you need to get
the crowd on their feet and keep them cheering! Just the right length
for timeouts, the set includes two hip hop style jams, a fast-paced
gallop, a brass fanfare with band vocals, quotes from Mars, and a
short swing cheer.
10274534 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
“IN THE ZONE” CHEER PACK—arr. Allen Gray.
This pack of four funky cheers is just right for the game! Your band will
rock the stands with these!
2480817 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
JOCK ROCK—arr. Paul Lavender. Take a look at these
monster rock hits guaranteed to make any pep band sound terrific!
Includes: Rock & Roll Part 2 (The Hey Song); Y.M.C.A.; Tequila; Wild
Thing and We Will Rock You. Essential crowd-hyping music!
2341949 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
N E W ! CREAMIN’ DRUM JAMZ (Stand Cheers for
S
Percussion)—Carl Major. Here are four groovy stands
tunes for drum line with band shouts. Cheering for the team is much
more fun when the drummers are playing hot licks!
10274537 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
SHORTIES #15—arr. Victor Lopez. The fifteenth
installment of the popular “Shorties” series brings four more time out
favorites! Titles include: Hey! Baby!; Brain Stew; Beat It and Conga.
10066154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
N E W ! SHORTIES #17—arr. Victor Lopez. The 17th volume
of this very popular series features four more short timeout-length
arrangements for the stands or pep bands. This top-notch set
includes: Heavy Action (Theme from “Monday Night Football”);
Immigrant Song; The Way You Make Me Feel and Any Way You
Want It.
10273857 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
all you’ll need to keep the crowd in the game! Featured are some new
takes on the old classics along with some new original cheers to spice
things up a little. Written with limited instrumentation, these timeouts
make a band of any size sound big!
10274535 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
LAMMING JAMMING CHEER PACK—arr.
S
Dallas Burke. Eight all-time crowd favorites just right for the
stands! These are cheers everyone knows and loves already, so
organize the chaos with this well-arranged set!
2463222 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
STADIUM JAMS VOL. 2—arr. Paul Murtha. Here
is a dynamic collection of short versions perfect for time-outs and
stirring up the crowd! Includes the classic rock hits Back in Black;
Enter Sandman; Kernkraft 400 and Sharp Dressed Man. This is an
absolute must-have for pep bands!
10026498 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
10026498E . . . . . . . . . . . . . . . . . . . . . . . . . e-Print ME 50.00
e
STADIUM JAMS VOL. 3—arr. Paul Murtha.
Every band needs short versions of hot tunes to fire up the crowd
and their team during time-outs or pep rallies. Here’s a collection
of indispensable rock classics, including: Barracuda; Carry on
Wayward Son; Paranoid and Final Countdown. An absolute musthave for pep bands!
10066602 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
e
STADIUM JAMS VOL. 4—arr. Paul Murtha.
Featuring hits recorded by “The Black Eyed Peas,” here is a terrific
collection of time-out “shorties” for the stands! Includes: Let’s Get It
Started; Pump It; I Gotta Feeling and Boom Boom Pow.
10088738 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
e STADIUM JAMS VOL. 5—arr. Jay Bocook. These
rousing snippets have been played in college stadiums across the
country, and now you can bring this exciting brand of intimidation to
your own games! Includes: Verdi’s Requiem; William Tell Overture;
Mars and Night on Bald Mountain.
10088739 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
STADIUM ROCK—arr. John Higgins. Some great short
rock bits for the stands, including: We Will Rock You; Another One Bites
The Dust and We Are The Champions! What more can you need?
2206431 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
N E W ! UPER COOL JAM SHORTS—arr. Ayatey
S
Shabazz. This set of four timeout jams are just what you need
to keep the energy pumpin’ in the stands! The cheerleaders and color
guard can help out by dancing to: I Know You Want Me (Calle Ocho);
Crank That; Da Dip and I Like the Way You Move It.
10274592 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
23
ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm Order Toll-Free Today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
Jam With these Rockin’ collections!
24
All-Star Sports Pak
Championship Sports Pak
18 Hot Tunes at the Easy Level
arr. Mike Story.
arr. Mike Story.
This is an absolutely super collection of short, easy arrangements for marching or pep band! Mike Story has selected some of
the hottest tunes around...tunes that every fan will recognize...and has crafted arrangements that are short, to the point, and
exactly what you need to energize the crowd! Parts are included for synthesizer, electric bass and drum set to give your group
a really up-to-date sound. Easy and full-sounding, these mini-charts are conveniently printed in a lyre-size book. Songs include:
Sweet Georgia Brown; Tequila; Wipe Out; Ghostbusters; I Get Around; Fun, Fun, Fun; The Lion Sleeps Tonight; Jeopardy Theme;
Smoke On The Water; Proud Mary; Peter Gunn; Old Time Rock & Roll; Mighty Morphin Power Rangers; The Magnificent Seven;
Batman Theme; Sing, Sing, Sing; Cheer Pax and The Star Spangled Banner.
Here’s a collection of crowd energizers that’s guaranteed to get your fans on their feet! The short arrangements are all at the Easy
Level, and give you plenty of ammunition for time-outs, pep rallies and other occasions. And check out the song titles...every one’s a
winner! Songs include: Land of a Thousand Dances; Imperial March (Darth Vader’s Theme); Gonna Fly Now (Theme from Rocky);
Wooly Bully; Your Mama Don’t Dance; Celebration; Star Wars (Main Theme); Freeze Frame; Dragnet; Mony, Mony; Barbara Ann;
Gimme Some Lovin’; Jump; La Bamba; Hang On Sloopy; Louie, Louie; Macarena; My Sharona; Oh, Pretty Woman; Merrily We
Roll Along (Theme from The Bugs Bunny Show) and Star Spangled Banner.
2320091Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320109Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320117 Clarinet Easy or Bass . . . . . . . . . . . . . . . . . . 3.95
2320125 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320133 Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320141 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320158 Trumpet 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320166 Trumpet 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320174 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320182 Horn in Bb . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320190Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320208 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394047Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394054Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394062 Clarinet (Optional Easy Part) . . . . . . . . . . . 3.95
2394070 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394088 Tenor Sax /Baritone T.C. . . . . . . . . . . . . . . . 3.95
2394096 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394104 Trumpet 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394112 Trumpet 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394120 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394138 Horn in Bb . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394146Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394153 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320224 Baritone T. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320232Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320240Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320257Xylophone . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320265 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320273Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320281 Bass Drum/Tenor Drum . . . . . . . . . . . . . . . . 3.95
2320299Cymbals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320307Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320315 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320216 Electric Bass . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2320323 Conductor Score . . . . . . . . . . . . . . . . . E 15.95
2394161 Electric Bass (Opt. Bariton B.C.) . . . . . . . . . 3.95
2394179 Baritone T. C. (Optional) . . . . . . . . . . . . . . . 3.95
2394187Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394195Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394203Xylophone . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394211 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394229Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394237 Bass Drum/Tenor Drum . . . . . . . . . . . . . . . . 3.95
2394245Cymbals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394252Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
2394260 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
2394039 Conductor Score . . . . . . . . . . . . . . . . . E 15.95
GET PUMPED!
P e pp e r 2011 Marching Band C at alo g
Rock Out!
Classic Rock Hits
Jock Jams Super Book
Stadium Hit Mix
Various Arrangers.
Various Arrangers.
Various Composers.
You’ll find some of the hottest tunes around in this great
collection, each one taken from Hal Leonard’s “Easy Marching
Band Series” and “Series One.” Available in a folio format,
these charts work both indoors and out, and even have
parts for Electric Bass and Drum Set to give your indoor
performance more of a rock sound! Songs include: Another
One Bites the Dust; Born to be Wild; Danger Zone; Gimme
Some Lovin’; Gonna Make You Sweat; I Feel the Earth Move; I
Got You (I Feel Good); Low Rider; My Boyfriend’s Back; Takin’
Care of Business; Twist and Shout; We Will Rock You; What I
Like About You; Wild Thing and You Give Love a Bad Name.
2341998Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342004Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342012 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342020 Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342038 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342046 Trumpet 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342053 Trumpet 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342061 Trumpet 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342079 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342087Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342095 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342103 Baritone T. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342111Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342129 Electric Bass . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342137Bells/Xylophone . . . . . . . . . . . . . . . . . . . . . . 3.25
2342145 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342152Cymbals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342160Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342178 Tonal Bass Drums . . . . . . . . . . . . . . . . . . . . 3.25
2342186 Auxiliary Percussion . . . . . . . . . . . . . . . . . . . 3.25
2342194 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
2342202 Conductor Score . . . . . . . . . . . . . . . . . E 16.95
2342210 Value Pack . . . . . . . . . . . . . . . . . . . . . . . . . 99.00
An unbelievable collection of the greatest stands tunes ever
assembled in a single publication! Features short time-out
versions at the Medium Easy Level of just about every hot
jammin’, slammin’, rockin’ and poppin’ tune you could ever
think of playing in the stands! If your band plays for any type
of sporting event of pep rally, you can’t afford to be without
this collection of hits! Includes over 30 stands favorites! Songs
include: The Hey Song; Devil with the Blue Dress; Get Ready
for This; We Will Rock You; Y.M.C.A; Wild Thing; Gimme
Some Lovin’; Born to be Wild; Walk This Way; Twist and
Shout and many more!
2393148Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393155Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393163 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393171 Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393189 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393197 Trumpet 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393205 Trumpet 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393213 Trumpet 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393221 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393239 Horn in Bb . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393247Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393254 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393262 Baritone T. C. . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393270Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393288 Electric Bass . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393296Bells/Xylophone . . . . . . . . . . . . . . . . . . . . . . 3.50
2393304 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393312Cymbals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393320Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393338 Tonal Bass Drums . . . . . . . . . . . . . . . . . . . . . 3.50
2393346 Auxiliary Percussion . . . . . . . . . . . . . . . . . . . 3.50
2393353 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
2393361 Conductor Score . . . . . . . . . . . . . . . . ME 16.95
2393379 Value Pack . . . . . . . . . . . . . . . . . . . . . . . . . 99.95
Jam packed with high-energy hits for the stands or field, here
is a collection of fifteen easy arrangements you can use year
after year! These charts all sound great with limited rehearsal
time. Titles include: Accidentally in Love; Boom Boom; Brick
House; Fun, Fun, Fun; Funkytown; Get Ready; I Want You
Back; Let’s Get It Started; My Girl; Respect; Rock & Roll - Part
II (The Hey Song); Secret Agent Man; Smoke on the Water;
25 or 6 to 4 and Yeah!
10046533Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046543Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046546 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046547 Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046548 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046549 Trumpet 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046550 Trumpet 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046551 Trumpet 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046552 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046553 Horn in Bb . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046555Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046556 Baritone B. C. . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046557 Baritone T. C. . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046558Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046562 Electric Bass . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046563Bells/Xylophone . . . . . . . . . . . . . . . . . . . . . . 4.50
10046564 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046565Cymbals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046566Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046567 Tonal Bass Drums . . . . . . . . . . . . . . . . . . . . . 4.50
10046568 Auxiliary Percussion . . . . . . . . . . . . . . . . . . . 4.50
10046569 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.50
10046571 Conductor Score . . . . . . . . . . . . . . . . . E 24.95
10046570 Value Pack 34 Part Books . . . . . . . . . . . . 129.95
The Ultimate Collection
For Marching
And Pep Band
Various Arrangers. Check out this awesome collection of some of the best rock
and pop songs ever! The entire collection is full of winners,
and the complete instrumentation makes this perfect for the
stands as well as for pep bands. Titles include: Blitzkreig
Bop; What’d I Say; Cupid; Gimme Some Lovin’; Great Balls
of Fire; (I Can’t Get No) Satisfaction; Shake, Rattle and Roll;
Sunshine of Your Love; When a Man Loves a Woman and
Hot Stuff.
10088027Flute/Piccolo . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088028Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088029 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088030 Baritone Sax . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088031 Trumpet 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088036 Trumpet 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088038 F Horn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088040 B Flat Horn . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088041 Low Brass & Woodwinds Part 1 BC . . . . . . 4.95
10088042 Low Brass & Woodwinds Part 2 BC . . . . . . 4.95
10088043 Low Brass & Woodwinds Part 1 TC . . . . . . 4.95
10088044 Low Brass & Woodwinds Part 2 TC . . . . . . 4.95
10088045Electric Bass Opt. Baritone BC
(Tuba Double) . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088046Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088047 Mallet Percussion (Bells, Xylophone) . . . . . 4.95
10088048 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088049Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088050 Tonal Bass Drums (4 Pitch) . . . . . . . . . . . . . 4.95
10088051Cymbals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088052Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.95
10088053 Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
10088054 Conductor Score . . . . . . . . . . . . . . . . . E 24.95
25
ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm Order Toll-Free Today! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
hot jazz & super standards
26
IG NOISE FROM WINNETKA—arr. Robert W.
B
Smith. Here is a big band classic turned into a rip-roaring showcase
JUMP, JIVE AN’ WAIL—arr. Michael Sweeney.
for your band! All the stops have been pulled out on this one, with
screaming trumpet solos, a percussion feature and in-your-face
sounds from start to finish!
2413599 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
BIRDLAND—arr. Tom Wallace. “Weather Report’s”
PE
fusion masterpiece is set as a corps-style opener/production number.
A serious chart designed to make the most of field show possibilities,
Birdland will really set your band apart from the pack!
2395556 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
by the innovative jazz fusion group “Weather Report,” Birdland has
become one of the most popular jazz tunes ever. The undeniable
groove will make it an instant favorite of your band, and the audience
won’t be able to help clapping along!
10008204 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
BROOKLYN—arr. Nick Baratta. One of the most
progressive musical groups to come along in years is the “Youngblood
Brass Band.” This innovative ensemble creates hip-hop interpreted
by six horns and two percussionists. Check out this hip, energetic
arrangement of one of “YBB’s” best!
10027140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
R PICK!
PPE
introduction including trumpet solo, then the churning Latin jazz Chick
Corea flair, this impressive production number is a real powerhouse!
A short trombone solo is included, and you can use a soloist, small
group, or even the entire band on the signature unison lick. Hot!
10026465 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 75.00
FEVER—arr. Tom Wallace. Michael Buble’s sultry and
soulful vocals have brought this classic standard a breath of fresh
air. This arrangement for the field is complete with big band hits,
jabs and stabs!
10274748 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
EORGIA ON MY MIND—arr. Michael
G
Sweeney. This opener really wails! With a tip of the hat to the
“Spirit of Atlanta” drum corps, a sultry trumpet solo gets things going
before the full ensemble build. The slow, bluesy finish will have them
on their feet!
2462489 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
Here’s a happy setting of one of Chuck Mangione’s best-loved tunes.
It starts off slowly with trumpet and alto sax solos, then kicks it up a
notch into a hot samba. Impressive!
2472047 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
ST. LOUIS BLUES—arr. Jerry Burns. One of the most
recognizable jazz tunes ever! W.C. Handy’s St. Louis Blues is surely a
classic and this easy marching band arrangement is written to sound
huge, outdoors or indoors. Your audience will love this one!
10027206 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
N E W ! EGEND OF THE ONE-EYED SAILOR—arr.
L
Jim Ott, John M. Meehan, Scott Johnson and
Michael Huestis. Here’s the Blue Devils’ signature tune from
STOMPIN’ AT THE SAVOY—arr. Mike Story.
Great jazz and big band tunes make great marching band charts!
Check out this easy but effective swingin’ arrangement of one of the
best big band tunes ever!
10087996 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
the 1970s by Chuck Mangione.
10274704 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 75.00
MANGIONE OPENER—arr. Jay Dawson. What
famous tune makes a fantastic closer for any show! With a percussion
solo strategically placed in the middle, and a surprise woodwind climax
at the end, this one will have the crowd on their feet!
2472061 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 70.00
a way to open! A powerful fanfare of Feels So Good leads into
a driving arrangement of Children of Sanchez. These classic
Mangione hit songs have been carefully scored so that even smaller
bands sound big!
2472046 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
GET IT ON—arr. Brian Scott. Get the crowd movin’ with
MERCY, MERCY, MERCY—arr. Jay Dawson.
this driving jazz-rock classic from Bill Chase! The infectious melody
and low brass groove make one hot chart that is sure to be a band
and audience favorite!
10045805 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
WING, SWING, SWING—arr. Jay Bocook &
S
Will Rapp. From the motion picture “1941”, this is John Williams’
tongue-in-cheek tribute to the big band era. This adaptation of the
swingin’ arrangement for the “Cadets Drum and Bugle Corps” is a
stunning production number for marching band that will leave the
crowd in awe! Featuring the sax section, a trumpet solo and hot
ensemble punches, it’s just like having a mega jazz band on the field!
2340024 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 75.00
Looking for a cool tune for the stands? You can’t miss with this ‘60s
soul classic!
2464147 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
and closing of the chart and will show off your band’s full potential!
2472060 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 80.00
PE
PE
SPAIN—arr. Jay Bocook. Featuring a dramatic maestoso
LAND OF MAKE BELIEVE—arr. Jay Dawson.
ANDBAGS AND GLADRAGS—Bill Chase/arr.
H
D’Abo. This tune features your woodwinds in both the opening
SING, SING, SING—arr. Ralph Ford. Here is one of
the greatest big band tunes ever written in a terrific arrangement for
marching band! Some interesting new twists are sure to make this a
memorable performance number for your band every time they play it!
10008604 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
Look no further than this jazz and drum corps staple to set the field
on fire! This hot Latin chart will definitely get the audience’s attention!
10045826 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
GET IT ON—Bill Chase/arr. Boerma. Bill Chase’s most
R PICK!
PPE
classic from Benny Goodman has been crafted into a great-sounding
but oh-so-easy chart that will make any band sound great!
10066179 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
LA SUERTE DE LOS TONTOS—arr. Victor Lopez.
BIRDLAND—arr. Mike Sweeney. Originally recorded
SING SING SING—arr. Jerry Burns. The big band
This hot chart epitomizes the revitalized swing style that’s sweeping
the nation! Louis Prima’s jumpin’ tune has been featured in the
jitterbuggin’ Gap TV commercial, and a whole new generation loves
it! This arrangement cooks from the beginning all the way to the final
shout chorus!
2407377 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
CHAMELEON—arr. Chris Sharp. Take a little funk, add
PE
a bit of rock, throw in some jazz and you’ve got a hot marching band
chart! This Herbie Hancock classic uses exciting ensemble writing and
that legendary bass line will have everyone rockin’ out!
10274569 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
HILDREN OF SANCHEZ—Chuck Mangione/
C
arr. Ford. Here is the Chuck Mangione classic in a dynamic
PE
arrangement by Ralph Ford. It’s a real crowd pleaser that your band
will love to play!
2471699 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
COCONUT CHAMPAGNE—arr. Victor Lopez. If
you are looking for a dynamite stands chart or production number, look
no further than this sizzling arrangement! Made famous by legendary
jazzman and trumpeter Maynard Ferguson, this Latin jazz tune has it
all. Check it out!
10273807 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
THEME FROM SPIDERMAN—arr. Joe Murphy.
Originally composed for the “Spiderman” cartoon series in the late
‘60s, Michael Buble released his cover of the tune in 2004, showing
his talent by performing it in a variety of styles.
10274749 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
ERCY, MERCY, MERCY—arr. Dallas Burke and
M
Carl Major. This smooth, yet sassy jazz/soul classic was ready-
N E W ! R PICK!
PPE
R PICK!
PPE
IT HAD BETTER BE TONIGHT—arr. Jay Dawson.
Originally composed by Henry Mancini for the 1963 film “The Pink
Panther,” this has become standard repertoire for many performers.
The merging of Mancini’s music with the stylings of Michael Buble
renders an intense and exciting musical adventure for the field!
10274746 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
WATERMELON MAN—arr. Tom Wallace. Herbie
made for the marching band field! If you’re looking for a hot standard,
here it is!
10274572 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Hancock’s jazz/rock hit makes a great chart for the stands, and Tom’s
arrangement is just what you’d expect...loud and fast!
2373496 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
OPEN UP WIDE—Bill Chase/arr. Boerma. The
legendary works of Bill Chase are now available for your band! This
exciting jazz-rock opener features trumpet and trombone soloists,
arranged by Scott Boerma of the “Madison Scouts.”
2472059 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 70.00
R PICK!
PPE
HEN THE SAINTS GO SWINGIN’ IN—arr.
W
Jerry Burns. Get them swingin’ in the stands this year with this
solid arrangement of When the Saints Go Marching In! An outstanding
addition to any jazz show or New Orleans tribute!
10027214 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
ECHANO—Chuck Mangione/arr. Dawson. This
burning Latin percussion feature is a great change of pace and is sure
to get some attention! Jay Dawson’s arranging skills ensure your band
will sound its best.
2472048 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
E
L GATO TRISTE—Chuck Mangione/arr.
Dawson. This pensive Mangione melody will bring your show to a
PE
gentle close. But wait! There’s a high-energy tag for that last stunning
drill move that will leave them calling for more!
2472049 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
great tools
R PICK!
PPE
For Drum Majors!
P e pp e r 2011 Marching Band C at alo g
EVERYTHING—arr. Jay Dawson. Penned by Michael
Buble, this adult contemporary pop hit is a fun and energetic field
selection. Perfect as a show closer!
10274752 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
We honor the memory of George N. Parks and remember all he has given to the
marching band world. The drum major of all drum majors leaves a legacy of field
conductors, music educators and strong leaders from all walks of life. He will be
greatly missed, but never forgotten.
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10009959 Paperback Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95
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Doug Brasell.
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Doug Brasell.
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percussion features
28
Classical Features
BOO-RAY—arr. Chris Brooks. This popular theme
from J. S. Bach is a great choice for rounding out a classical show!
It includes optional marimba and timpani parts for drum lines with a
larger pit.
10028317 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! LIGHT OF THE BUMBLEBEE—arr. Ricky
F
Burkhead. Show off your mallet players’ skills with this
arrangement of Rimsky-Korsakov’s famous piece! Mallets will certainly
be flying over the keyboards, leaving the audience in awe!
10274589 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
FALCON—John Hearnes. A great battery-only “transitional”
that will work well for the intermediate drumline. An impressive
sounding piece that moves along at a swift pace!
10090143 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 25.00
N E W ! G WHIZ—Ricky Burkhead. Here’s a bright feature for
your drum line that will add a burst of melodic energy to your show!
10274587 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
N E W ! GALAXY 9—John R. Hearnes. Take a space voyage
with this feature for experienced drum lines!
10274629 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 50.00
GO WIT D’ FLOW—Chris Brooks. Fun interplay
Contest Features
N E W ! 3 BY THREE—Brian Mason. This feature for experienced
drum lines is scored for full battery, bells, xylophone, two vibraphones,
three marimbas, timpani and accessory percussion.
10274655 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 55.00
N E W ! ANORAKS—Chris Crockarell. Here’s a whacky feature
that shows off the boomwhackers!
10274619 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
ARUBAN JAM—Ian Smith. If you’ve never been to Aruba,
this feature will take you there. Lots of nice colors and great battery
writing make this feature a winner for any show!
10067458 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
BARRACUDA—Dustin Schletzer. A short, yet cool,
12/8 battery feature to show off your troops!
10067455 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 30.00
BLAZED BLUES—Joe & Josh Horvath. Your young
drum line can show off their bluesy side with this easy to learn feature.
Scored for full battery, xylophone, bells and auxiliary percussion.
10028316 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
BORDERLINE—Chris Brooks. An accessible feature for
high school drum lines. Scored for battery, four mallets and timpani.
2394906 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
CHEETAH—Dustin Schletzer. A 50-second battery
feature that will stop the competition in their tracks! Scored for snare,
tenors, cymbals and bass drums.
10028320 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 30.00
N E W ! CODE MONKEY—Chris Brooks. Your drum line will go
bananas for this easy feature!
10274613 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
between the snares and tenors makes this feature a visual show-off!
A cool groove with a haunting low 2nd xylophone riff makes this one
a must-have!
10009818 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
INFERNO—Chris Brooks. This fiery, up-tempo feature
PRIMAL INSTINCT—Chris Brooks. Your drummers
Stands Features
ROLLING BLACKOUT—Chris Brooks. This machismo
energy up during timeouts when your drumline lets loose on these four
jammin’ beats!
10089242 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
N E W ! are sure to find their inner warrior when they play this feature!
10274626 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
feature shows off the battery while the pit simmers and grooves hard!
10067456 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
N E W ! SOCA DA GROOVE—Lalo Davila. Take a trip to the
Caribbean with this feature that includes optional parts for bass guitar
and steel pan!
10274618 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
SOLSTICE—Erik Johnson. Smooth feature at the medium
level with lots of nice mallet work.
2337905 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
SYNCO LA GROOVO—Chris Crockarell. A fun, easy
feature with lots of percussion toys to include as many “extras” as you
wish. Scored for full battery, bells and xylophone.
10090142 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
FUNKTAFIED GAME BEATS—Carl Major. Keep the
GRIDIRON GROOVES—Joseph Murfin. Perfect
for timeouts, these short grooves will keep the stadium rockin’ and
jammin’ through every game!
10089243 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
N E W ! GRIDIRON GROOVES II—Joseph Murfin. These
four drum line grooves are just the right length to play in any
sporting event to get the crowd and the team hyped up!
10274546 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
NEW!
JAMIN’ DRUM BEATS IN THE STANDS—Carl
Major. Like the title says, here are four short, jamin’ grooves to
feature your percussion section during the game.
10274547 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
is perfect for a contemporary jazz show! Rich mallet colors, lots of
timpani and blazin’ battery licks keep this feature moving!
10028321 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
N E W ! TOM TOM TOMAHAWK—David England. Put the
JAMIN’ FAN JAMZ—Carl Major. Let your drumline
lead the timeout cheers with this pack of four fun short features!
10089238 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
N E W ! TRASHIN’ THE CAMP—arr. Will Rapp. This
PEP GROOVES 2010—Alan Keown. Energize the
audience with these four killer grooves that are short but hot!
10089286 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
JAGUAR—John R. Hearnes. Your drum line will sound
smooth and suave with this easy feature!
10274616 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
toms front and center for this bold feature!
10274617 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
entertaining tune from Disney’s “Tarzan” makes a terrific
percussion feature. Includes suggested visual effects.
2430767 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35.00
N E W ! N E W ! LEVEL 7.4—Julie Davila. This challenging chart pulls out
all the stops with this feature that’s scored for full battery, bells,
xylophone, two sets of vibes, three marimbas, timpani, synthesizer,
bass guitar and accessory percussion.
10274631 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 55.00
MO COWBELL—John R. Hearnes. You want cowbells?
You GOT cowbells! Scored for full battery, bells and xylophone, this
easy percussion feature has a certain “moo-nificent” appeal!
10046412 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
MOONWALKIN’—Chris Brooks. A cool little funky
“thang” that will have the audience on their feet! Your drumline will
easily slide on and off the field with this one!
10046411 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
ORE COWBELL BABY (Ode to the Cowbell)—
M
Carl Major. You can never have too much cowbell! Here’s a
whole chart that features not just one, but two cowbells and agogo
bells! This one will bring down the house!
10089244 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
OWAMBO—Chris Crockarell. Pull out your African
drums for this fun and easy percussion feature! Scored for full
battery, xylophone, bells and auxiliary percussion, the jungle beat
is infectious!
10028315 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
TRAVAIL—David England. Your drum line may endure
trials and tribulations and maybe even a little pain to get this
challenging feature together. But it will be well worth it!
10274641 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 55.00
NEW!
TWILIGHT ZONED—Kennan Wylie. The drum line
will sound out of this world when they play this challenging feature!
10274621 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
WALK THE WALK—Glenn Ceglia. Got bells and
xylophone? Then you’ll love this easy marching percussion feature!
Easy to play, easy to perform, easy to groove with!
10009816 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! PEP GROOVES 2011—Alan Keown. These four short
drum line grooves are the perfect length to rock any timeout!
10274574 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
NEW!
APITY RAP...GONNA DRUM BACK!—Carl
R
Major. This fun and funky percussion feature makes use of
snare drum, tenors, bass drums, auxiliary percussion, an electric or
keyboard bass and one of your students as a break out rap star! You
don’t need two turntables and a microphone when you’ve got a drum
line and a student that can rock the house!
10274548 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
Features with Band
NY WAY YOU WANT IT—arr. Chris Crockarell
A
& Jay Dawson. Rock the house with this energetic classic by
“Journey!” Optional full band parts are included.
2412229 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
L atin Features
BLUE GROOVE—Kennan Wylie. A cool Latin groove and
BLEACHER FEACHERS—Chris Crockarell &
Chris Brooks. Four pep band features like you’ve never heard
excellent battery writing make this feature a great choice for any larger
drum line!
10028318 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
before! Hot drum parts, funky band chants and hip backup band licks
combine for some of the coolest pep band cheers around!
2338051 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35.00
OYE COMO VA—arr. Thom Hannum. This hot Latin
ALKIN’ ON THE SUN—arr. Chris Brooks &
W
Chris McDonald. The “Smashmouth” hit arranged as a
favorite is a guaranteed winner! Scored for full battery, four mallet
instruments, timbales and other Latin instruments and optional
bass guitar.
2437275 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
percussion feature with full band. Includes a mini battle between
drum-set and battery.
2437192 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
P e pp e r 2011 Marching Band C at alo g
Resources For Your Drumline!
5 DAYS OF DRUM CAMP Carl Major. Your drumline will be ready for anything after they take on these five warmups that
each focus on a different technique. From unison rhythms and timing to double beats,
from accents and inner beats to triplets and sextuplets, as well as roll break downs
and tap rolls, these exercises will have the whole line in shape in five days!
10089246 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
DRUMMER’S DAILY DRILL Dennis DeLucia.
A must for every percussionist’s library, from junior high through college level!
This book contains exercises, original audition etudes, classic excerpts and
independence work-outs for snare drum, timpani, drum set and keyboard percussion.
An essential practice regimen for drummers of all ages!
5644687 Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.00
5 MORE DAYS OF DRUM CAMP
DYNAMIC MUSIC IN THE MIX Michael McIntosh.
Carl Major.
The sequel to “5 Days of Drum Camp,” this set features a comprehensive set of
warm-ups and technique builders designed to get your battery off to a great start.
Each day has a specific set of exercises that should be played at varying tempos to
tighten up the ensemble and develop their chops. The intensity builds each day as
the students continue to mesh and develop into a seasoned drum line!
10274550 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
BACKFIELD BEATS 2009 Alan Keown & Matt Keown.
Three warm ups for superior drumlines. Sharpen their focus, technique and get them
grooving before you start the show!
10066794 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
CYMBAL TECHNIQUE 101 Basic to Advanced
Edward Capps.
Beginning with the basics of holding the cymbals correctly to performing techniques
such as zings and scratches, this book and DVD pack gives cymbal players a
foundation on which to hone their skills. The book contains detailed descriptions of
each technique and gives diagrams to show how the technique is to be carried out.
The DVD accompanies the book by giving a complete visual performance of each
technique. Cymbal players, band directors and drumline instructors will all find this
pack invaluable to the success of the percussion section.
5990790 Paperback Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34.95
DENNIS DELUCIA’S PERCUSSION DISCUSSION Dennis DeLucia.
A complete drum-line method written for beginning to intermediate players including
warm-ups, cadences, exercises, a percussion feature and more! Also includes a 26
CD ROM narrated by Dennis himself. Without a doubt, this is the definitive marching
percussion method you need to get the most out of your students... the director’s book
is incredibly informative even by itself, and the student books will enable you to put
into practice the wealth of expertise that Dennis DeLucia has to offer!
5424916 Snare Drum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00
5424924 Quad-Toms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00
5424932 Tonal Bass Drums & Cymbals . . . . . . . . . . . . . . . . . . . . . . . 10.00
5424940 Pit Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00
5703558 Conductor Score with CD-ROM . . . . . . . . . . . . . . . . . . . . . 40.00
This far-reaching tool will cover topics such as try-outs, instrumentation, technique,
voicing and arranging, tuning, marching and playing, choosing the right technology
and amplification solutions, and philosophies of teaching. Battery and front ensemble
percussion can make or break a great marching show. Don’t let the percussion
be an after-thought with your program this year. Learn from the best how to totally
incorporate your percussion program into “the mix” with this truly unique approach
to the percussion arts for marching band.
10066624 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49.95
FIELD LEVEL Mike Lynch & Scott Brown.
If you’re confused about teaching your marching drum line these days, your worries
are over. This manual will guide you through everything from tying cymbal knots
to explaining the 4-mallet grip for the keyboard players. Exercises and warm-ups
are included as well as a CD-ROM containing the music and printable parts for the
percussion section. An invaluable tool for directors!
10028313 Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40.00
FUNDAMENTAL TECHNIQUES FOR MARCHING PERCUSSION
MIDDLE SCHOOL “DRUMLINE IN A BOX” Carl Major.
This “drumline in a box” has everything your young percussionists need this season!
There are three warm-ups, a cadence and a drumline solo all in one kit. Even your
mallet percussionists get in on the action!
10028353 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
THE RUDIMENTAL COOKBOOK Edward Freytag.
A must for anyone who’s serious about playing snare drum! Includes 25 great
rudimental contest solos, along with the 26 American Standard Rudiments, the
Percussive Arts Society Rudiments, and the Drum Corps Hybrid Rudiments.
The accompanying CD includes demonstration performances.
5975050 Snare Drum Book & CD . . . . . . . . . . . . . . . . . . . . . . . . . M 20.00
5424908 Snare Drum CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.00
RUDIMENTAL DRUM SOLOS
FOR THE MARCHING SNARE DRUMMER Ben Hans.
Providing the advancing percussionist with rudimental solo material, this book is
meant as a study for developing rudiments in a musical manner. It is designed
as a progressive lesson supplement and as material for various performance
opportunities. Warm-up exercises and solos featuring the N.A.R.D., P.A.S. and hybrid
drum rudiments are included. Good for any serious percussionist.
10059676 Snare Drum Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 12.95
STADIUM 54
An Anthology of Stadium Grooves and Steet Beats
Thom Hannum.
Set your drumline on the path to success with this instructional DVD. It addresses the
performance basics for each instrument in the percussion section. Carry positions,
play positions, instrument selection and tuning are all covered. It’s like having a
percussion expert right in your own bandroom!
10025552 DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95
David Reeves.
This collection of ten stadium grooves and four streetbeats is a perfect addition to
any marching or pep band’s entertainment package. The pieces vary in length, style
and mood so there are plenty of options for just the right stands moment. This set
comes with a full score and combination listening and part CD-Rom to print all of
your individual parts.
10077023 Book with CD-ROM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36.00
LIFE’S LITTLE RUDIMENT BOOK
UP FRONT
David Steinquest.
A handy collection of the Percussive Arts Society rudiments including the 26
American Standard rudiments. Also contains short exercises that isolate each hand
to develop the individual rudiments. Included is a CD that has all of the exercises
performed and all rudiments demonstrated both open and closed.
5644695 Snare Drum Book & CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.00
Jim Casella & Jim Ancona.
Through the past twenty years or so, the “pit,” or “front ensemble,” has grown to
be an integral part of the modern drum corps and marching band activities. This
evolution has brought us into a new realm in the world of percussion education and
performance, merging outdoor playing styles with indoor playing styles. This book
explores the numerous details of a successful front ensemble. Topics included are:
equipment; instrument ranges; transposing; instrument care; technique; exercises;
teaching techniques; arranging and much, much more.
10046445 Paperback Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40.00
29
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percussion features & cadences
Trash Can Features
30
BASHIN’—Chris Crockarell. By popular demand,
more garbage can music! This one also includes pots and buckets
on the side!
2474460 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
BUCKET BEATS—Chris Crockarell & Chris
Brooks. Here’s a grab-bag of six easy to medium-level
features scored for trash cans and buckets! Great for pep rallies
and in the stands!
10046424 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-M 35.00
Percussion Cadences
AG O’ CADENCES—Chris Crockarell & Chris
B
Brooks. These seven cadences have tons of “punch” but are
not difficult to master and perform. Scored for battery and limited
accessory instruments. Great for parade use or to bring the band
off the field. A recording of all cadences is included with the set.
(Optional three, four, and five bass drum parts included.)
2412328 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 35.00
LEGACY—Alan Keown. Drum lines will love the chance to
ANGING DOWN THE GROOVES CADENCE
B
PACK—Carl Major. Crafted for younger drum lines, this set
of three cadences remains playable but challenging enough to keep
everyone interested in what the percussionists are saying...musically
speaking, anyway.
10274543 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
ARREL O’ CADENCES—Chris Crockarell &
B
Chris Brooks. If you enjoyed Bag O’, Bucket O’ and Box O’ then
you’ll love this hip collection of seven easy battery cadences that are
perfect for parades and entering the field!
10046425 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35.00
BASIC CADENCE POWER PACK—Caleb Doster.
iTRASH—Chris Crockarell. Another audience favorite for
Here is a pack of three easy cadences in one collection! Young
drumlines will love how experienced they’ll sound when they play any
of these cadences down the street or onto the field!
10009217 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
MASH THE TRASH—John Hearnes. An array of
NEW!
PERCUSSION CONCUSSION—arr. Dallas Burke.
And now for something completely different, even for drummers!
Imagine your drum line digging into a cool percussion feature scored
for seven trash cans, three six foot poles, and some plywood. It’s
great to see this kind of creative writing at the easy level!
2463321 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
show off their chops while laying the smack down on this cadence!
10274577 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 25.00
ALE O’ CADENCES—Chris Crockarell & Chris
B
Brooks. If you loved Bag O’, Bucket O’, Box O’, and Barrel O’, then
N E W ! 30-gallon trash cans and a bunch of buckets will make this feature a
guaranteed crowd pleaser!
10028314 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! DRILL SERGEANT—Dallas Burke. An inventive drum
solo that’s well-suited for developing bands, this chart features writing
for metal trash cans, plastic trash cans, flag poles and trash can lids.
It doesn’t get any more fun than this!
2474382 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
those trash can lovers! Scored for full battery, bells and xylophone, this
fun feature is easy to teach and includes some hip visuals!
10067450 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
KICKBUTT CADENCES—Will Rapp. As the title implies,
there is nothing bland or boring about these four dynamic cadences!
A great tool for motivating your drumline, as well as navigating any
parade route with style and attitude!
10274298 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
you’ll love this next “container” of fun beats to get your band down the
street and pepped up at the pep rally!
10274657 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35.00
feature for those metallic-minded folks! Trash cans! Band directors
love ‘em and drummers can’t wait to bang on ‘em!
10009817 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
N E W ! CANZTANKEROUS—Chris Brooks. With a title like
this you’ll get it all...garbage cans, buckets, lids, and tons of attitude
from your drumline!
10090144 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
HEAVY METAL JAM—Chris Crockarell. Here’s a
for your developing drum line! They’ll be rockin’ and rollin’ in no time!
2477685 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 20.00
N E W ! scored for full battery, bells, xylophone, accessory percussion and,
of course, trash cans!
10274615 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
S T R E E T
STRUT’N
J A M Z
CADENCE
PACK— C a r l
Major.
BOOM BOX—Alan Keown. Here’s the perfect cadence
CRANK U UP—Dallas C. Burke. Four funky cadences
that will give your battery the juice it needs to get moving!
10066767 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
CANOPOLIS—Chris Crockarell. Here’s a fun feature
groove will keep the audience on their toes with this hip feature. Some
fun trash can deployment adds to its charm! Scored for full battery,
bells, xylophone... and don’t forget those trash cans!
10067452 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
your band’s step as they march to the beat of this groovin’ cadence!
10274481 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 30.00
cadence is just what you need to show off your drumline’s prowess!
10274486 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 30.00
NEW!
FIRST REFUSAL—Tony McCutchen. An infectious
NEW!
COUGAR—Ayatey Shabazz. Sleek as a cougar, this
N E W ! CAN IT!—Chris Crockarell. Catch your audience’s eyes
and ears with trash cans and buckets! This fun feature is easy to teach
and includes some hip visuals for your “canners” and “bucketeers!”
10046410 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
CANTASTIK—Chris Brooks. Can you dig this? You’ll love
this unique feature using as many garbage cans as possible! Scored
for bells, xylophone, battery percussion, garbage cans, concert toms,
and auxiliary.
2700004 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
NEW!
BOOGIE BEAT—Ayatey Shabazz. Put a little boogie in
N E W ! DR. GROOVE—Alan Keown. Intermediate drum lines will
dig the solid writing and the hip groove of this cadence! The doctor is
in, and he’s prescribed a heavy dose of cool!
10274575 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
NEW!
DROP THAT BEAT—Chris Whyte. Intermediate to
advanced drum lines will love the funky goodness of this cadence!
10274576 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 25.00
Z BLAZIN’ CADENCES FOR THE SMOKIN’
E
DRUMLINE!—Chris Crockarell & Chris Brooks.
Here is a collection of seven cadences which add an instrumental twist
for your percussionists. Yes, you may hear some bucket and trash
can sounds mixed in with your marching drums in this diverse styled
package of grooves!
10067516 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 35.00
N E W ! FROM THE ASHES—Matt Savage. This cadence
BIKINI TOP—Alan Keown. The smooth and funky fresh
riffs of this cadence will have your band marching in step all the way!
10274581 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 25.00
delivers a solid groove for marching then breaks it down hip hop style
for a combination everyone will love!
10274578 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 25.00
N E W ! N E W ! BOMB, THE—Matt Savage. This cadence delivers an
intensity that signals THE band has arrived, so step off!
10274579 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 25.00
GROOVICITY—Bryan Mitchell. Chops required! Set the
field on fire when your band enters to this flashy cadence that is not
for the faint of heart!
10274482 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 30.00
MORE COMPLETE SHOWS!
STREET SMARTZ—Joseph Murfin. This cadence lays
down the funk while staying intense enough to make even young drum
lines sound experienced!
10274542 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 25.00
NEW!
TREET STRUT’N JAMZ CADENCE PACK—Carl
S
Major. Plenty of runs and funky rhythms create a nice dialog
between the different parts of the drum section in this cadence pack.
Three jammin’ cadences are included.
10274544 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
NEW!
SUPATITE—Ayatey Shabazz. The band won’t have
any trouble keeping in step with the “super tight” drum licks in
this cadence!
10274484 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 30.00
N E W ! TAKE IT TO THE HOUSE—Alan Keown. The bass
drums get turned loose on this hot cadence while the rest of the line
gets to “take it to the house!”
10274580 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 25.00
N E W ! TIGER—Ayatey Shabazz. Here’s a majestic-sounding
cadence that shows off the powerful rhythmic skills of your drumline!
10274490 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 30.00
AVATAR
arr. Jay Bocook & Will Rapp.
PART 1
10088716 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
10088716E e-Print . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
PART 2
10088717 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
10088717E e-Print . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
PART 3
10088718 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
10088718E e-Print . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
CIRQUE DU SOLEIL: KA
arr. Jay Dawson.
ANY WAY YOU WANT IT arr. Ralph Ford.
10066158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
OPEN ARMS arr. Victor Lopez.
10087929 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
DON’T STOP BELIEVIN’ arr. Brian Scott.
10087931 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
MUSIC OF LED ZEPPELIN
CIRQUE DU SOLEIL:
JOURNEY OF MAN
arr. Richard Saucedo.
JOURNEY OF MAN AND YOUTH
IMMIGRANT SONG
C IRQUE DU SOLEIL:
LA NOUBA
arr. Jay Dawson.
OPENING PRODUCTION
Shadowplay, Storm
HEARTBREAKER
DISTORTED
FLIGHT
STAIRWAY TO HEAVEN
REVE ROUGE
10090154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
PURSUIT
10090155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
BATTLEFIELD
10090156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
10087925 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
2478510 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
10087927 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
2478511 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80.00
BATMAN THEMES
THROUGH THE YEARS
2478512 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
THE BATMAN THEME
from the Motion Picture “Batman”
MUSIC OF DANNY ELFMAN
A LA LUNE
URBAN
2478513 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80.00
arr. Mike Story.
ELVIS!
arr. Jay Dawson.
CAN’T HELP FALLING IN LOVE (Opener)
10090157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
BURNING LOVE/C.C. RIDER
10090158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
HOUND DOG/LOVE ME TENDER/
JAILHOUSE ROCK
10008628 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
BATMAN THEME
from the Original Television Series
10008630 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
BATMOBILE CHASE
from “Batman Begins”
CAN’T HELP FALLING IN LOVE (Closer)
10090160 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
10001021 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
BON JOVI
YOU GIVE LOVE A BAD NAME
arr. Mike Story.
10045145 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
10045145E e-Print . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
21ST CENTURY BREAKDOWN
WANTED DEAD OR ALIVE
21 GUNS
10087984 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
KNOW YOUR ENEMY
10087986 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
10045148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
10045148E e-Print . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
LIVIN’ ON A PRAYER
10045114 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
10045114E e-Print . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
THE NIGHTMARE BEFORE CHRISTMAS - PART 2
DANNY ELFMAN CLOSER
10045116 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
10045116E e-Print . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
arr. Paul Murtha & Will Rapp.
IN THE STONE
2477272 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
AFTER THE LOVE HAS GONE
2477273 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
2480407 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
2480408 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
NIGHT WATCH
Jay Dawson.
MOVEMENT 1
10046432 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
MOVEMENT 2
10046433 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
MOVEMENT 3
10046434 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
P IANO MAN:
THE MUSIC OF BILLY JOEL
arr. Jay Dawson.
WE DIDN’T START THE FIRE/PIANO MAN
10067904 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
MY LIFE/ONLY THE GOOD DIE YOUNG
10067906 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
AIR DUBLINESQUE
10067907 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
JUST THE WAY YOU ARE
10067908 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
PIRATES OF
THE CARIBBEAN
arr. Michael Brown & Will Rapp.
PART 1
2477276 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
PART 2
2477277 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
PART 3
2477278 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
GETAWAY/SEPTEMBER
10045151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
10045151E e-Print . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION e Available via e-Printsm DANNY ELFMAN OPENER
EARTH, WIND & FIRE
arr. Paul Murtha.
MUSIC OF GREEN DAY
10087981 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
arr. Michael Brown & Will Rapp.
10008196 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
10090159 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
2480406 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
PART 3
10066570 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
10087923 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
PART 1
JOURNEY OF MAN: FLYING
JOURNEY OF MAN: YOUTH
WHOLE LOTTA LOVE
arr. Richard Saucedo.
PART 2
10066568 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
arr. Ralph Ford.
MUSIC FROM WICKED
10066567 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
10066567E e-Print . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
10066153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
10090153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
P e pp e r 2011 Marching Band C at alo g
MUSIC OF JOURNEY
2477274 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
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